Iman Salty
Biographic Data
| ID | 10179949 |
|---|---|
| NAME | Iman Salty |
| GIVEN NAMES | Iman |
| FAMILY NAME | Salty |
| SIGNATURE | SALTY I |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Doorway to Dissidence
In October of 1979, a group of eight German Democratic Republic (GDR) artists in their twenties organized an exhibition designed to reflect the sentiments of their generation. It took place on a year that would mark the 30th anniversary since the formation of the GDR. Held at the Leonhardi-Museum in Dresden from October 27- November 11, the Doors Exhibition [Türen-Ausstellung] overwhelmingly represented experiences of being caught at a threshold—…
Introduction
In a recent zine of short stories, poems, and artwork entitled FORCE/FIELDS published by feminist micropress Perennial Press, the editors asked readers to interrogate the “force fields” that exist around and within us, defining a force field as “a barrier that protects someone or something from attacks or intrusions.” While “force” can be interpreted as a physically tangible or more abstracted form of power at work, “fields” denotes a spatial, ge…
Flux
The formulaic “reveal, make manifest, extend, relate” encapsulates the simultaneous material and immaterial ontological status of inflatable architectures investigated by Katarzyna Balug in “Outside of Architecture: Between Mediating and Navigating the Air.” What does it mean to reveal the environment and how does this disrupt and contribute to our experience of spaces? With Balug’s discussion of Graham Stevens’ architecture—alongside correlating…
No prominent works on this page.
Flux
The formulaic “reveal, make manifest, extend, relate” encapsulates the simultaneous material and immaterial ontological status of inflatable architectures investigated by Katarzyna Balug in “Outside of Architecture: Between Mediating and Navigating the Air.” What does it mean to reveal the environment and how does this disrupt and contribute to our experience of spaces? With Balug’s discussion of Graham Stevens’ architecture—alongside correlating…
Doorway to Dissidence
In October of 1979, a group of eight German Democratic Republic (GDR) artists in their twenties organized an exhibition designed to reflect the sentiments of their generation. It took place on a year that would mark the 30th anniversary since the formation of the GDR. Held at the Leonhardi-Museum in Dresden from October 27- November 11, the Doors Exhibition [Türen-Ausstellung] overwhelmingly represented experiences of being caught at a threshold—…
Introduction
In a recent zine of short stories, poems, and artwork entitled FORCE/FIELDS published by feminist micropress Perennial Press, the editors asked readers to interrogate the “force fields” that exist around and within us, defining a force field as “a barrier that protects someone or something from attacks or intrusions.” While “force” can be interpreted as a physically tangible or more abstracted form of power at work, “fields” denotes a spatial, ge…
Art (2 works) · Engineering (2 works) · Psychology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Archaeology (1 work) · Architecture (1 work) · Architecture and Computational Design (1 work) · Art history (1 work) · Civil engineering (1 work)