Marissa Largo
Biographic Data
| ID | 10179487 |
|---|---|
| NAME | Marissa Largo |
| GIVEN NAMES | Marissa |
| FAMILY NAME | Largo |
| SIGNATURE | LARGO M |
| AFFILIATIONS | University of Toronto |
| ORCID | 0000-0003-4820-4814 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Years of Adva Journal
X Marks the Spot
Piña, Why is the Sky Blue? Crafting Cyber Transfeminist and Filipinx Futurisms through Creative Technologies
Stephanie Comilang and Simon Speiser’s Piña, Why is the Sky Blue? (2022) animates speculative aesthetics through creative technologies that give rise to decolonial futures. The installation centers on the fictive artificial intelligent figure, Piña , who carries Philippine and Ecuadorian ancestral and matriarchal data into the present and to diasporic communities who have been separated from this knowledge and culture by colonial suppression and …
Queering Urban Justice
Beyond Canada 150
Jamelie Hassan and Divya Mehra
Diasporic Intimacies
A Country That Does Not Exist
This paper examines the 2013 exhibition Through the Looking Glass: Inside My Domestic Portrait of Filipino Canadian artist Julius Poncelet Manapul. I ask in this case study: What are the ways in which Filipino Canadian artists mobilize art in response to their invisibility in Canadian society? Adopting a contextual analysis, I interpret Manapul’s artwork, my interview with the artist, and his writings and place them in conversation with discourse…
No prominent works on this page.
A Country That Does Not Exist
This paper examines the 2013 exhibition Through the Looking Glass: Inside My Domestic Portrait of Filipino Canadian artist Julius Poncelet Manapul. I ask in this case study: What are the ways in which Filipino Canadian artists mobilize art in response to their invisibility in Canadian society? Adopting a contextual analysis, I interpret Manapul’s artwork, my interview with the artist, and his writings and place them in conversation with discourse…
Diasporic Intimacies
Queering Urban Justice
Beyond Canada 150
Jamelie Hassan and Divya Mehra
Piña, Why is the Sky Blue? Crafting Cyber Transfeminist and Filipinx Futurisms through Creative Technologies
Stephanie Comilang and Simon Speiser’s Piña, Why is the Sky Blue? (2022) animates speculative aesthetics through creative technologies that give rise to decolonial futures. The installation centers on the fictive artificial intelligent figure, Piña , who carries Philippine and Ecuadorian ancestral and matriarchal data into the present and to diasporic communities who have been separated from this knowledge and culture by colonial suppression and …
X Marks the Spot
Years of Adva Journal
Sociology (4 works) · Law (3 works) · Political science (3 works) · Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Asian American and Pacific Histories (2 works) · Asian Culture and Media Studies (2 works) · Futures contract (2 works) · Geography (2 works)