Zacharie Hatolong-Boho
Biographic Data
| ID | 10194124 |
|---|---|
| NAME | Zacharie Hatolong-Boho |
| GIVEN NAMES | Zacharie |
| FAMILY NAME | Hatolong-Boho |
| SIGNATURE | HATOLONG-BOHO Z |
| AFFILIATIONS | University of Maroua |
| ORCID | 0000-0003-4048-1016 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“Quiero ser negro”
“Quiero ser negro” is an act of will or a project, the trajectory from one identity (A) towards another (B). As a discourse, it's the personal narrative of two young Spaniards aspiring to blackness. It also appears as a self-fiction focused on identity tourism or the process of psychological alienation, rooted in social subjectivities. Therefore, the ontological nature of identity doesn't exclude mutations, nor does it escape the construction pro…
Le Festival Yelwata Maroua 1er au Cameroun
Yelwata Maroua 1er is an annual festival organized by the mayor of Maroua I in Cameroun and held in a multidimensional stadium named Complexe Sportif Maroua Domayo. The object of this paper is the study of language practices –language and pictorial signs– that are generally produced on the stadium wall. These messages with a double semiotic status are analyzed to study diversity,local and national celebrities, collective memory and Cameroonian pe…
Los nombres propios hispánicos en Camerún
El objetivo de este artículo consiste en recoger y analizar los nombres propios hispánicos de persona y lugar que abundan en los escritos urbanos de Camerún. Se ha postulado que dichos antropónimos y topónimos son muestra de una migración o aventura de palabras españolas en Camerún, o de un proceso de globalización lingüística. Más allá del código lingüístico que se importa a tierras africanas, se trata de la universalización de la cultura hispán…
No prominent works on this page.
Los nombres propios hispánicos en Camerún
El objetivo de este artículo consiste en recoger y analizar los nombres propios hispánicos de persona y lugar que abundan en los escritos urbanos de Camerún. Se ha postulado que dichos antropónimos y topónimos son muestra de una migración o aventura de palabras españolas en Camerún, o de un proceso de globalización lingüística. Más allá del código lingüístico que se importa a tierras africanas, se trata de la universalización de la cultura hispán…
Le Festival Yelwata Maroua 1er au Cameroun
Yelwata Maroua 1er is an annual festival organized by the mayor of Maroua I in Cameroun and held in a multidimensional stadium named Complexe Sportif Maroua Domayo. The object of this paper is the study of language practices –language and pictorial signs– that are generally produced on the stadium wall. These messages with a double semiotic status are analyzed to study diversity,local and national celebrities, collective memory and Cameroonian pe…
“Quiero ser negro”
“Quiero ser negro” is an act of will or a project, the trajectory from one identity (A) towards another (B). As a discourse, it's the personal narrative of two young Spaniards aspiring to blackness. It also appears as a self-fiction focused on identity tourism or the process of psychological alienation, rooted in social subjectivities. Therefore, the ontological nature of identity doesn't exclude mutations, nor does it escape the construction pro…
Art (2 works) · Humanities (2 works) · Linguistic and Sociocultural Studies (2 works) · Philosophy (2 works) · Sociology (2 works) · Anthropology (1 work) · Archaeology (1 work) · Collective memory (1 work) · Context (archaeology (1 work) · Cultural Identity and Heritage (1 work)