Sebastian J Lowe
Biographic Data
| ID | 102178 |
|---|---|
| NAME | Sebastian J Lowe |
| GIVEN NAMES | Sebastian J |
| FAMILY NAME | Lowe |
| SIGNATURE | LOWE S J |
| AFFILIATIONS | James Cook University |
| ORCID | 0000-0002-0165-6234 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Epistemic attunements
‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective, independent of Wiley's infrastructure and oversight. The result is a unique off‐grid adventure in academic publi…
Improvisations towards a sonorous ethics in Aotearoa New Zealand
Taonga puoro is a Māori instrumental tradition through which one cultivates an improvisational form of playing with the world. It does not follow musical notation. ‘Instruments’ vary from rocks, to bones, wood and other non‐traditional materials, such as glass. They can be found in situ, or carefully crafted and gifted. Each performance is different, new and responsive not only to the riffing soundings of fellow humans but also to the wider world…
Connecting with innerlandscapes
When ngā taonga pūoro (traditional instruments of the Māori) practitioners improvise music in the natural environment, they can be seen as explorers navigating and traversing the contours of the acoustic landscapes. As these practitioners come into dialogue with the non-humans of the natural environment, they are able to transform these relational experiences into sound phenomena, which in turn (re)create places that are meaningful to the practit…
Filming Ng ā Taonga Pūoro
In this article we discuss the potential of experimental film as an extended method of ethnographic enquiry within anthropology and ethnomusicology. Taking a point of departure in Aotearoa/New Zealand, with Māori carvers, composers, and musicians in and around the discourse of ngā taonga pūoro (traditional New Zealand Māori musical instruments), we examine how anthropologists, through the medium of film, may get closer to understanding alternativ…
No prominent works on this page.
Connecting with innerlandscapes
When ngā taonga pūoro (traditional instruments of the Māori) practitioners improvise music in the natural environment, they can be seen as explorers navigating and traversing the contours of the acoustic landscapes. As these practitioners come into dialogue with the non-humans of the natural environment, they are able to transform these relational experiences into sound phenomena, which in turn (re)create places that are meaningful to the practit…
Filming Ng ā Taonga Pūoro
In this article we discuss the potential of experimental film as an extended method of ethnographic enquiry within anthropology and ethnomusicology. Taking a point of departure in Aotearoa/New Zealand, with Māori carvers, composers, and musicians in and around the discourse of ngā taonga pūoro (traditional New Zealand Māori musical instruments), we examine how anthropologists, through the medium of film, may get closer to understanding alternativ…
Epistemic attunements
‘Epistemic attunements – Regenerating anthroplogy's form’ is a collective experiment in expanding the expressive and analytic repertoire of anthropology and related disciplines. It features eleven peer‐reviewed research articles published on a standalone website that has been designed, built, and maintained by our editorial collective, independent of Wiley's infrastructure and oversight. The result is a unique off‐grid adventure in academic publi…
Improvisations towards a sonorous ethics in Aotearoa New Zealand
Taonga puoro is a Māori instrumental tradition through which one cultivates an improvisational form of playing with the world. It does not follow musical notation. ‘Instruments’ vary from rocks, to bones, wood and other non‐traditional materials, such as glass. They can be found in situ, or carefully crafted and gifted. Each performance is different, new and responsive not only to the riffing soundings of fellow humans but also to the wider world…
Anthropology (4 works) · Sociology (4 works) · Aotearoa (3 works) · Diverse Musicological Studies (3 works) · Gender Studies (3 works) · Archaeology and Rock Art Studies (2 works) · Art (2 works) · Epistemology (2 works) · Ethnography (2 works) · Geographies of human-animal interactions (2 works)