Mark Antliff
Biographic Data
| ID | 1017976 |
|---|---|
| NAME | Mark Antliff |
| GIVEN NAMES | Mark |
| FAMILY NAME | Antliff |
| SIGNATURE | ANTLIFF M |
| AFFILIATIONS | Duke University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Fascism and Art History: A Paradigm Shift
Shaping Duration: Bergson and Modern Sculpture
In this article, I consider the relevance of Bergson's theory of durée for an understanding of sculpture by focusing on the work of three canonical artists in the history of twentieth-century modernism: the French Cubist Raymond Duchamp-Villon, the Italian Futurist Umberto Boccioni, and the London-based Vorticist Henri Gaudier-Brzeska. While these sculptors produced widely divergent aesthetic forms, I argue that they all endorsed Bergson's notion…
Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909–1939
Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the …
Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth
Research Article| June 01 2001 Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth Mark Antliff Mark Antliff Search for other works by this author on: This Site Google Qui Parle (2001) 13 (1): 57–102. https://doi.org/10.1215/quiparle.13.1.57 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Mark Antliff; Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth. Qui Pa…
Cubism in the Shadow of Marx
Book reviewed in this article: David Cottington Cubism in the Shadow of War: The Avant‐Garde and Politics in Paris, 1905–1914
Fascist Visions: Art and Ideology in France and Italy
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. T…
Cubism, Futurism, Anarchism: The 'Aestheticism' of the Action d'art Group, 1906 1920
Cubism, Futurism, Anarchism: The 'Aestheticism' of the Action d'art Group, 1906–1920 Get access Mark Antliff Mark Antliff Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 21, Issue 2, 1998, Pages 99–120, https://doi.org/10.1093/oxartj/21.2.99 Published: 01 December 1998
Inventing Bergson: Cultural Politics and the Parisian Avant-Garde
At the turn of the century the philosophy of Henri Bergson captivated France, and Bergson's theories of intuition and elan vital influenced artistic and political notions of the supreme individual, the collective consciousness of a class or race, and the esprit of the nation itself. Here Mark Antliff demonstrates how various artists in prewar France positioned themselves and their art in this plurality of political discourse. By interrelating suc…
Cubism, Celtism, and the Body Politic
No prominent works on this page.
Cubism, Celtism, and the Body Politic
Inventing Bergson: Cultural Politics and the Parisian Avant-Garde
At the turn of the century the philosophy of Henri Bergson captivated France, and Bergson's theories of intuition and elan vital influenced artistic and political notions of the supreme individual, the collective consciousness of a class or race, and the esprit of the nation itself. Here Mark Antliff demonstrates how various artists in prewar France positioned themselves and their art in this plurality of political discourse. By interrelating suc…
Fascist Visions: Art and Ideology in France and Italy
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. T…
Cubism, Futurism, Anarchism: The 'Aestheticism' of the Action d'art Group, 1906 1920
Cubism, Futurism, Anarchism: The 'Aestheticism' of the Action d'art Group, 1906–1920 Get access Mark Antliff Mark Antliff Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 21, Issue 2, 1998, Pages 99–120, https://doi.org/10.1093/oxartj/21.2.99 Published: 01 December 1998
Cubism in the Shadow of Marx
Book reviewed in this article: David Cottington Cubism in the Shadow of War: The Avant‐Garde and Politics in Paris, 1905–1914
Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth
Research Article| June 01 2001 Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth Mark Antliff Mark Antliff Search for other works by this author on: This Site Google Qui Parle (2001) 13 (1): 57–102. https://doi.org/10.1215/quiparle.13.1.57 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Mark Antliff; Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth. Qui Pa…
Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909–1939
Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the …
Shaping Duration: Bergson and Modern Sculpture
In this article, I consider the relevance of Bergson's theory of durée for an understanding of sculpture by focusing on the work of three canonical artists in the history of twentieth-century modernism: the French Cubist Raymond Duchamp-Villon, the Italian Futurist Umberto Boccioni, and the London-based Vorticist Henri Gaudier-Brzeska. While these sculptors produced widely divergent aesthetic forms, I argue that they all endorsed Bergson's notion…
Fascism and Art History: A Paradigm Shift
Art (8 works) · Art history (7 works) · Philosophy (5 works) · Aesthetics (4 works) · French Historical and Cultural Studies (4 works) · Italian Fascism and Post-war Society (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · History (3 works)