Mary B Quinn
Biographic Data
| ID | 1019729 |
|---|---|
| NAME | Mary B Quinn |
| GIVEN NAMES | Mary B |
| FAMILY NAME | Quinn |
| SIGNATURE | QUINN M B |
| AFFILIATIONS | University of New Mexico |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Soundscape of Metamorphosis
Pedro Calderón de la Barca marked the birth of Prince Felipe Próspero (1657) with the invention of a new musical-theatrical genre: zarzuela. Entitled El laurel de Apolo, the piece retells Ovid's myth but with some unexpected additions. Though no music survives, this article reveals how Calderón created a sensorial hierarchy, privileging sound. Surprisingly, the turn toward a sonic rendering of Ovid's myth may be the result of a painting by Peter …
Imagining Domesticity in Cervantes' Novelas ejemplares and Don Quijote
This article discusses the role of the home in both Miguel de Cervantes' Don Quijote and his Novelas ejemplares. The first half of the article addresses the relationship between the idea of wandering and the idea of home, showing that multiple characters understand Don Quijote's vagrancy as the key manifestation of his madness. Moreover, the knight's homelessness connects him to another wandering character: the Morisco Ricote. A historical and te…
Handless Maidens, Modern Texts
“La leyenda de la doncella Carcayona” is a Morisco version of the folktale, “The Handless Maiden.” In the legend, Carcayona rebels against her father’s religion and converts to Islam. Yet, far from an unknown tale that merely circulated among a marginalized people, Carcayona’s story is at the center of one of the most famous episodes of Don Quijote, I , the Captive’s Tale. This intertextuality is crucial, not only for our understanding of the Cap…
Los moriscos y Ginés Pérez de Hita
No prominent works on this page.
Los moriscos y Ginés Pérez de Hita
Handless Maidens, Modern Texts
“La leyenda de la doncella Carcayona” is a Morisco version of the folktale, “The Handless Maiden.” In the legend, Carcayona rebels against her father’s religion and converts to Islam. Yet, far from an unknown tale that merely circulated among a marginalized people, Carcayona’s story is at the center of one of the most famous episodes of Don Quijote, I , the Captive’s Tale. This intertextuality is crucial, not only for our understanding of the Cap…
Imagining Domesticity in Cervantes' Novelas ejemplares and Don Quijote
This article discusses the role of the home in both Miguel de Cervantes' Don Quijote and his Novelas ejemplares. The first half of the article addresses the relationship between the idea of wandering and the idea of home, showing that multiple characters understand Don Quijote's vagrancy as the key manifestation of his madness. Moreover, the knight's homelessness connects him to another wandering character: the Morisco Ricote. A historical and te…
The Soundscape of Metamorphosis
Pedro Calderón de la Barca marked the birth of Prince Felipe Próspero (1657) with the invention of a new musical-theatrical genre: zarzuela. Entitled El laurel de Apolo, the piece retells Ovid's myth but with some unexpected additions. Though no music survives, this article reveals how Calderón created a sensorial hierarchy, privileging sound. Surprisingly, the turn toward a sonic rendering of Ovid's myth may be the result of a painting by Peter …
Art (4 works) · Early Modern Spanish Literature (3 works) · Humanities (3 works) · Literature (3 works) · History (2 works) · Acoustics (1 work) · Archaeology (1 work) · Art history (1 work) · Character (mathematics (1 work) · Gender Studies (1 work)