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Nell Tenhaaf

Biographic Data

ID1018397
NAMENell Tenhaaf
GIVEN NAMESNell
FAMILY NAMETenhaaf
SIGNATURETENHAAF N
AFFILIATIONSNell Tenhaaf (artist, educator), York University, 4700 Keele St., Toronto, Canada M3J 1P3..
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2008
H-INDEX1
  • Art Embodies A-Life: The Vida Competition

    Nell Tenhaaf•ARTICLE•Leonardo•2008•Cited by: 2

    Artificial Life artworks hold a unique place in the art world, one that has been largely mapped by the VIDA international competition through its annual recognition of outstanding works based on A-Life. Works that have received awards since the VIDA competition began in 1999 (25 prize-winning artworks and 56 honorary mentions) have gained viewer appreciation and popularity at the same level as any other kind of art. Yet these works define a terri…

  • Where Surfaces Meet: Interviews with Stuart Kauffman, Claus Emmeche and Arantza Etxeberria

    Nell Tenhaaf•ARTICLE•Leonardo•2001

    This article, shaped by the author's interest in convergences between art and science, presents scientists and philosophers of science who explore that convergence. However, since their expertise lies in science, they each speak from a principally scientific point of view. In fact, a common ground that emerges among them is an overt interest in point of view, which takes the form of examining the modeler's investment in and engagement with the mo…

  • As Art Is Lifelike: Evolution, Art, and the Readymade

    Nell Tenhaaf•ARTICLE•Leonardo•1998

    The early development and current concerns of artificial life practices are outlined in relation to both biology and art. The pragmatic side of a-life is presented, together with a consideration of how it compares with the biological sciences and a description of its methodologies for studying nature through computer simulation. A-life is proposed here as a place to locate art practice for artists who are interested in technoscience, and who are …

  • Art Embodies A-Life: The Vida Competition

    Nell Tenhaaf•ARTICLE•Leonardo•2008•Cited by: 2

    Artificial Life artworks hold a unique place in the art world, one that has been largely mapped by the VIDA international competition through its annual recognition of outstanding works based on A-Life. Works that have received awards since the VIDA competition began in 1999 (25 prize-winning artworks and 56 honorary mentions) have gained viewer appreciation and popularity at the same level as any other kind of art. Yet these works define a terri…

  • As Art Is Lifelike: Evolution, Art, and the Readymade

    Nell Tenhaaf•ARTICLE•Leonardo•1998

    The early development and current concerns of artificial life practices are outlined in relation to both biology and art. The pragmatic side of a-life is presented, together with a consideration of how it compares with the biological sciences and a description of its methodologies for studying nature through computer simulation. A-life is proposed here as a place to locate art practice for artists who are interested in technoscience, and who are …

  • Where Surfaces Meet: Interviews with Stuart Kauffman, Claus Emmeche and Arantza Etxeberria

    Nell Tenhaaf•ARTICLE•Leonardo•2001

    This article, shaped by the author's interest in convergences between art and science, presents scientists and philosophers of science who explore that convergence. However, since their expertise lies in science, they each speak from a principally scientific point of view. In fact, a common ground that emerges among them is an overt interest in point of view, which takes the form of examining the modeler's investment in and engagement with the mo…

  • Art Embodies A-Life: The Vida Competition

    Nell Tenhaaf•ARTICLE•Leonardo•2008•Cited by: 2

    Artificial Life artworks hold a unique place in the art world, one that has been largely mapped by the VIDA international competition through its annual recognition of outstanding works based on A-Life. Works that have received awards since the VIDA competition began in 1999 (25 prize-winning artworks and 56 honorary mentions) have gained viewer appreciation and popularity at the same level as any other kind of art. Yet these works define a terri…

Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Embodied and Extended Cognition (2 works) · Space Science and Extraterrestrial Life (2 works) · Art history (1 works) · Art, Technology, and Culture (1 works) · Artificial Intelligence (1 works) · Artificial Intelligence (1 works)

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