Victoria Baskin Coffey
Biographic Data
| ID | 102176 |
|---|---|
| NAME | Victoria Baskin Coffey |
| GIVEN NAMES | Victoria Baskin |
| FAMILY NAME | Coffey |
| SIGNATURE | COFFEY V B |
| AFFILIATIONS | Australian National University |
| ORCID | 0000-0003-3408-6335 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Reach
The galvanising aim in curating ‘Epistemic attunements’ has been to reach beyond the infrastructural imaginaries of the corporate publishing regimes that so brutally standardise the form, production, and distribution of research. Yet rather than being wholly enamoured with the pursuit of new publics, or with the kind of reach and influence that our bespoke digital platform affords, we take the idea of ‘reach’ in a different direction. In short, w…
Epistemic attunements
‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective, independent of Wiley's infrastructure and oversight. The result is a unique off‐grid adventure in academic publi…
Luŋ'thun
This audio‐visual essay works with the epistemic imperatives of our research subject—the sands and saltwater of a small stretch of coastline in northern Australia. Orchestrating a series of sounds and images together with a gentle rhythm of text‐based Yolŋu (human/Indigenous) elaboration, we seek to enable others to attune to a material dynamics of collaboration and co‐creation made manifestly palpable in the kinetic zones of coastal life. Rather…
Form
This essay argues for design as an expression of analytic rigour and ethical commitment. It explores what it might mean to ‘write’ in collaboration with the entities and forces from Country, ancestors, oceans, soil, honeyeaters, sound, wild bores, frogs, fire, ash, sand, trees, and echoes, to colour, code, bitrates, cameras, computers, and archives. Every design decision in ‘Epistemic attunements’ was conceptually‐motivated and informed by an ant…
Manapanmirr, In Christmas Spirit
Manapanmirr, In Christmas Spirit unfolds like a poem. The hum of cicadas plays under the harmonies pushing gently out of a small timber church on the edge of the water of Gapuwiyak in Northeast Arn...
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Manapanmirr, In Christmas Spirit
Manapanmirr, In Christmas Spirit unfolds like a poem. The hum of cicadas plays under the harmonies pushing gently out of a small timber church on the edge of the water of Gapuwiyak in Northeast Arn...
Reach
The galvanising aim in curating ‘Epistemic attunements’ has been to reach beyond the infrastructural imaginaries of the corporate publishing regimes that so brutally standardise the form, production, and distribution of research. Yet rather than being wholly enamoured with the pursuit of new publics, or with the kind of reach and influence that our bespoke digital platform affords, we take the idea of ‘reach’ in a different direction. In short, w…
Epistemic attunements
‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective, independent of Wiley's infrastructure and oversight. The result is a unique off‐grid adventure in academic publi…
Luŋ'thun
This audio‐visual essay works with the epistemic imperatives of our research subject—the sands and saltwater of a small stretch of coastline in northern Australia. Orchestrating a series of sounds and images together with a gentle rhythm of text‐based Yolŋu (human/Indigenous) elaboration, we seek to enable others to attune to a material dynamics of collaboration and co‐creation made manifestly palpable in the kinetic zones of coastal life. Rather…
Form
This essay argues for design as an expression of analytic rigour and ethical commitment. It explores what it might mean to ‘write’ in collaboration with the entities and forces from Country, ancestors, oceans, soil, honeyeaters, sound, wild bores, frogs, fire, ash, sand, trees, and echoes, to colour, code, bitrates, cameras, computers, and archives. Every design decision in ‘Epistemic attunements’ was conceptually‐motivated and informed by an ant…
Anthropology (2 works) · History (2 works) · Sociology (2 works) · Anthropological Studies and Insights (1 work) · Anthropology: Ethics, History, Culture (1 work) · Art (1 work) · Asian Studies and History (1 work) · Biology (1 work) · Business (1 work) · Cell Biology (1 work)