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Sezen Kayhan Müldür

Biographic Data

ID102162
NAMESezen Kayhan Müldür
GIVEN NAMESSezen Kayhan
FAMILY NAMEMüldür
SIGNATUREMÜLDÜR S K
AFFILIATIONSJohannes Gutenberg University Mainz
ORCID0000-0001-6772-6154
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2023
H-INDEX1
  • TV drama production studios of Istanbul

    Open Access•Sezen Kayhan Müldür•ARTICLE•Critical Studies in Television…•2023•References: 24

    This study explores the transformation of production spaces from empty sound stages to standing sets, drawing on the findings from fieldwork involving 14 key players; studio owners and managers, screenwriters and art directors. The sets containing standing decors of hospital rooms, police stations, jails and courtrooms, transformed from abandoned factories, warehouses and administrative buildings in Istanbul, mostly lack proper infrastructure and…

  • Women with purple violets documentary and the liberating effects of female football fandom

    Sezen Kayhan Müldür•ARTICLE•Soccer and Society•2022•References: 6

    This research examines the liberating and socializing effects of football on women by exploring the history of the female fan group ‘Purple Violets’, who have been passionately devoted to the football team ‘Orduspor’ from 1967 to today. The women in the fan group, who never missed matches in the 1970s and 1980s, slowly disappeared from the stadium. This transformation was also related to the gender politics of the current government. The article …

  • The Building as Screen

    Sezen Kayhan Müldür•ARTICLE•Visual Studies•2021•References: 1

    The Building as Screen: A History, Theory and Practice of Massive Media." Visual Studies, ahead-of-print(ahead-of-print), pp. 1–2

  • The proliferation of alternative film exhibition spaces in Istanbul

    Sezen Kayhan Müldür•ARTICLE•Visual Studies•2020

    In the last decade, Istanbul witnessed the rapid proliferation of alternative film exhibition spaces such as museums, cafes, art and cultural centres in specific neighbourhoods. This increase is a result of mostly three forces: the monopoly of dominant distribution companies, authoritarian pressure of the government and urban transformation in Istanbul. These places provide space for censored films and are essentially important for independent an…

  • Open-Air Cinemas of Istanbul From the 1950s to Today

    Open Access•Sezen Kayhan Müldür•ARTICLE•Space and Culture•2018•Cited by: 1•References: 3

    This article explores open-air cinema spectatorship in Istanbul from the 1950s to the contemporary era. Since the 1990s, literary authors, actors, and film critics have been depicting open-air cinemas in their memoirs with a certain sense of nostalgia. This nostalgic sentiment is largely driven by multiplex cinemas, which have changed the spectatorship experience in Istanbul. Besides the post-1980s urban gentrification that led to the building of…

  • TV Series Production and the Urban Restructuring of Istanbul

    Open Access•Ipek A Celik Rappas, Sezen Kayhan Müldür•ARTICLE•Television & New Media•2016•Cited by: 3•References: 7

    This article explores the entangled relationship between Turkish TV series and the city of Istanbul examining both the series’ representation of the city and the effects of flourishing series’ production on the city. We argue that TV series production and representation changes and is changed by the urban restructuring of globalizing Istanbul since the late 1980s. Analyzing internationally popular series such as Noor, Valley of the Wolves, and 10…

  • TV Series Production and the Urban Restructuring of Istanbul

    Open Access•Ipek A Celik Rappas, Sezen Kayhan Müldür•ARTICLE•Television & New Media•2016•Cited by: 3•References: 7

    This article explores the entangled relationship between Turkish TV series and the city of Istanbul examining both the series’ representation of the city and the effects of flourishing series’ production on the city. We argue that TV series production and representation changes and is changed by the urban restructuring of globalizing Istanbul since the late 1980s. Analyzing internationally popular series such as Noor, Valley of the Wolves, and 10…

  • Open-Air Cinemas of Istanbul From the 1950s to Today

    Open Access•Sezen Kayhan Müldür•ARTICLE•Space and Culture•2018•Cited by: 1•References: 3

    This article explores open-air cinema spectatorship in Istanbul from the 1950s to the contemporary era. Since the 1990s, literary authors, actors, and film critics have been depicting open-air cinemas in their memoirs with a certain sense of nostalgia. This nostalgic sentiment is largely driven by multiplex cinemas, which have changed the spectatorship experience in Istanbul. Besides the post-1980s urban gentrification that led to the building of…

  • TV Series Production and the Urban Restructuring of Istanbul

    Open Access•Ipek A Celik Rappas, Sezen Kayhan Müldür•ARTICLE•Television & New Media•2016•Cited by: 3•References: 7

    This article explores the entangled relationship between Turkish TV series and the city of Istanbul examining both the series’ representation of the city and the effects of flourishing series’ production on the city. We argue that TV series production and representation changes and is changed by the urban restructuring of globalizing Istanbul since the late 1980s. Analyzing internationally popular series such as Noor, Valley of the Wolves, and 10…

  • Open-Air Cinemas of Istanbul From the 1950s to Today

    Open Access•Sezen Kayhan Müldür•ARTICLE•Space and Culture•2018•Cited by: 1•References: 3

    This article explores open-air cinema spectatorship in Istanbul from the 1950s to the contemporary era. Since the 1990s, literary authors, actors, and film critics have been depicting open-air cinemas in their memoirs with a certain sense of nostalgia. This nostalgic sentiment is largely driven by multiplex cinemas, which have changed the spectatorship experience in Istanbul. Besides the post-1980s urban gentrification that led to the building of…

  • The proliferation of alternative film exhibition spaces in Istanbul

    Sezen Kayhan Müldür•ARTICLE•Visual Studies•2020

    In the last decade, Istanbul witnessed the rapid proliferation of alternative film exhibition spaces such as museums, cafes, art and cultural centres in specific neighbourhoods. This increase is a result of mostly three forces: the monopoly of dominant distribution companies, authoritarian pressure of the government and urban transformation in Istanbul. These places provide space for censored films and are essentially important for independent an…

  • The Building as Screen

    Sezen Kayhan Müldür•ARTICLE•Visual Studies•2021•References: 1

    The Building as Screen: A History, Theory and Practice of Massive Media." Visual Studies, ahead-of-print(ahead-of-print), pp. 1–2

  • Women with purple violets documentary and the liberating effects of female football fandom

    Sezen Kayhan Müldür•ARTICLE•Soccer and Society•2022•References: 6

    This research examines the liberating and socializing effects of football on women by exploring the history of the female fan group ‘Purple Violets’, who have been passionately devoted to the football team ‘Orduspor’ from 1967 to today. The women in the fan group, who never missed matches in the 1970s and 1980s, slowly disappeared from the stadium. This transformation was also related to the gender politics of the current government. The article …

  • TV drama production studios of Istanbul

    Open Access•Sezen Kayhan Müldür•ARTICLE•Critical Studies in Television…•2023•References: 24

    This study explores the transformation of production spaces from empty sound stages to standing sets, drawing on the findings from fieldwork involving 14 key players; studio owners and managers, screenwriters and art directors. The sets containing standing decors of hospital rooms, police stations, jails and courtrooms, transformed from abandoned factories, warehouses and administrative buildings in Istanbul, mostly lack proper infrastructure and…

Sociology (6 works) · Media studies (5 works) · Art (4 works) · Cinema and Media Studies (4 works) · Law (4 works) · Political science (4 works) · Social science (4 works) · Visual arts (4 works) · Advertising (3 works) · Business (3 works)

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