Carol M Babiracki

Biographic Data

ID101890
NAMECarol M Babiracki
GIVEN NAMESCarol M
FAMILY NAMEBabiracki
SIGNATUREBABIRACKI C M
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS10
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2015
H-INDEX3

  • Narsĩgā

    Carol M Babiracki, Mireille Helffer et al.CHAPTERThe new Grove dictionary of music…2015

  • Bhẽṛ

    Carol M BabirackiCHAPTERThe new Grove dictionary of music…2015

  • Banam

    Carol M BabirackiCHAPTERThe new Grove dictionary of music…2014

  • Between Life History and Performance

    Carol M BabirackiARTICLEEthnomusicology2008Cited by: 3References: 5

    Research Article| January 01 2008 Between Life History and Performance: Sundari Devi and the Art of Allusion Carol M. Babiracki Carol M. Babiracki Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 1–30. https://doi.org/10.2307/20174564 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Carol M. Babiracki; Between Life History and Performance: Sundari Devi and t…

  • Mā̃dar

    Carol M BabirackiCHAPTERThe new Grove dictionary of music…2001

  • "Saved by Dance" The Movement for Autonomy in Jharkhand

    Carol Babiracki, Carol M BabirackiARTICLEAsian Music2000Cited by: 4

    Saved dance: this phrase is a translation of the slogan naci se bdci, a phrase in Nagpuri, a regional (and Indo-Aryan, non-tribal) language of the Jharkhand region of the South Bihar plateau, an area also called Chotanagpur.' The phrase and its translation were created in 1993 Dr. Ram Dayal Munda, founder and head of the Department of Tribal and Regional Languages of Ranchi University, and former Vice-Chancellor of the University. In a 1995 conve…

  • What’s the Difference? Reflections on Gender and Research in Village India

    Carol M BabirackiCHAPTERShadows in the Field1996

    In 1974, coincidently about a year before I first heard of a field called ethnomusicology, Edward Ives wrote the following in a manual on field research. About setting up the initial interview, he said, “There are two questions that students often ask at about this point. The first, and by far the more common, frequently comes out something like this: ‘Do you think it’s going to make a difference that I’m a girl when I go talk to Mr. Bilodeau abo…

  • Chant the Names of God

    Carol Babiracki, Carol M Babiracki et al.ARTICLEEthnomusicology1993

  • Internal Interrelationships in Persian Classical Music

    Carol M Babiracki, Bruno NettlARTICLEAsian Music1987

  • Tales of Sex and Violence

    Carol M Babiracki, Rajeshwari Pandharipande et al.ARTICLEWestern Folklore1987Cited by: 3

  • Inde

    Carol Babiracki, Carol M Babiracki et al.ARTICLEEthnomusicology1982