Oksana A Shtayn
Biographic Data
| ID | 10224840 |
|---|---|
| NAME | Oksana A Shtayn |
| GIVEN NAMES | Oksana A |
| FAMILY NAME | Shtayn |
| SIGNATURE | SHTAYN O A |
| AFFILIATIONS | Ural Federal University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The New Synergistic Quality in Bio-Art
The article is devoted to the philosophical analysis of the ontological shift in the concept of synergy demonstrated by the practices of contemporary bio-art. The classical theo-anthropological model of synergy, systematized in the synergetic anthropology of S.S. Khoruzhii, understands it as the joint action of human will and divine grace, unfolding in the vertical, hierarchical logic of dialogue with the transcendent. The authors show that bio-a…
Gogol's Mirror
Mikhail Bakhtin's interpretation of urban carnival culture includes two reflective mechanisms: as representation and as the provision of subject unity. Bakhtin deftly reconciles these two patterns to prove two theses: a) that any participant in urban carnival culture opposes the official norms of culture and b) that the grotesque is a sustainable aesthetic principle of text generation different from the poetic-rhetorical rule. Gogol conflated bot…
The Imagery of M.V. Dobuzhinsky’s Illustrations to Yu.K. Olesha’s The Three Fat Men
Mstislav Dobuzhinsky’s illustrations to the tale by Yury Olesha The Three Fat Men have not received a convincing interpretation. It is suggested to read these illustrations as a special work with the social imaginary that expands the participation of the fairy tale’s characters in revolutionary events through a special gaze technique. Two types of imagination are distinguished: the narrative imagination, implying the acceptance of the structure o…
No prominent works on this page.
The Imagery of M.V. Dobuzhinsky’s Illustrations to Yu.K. Olesha’s The Three Fat Men
Mstislav Dobuzhinsky’s illustrations to the tale by Yury Olesha The Three Fat Men have not received a convincing interpretation. It is suggested to read these illustrations as a special work with the social imaginary that expands the participation of the fairy tale’s characters in revolutionary events through a special gaze technique. Two types of imagination are distinguished: the narrative imagination, implying the acceptance of the structure o…
Gogol's Mirror
Mikhail Bakhtin's interpretation of urban carnival culture includes two reflective mechanisms: as representation and as the provision of subject unity. Bakhtin deftly reconciles these two patterns to prove two theses: a) that any participant in urban carnival culture opposes the official norms of culture and b) that the grotesque is a sustainable aesthetic principle of text generation different from the poetic-rhetorical rule. Gogol conflated bot…
The New Synergistic Quality in Bio-Art
The article is devoted to the philosophical analysis of the ontological shift in the concept of synergy demonstrated by the practices of contemporary bio-art. The classical theo-anthropological model of synergy, systematized in the synergetic anthropology of S.S. Khoruzhii, understands it as the joint action of human will and divine grace, unfolding in the vertical, hierarchical logic of dialogue with the transcendent. The authors show that bio-a…
Action (physics) (1 works) · Argument (complex analysis) (1 works) · Art (1 works) · Conflation (1 works) · Discourse Analysis and Cultural Communication (1 works) · Education, Literature, Philosophy Research (1 works) · Environmental, Ecological, and Cultural Studies (1 works) · Event (particle physics) (1 works) · Metaphor (1 works) · Ontology (1 works)