Uri Margolin
Biographic Data
| ID | 1020666 |
|---|---|
| NAME | Uri Margolin |
| GIVEN NAMES | Uri |
| FAMILY NAME | Margolin |
| SIGNATURE | MARGOLIN U |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 3 |
Experiencing Virtual Worlds
Book Review| December 01 2002 Experiencing Virtual Worlds: Observation to Co-Creation Uri Margolin Uri Margolin Search for other works by this author on: This Site Google Poetics Today (2002) 23 (4): 707–717. https://doi.org/10.1215/03335372-23-4-707 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Uri Margolin; Experiencing Virtual Worlds: Observation to Co-Creation. Poetics Today 1 December 2002;…
Telling in the Plural
This article aims to provide a definition, description, and typology of collective narrative agents and of collective narratives. A collective narrative agent occurs in a given narrative if three conditions are satisfied:(a) the argument position in numerous narrative propositions is occupied by an expression designating a group of some kind; (b) the predicate position in these propositions is occupied by predicates that designate the group's hol…
Changing individuals in narrative
Reference, Coreference, Referring, and the Dual Structure of Literary Narrative
A. Initial Philosophical Considerations To refer is to single out, pick out, specify, select, or uniquely identify a particular (person, object, place, event, or process) as existing in a given domain or universe of discourse and thus to be able to answer the question of who, what, or which one, or, in other words, to say what there is in the given universe of discourse. Reference is carried out by means of tokens of singular terms/expressions (d…
Individuals in Narrative Worlds
which serves as a point of departure for most theoretical endeavors in the study of culture-provides us with four major components of this content aspect: plot, setting, ideas, and character. Each of these intuitive notions is, however, ambiguous and polysemic. The first theoretical step, accordingly, involves the explication and exactification of such notions by means of an explicitly defined theoretical vocabulary, which yields a model object o…
Structuralist approaches to character in narrative
Discussion des differentes conceptions du personnage dans la narratologie actuelle et de leurs fondements theoriques. Esquisse d'une theorie semiotique et structuraliste du personnage en tant que individu non actuel dans un univers narratif. Observations metatheoriques sur les relations entre cette theorie et d'autres spheres de la narratologie et de la poetique
Dealing with the Non-Actual
Uri Margolin, Dealing with the Non-Actual: Conception, Reception, Description, Poetics Today, Vol. 9, No. 4, Episodes in the History of Criticism and Theory: Papers from the Fourth Annual Meeting of the GRIP Project (1988), pp. 863-878
The Doer and the Deed
Like most other literary-critical terms, character, figure or person are polysemic and ambiguous. For the purpose of this essay, character or person in narrative will be understood as designating a human or human-like individual, existing in some possible world, and capable of fulfilling the argument position in the propositional form DO(X) - that is, a Narrative Agent (=NA), to whom inner states, mental properties (traits, features) or complexes…
On the 'vagueness' of critical concepts
Telling in the Plural
This article aims to provide a definition, description, and typology of collective narrative agents and of collective narratives. A collective narrative agent occurs in a given narrative if three conditions are satisfied:(a) the argument position in numerous narrative propositions is occupied by an expression designating a group of some kind; (b) the predicate position in these propositions is occupied by predicates that designate the group's hol…
Individuals in Narrative Worlds
which serves as a point of departure for most theoretical endeavors in the study of culture-provides us with four major components of this content aspect: plot, setting, ideas, and character. Each of these intuitive notions is, however, ambiguous and polysemic. The first theoretical step, accordingly, involves the explication and exactification of such notions by means of an explicitly defined theoretical vocabulary, which yields a model object o…
The Doer and the Deed
Like most other literary-critical terms, character, figure or person are polysemic and ambiguous. For the purpose of this essay, character or person in narrative will be understood as designating a human or human-like individual, existing in some possible world, and capable of fulfilling the argument position in the propositional form DO(X) - that is, a Narrative Agent (=NA), to whom inner states, mental properties (traits, features) or complexes…
Reference, Coreference, Referring, and the Dual Structure of Literary Narrative
A. Initial Philosophical Considerations To refer is to single out, pick out, specify, select, or uniquely identify a particular (person, object, place, event, or process) as existing in a given domain or universe of discourse and thus to be able to answer the question of who, what, or which one, or, in other words, to say what there is in the given universe of discourse. Reference is carried out by means of tokens of singular terms/expressions (d…
Structuralist approaches to character in narrative
Discussion des differentes conceptions du personnage dans la narratologie actuelle et de leurs fondements theoriques. Esquisse d'une theorie semiotique et structuraliste du personnage en tant que individu non actuel dans un univers narratif. Observations metatheoriques sur les relations entre cette theorie et d'autres spheres de la narratologie et de la poetique
On the 'vagueness' of critical concepts
The Doer and the Deed
Like most other literary-critical terms, character, figure or person are polysemic and ambiguous. For the purpose of this essay, character or person in narrative will be understood as designating a human or human-like individual, existing in some possible world, and capable of fulfilling the argument position in the propositional form DO(X) - that is, a Narrative Agent (=NA), to whom inner states, mental properties (traits, features) or complexes…
Dealing with the Non-Actual
Uri Margolin, Dealing with the Non-Actual: Conception, Reception, Description, Poetics Today, Vol. 9, No. 4, Episodes in the History of Criticism and Theory: Papers from the Fourth Annual Meeting of the GRIP Project (1988), pp. 863-878
Structuralist approaches to character in narrative
Discussion des differentes conceptions du personnage dans la narratologie actuelle et de leurs fondements theoriques. Esquisse d'une theorie semiotique et structuraliste du personnage en tant que individu non actuel dans un univers narratif. Observations metatheoriques sur les relations entre cette theorie et d'autres spheres de la narratologie et de la poetique
Individuals in Narrative Worlds
which serves as a point of departure for most theoretical endeavors in the study of culture-provides us with four major components of this content aspect: plot, setting, ideas, and character. Each of these intuitive notions is, however, ambiguous and polysemic. The first theoretical step, accordingly, involves the explication and exactification of such notions by means of an explicitly defined theoretical vocabulary, which yields a model object o…
Reference, Coreference, Referring, and the Dual Structure of Literary Narrative
A. Initial Philosophical Considerations To refer is to single out, pick out, specify, select, or uniquely identify a particular (person, object, place, event, or process) as existing in a given domain or universe of discourse and thus to be able to answer the question of who, what, or which one, or, in other words, to say what there is in the given universe of discourse. Reference is carried out by means of tokens of singular terms/expressions (d…
Changing individuals in narrative
Telling in the Plural
This article aims to provide a definition, description, and typology of collective narrative agents and of collective narratives. A collective narrative agent occurs in a given narrative if three conditions are satisfied:(a) the argument position in numerous narrative propositions is occupied by an expression designating a group of some kind; (b) the predicate position in these propositions is occupied by predicates that designate the group's hol…
Experiencing Virtual Worlds
Book Review| December 01 2002 Experiencing Virtual Worlds: Observation to Co-Creation Uri Margolin Uri Margolin Search for other works by this author on: This Site Google Poetics Today (2002) 23 (4): 707–717. https://doi.org/10.1215/03335372-23-4-707 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Uri Margolin; Experiencing Virtual Worlds: Observation to Co-Creation. Poetics Today 1 December 2002;…
Epistemology (7 works) · Philosophy (7 works) · Linguistics (6 works) · Narrative (6 works) · Sociology (6 works) · Computer Science (5 works) · Art (4 works) · Language, Metaphor, and Cognition (4 works) · Literature (4 works) · Psychology (4 works)