Michel Jeanneret
Biographic Data
| ID | 1023027 |
|---|---|
| NAME | Michel Jeanneret |
| GIVEN NAMES | Michel |
| FAMILY NAME | Jeanneret |
| SIGNATURE | JEANNERET M |
| AFFILIATIONS | Genève |
| VERIFIED | No |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Dis-moi comment tu manges
Cinquante-huit réponses à Nicolas Sarkozy
Gerard agonistes
A praise of Gerard Defaux, an expert in French Renaissance literature, this opening essay starts by pointing out the main achievements of Defaux as a specialist in Rabelais, Clement Marot, Maurice Sceve and Montaigne. It then pays hommage to Defaux as a fighter, a scholar who committed himself passionately to the defense of his ideas, notably the Christian dimension of Humanism and the rejection of deconstructionist theories
Humeurs noires
Pour la littérature
Le texte hors de lui: Le Commentaire
The Text Beside Itself: Its Commentary Commentaries of literary works can either reinforce their limits to build their own discourse, or develop them, rendering both them and themselves limitless - while making sense, their ultimate purpose
Perpetuum Mobile. Métamorphoses des corps et des oeuvres de Vinci à Montaigne
C'est la notion de mtamorphose que s'attache l'rudit pour suggrer le foisonnement cratif des oeuvres et leur perptuelle gestation. Vinci, pour l'art, Erasme, Rabelais, Ronsard, Palissy, Du Bartas et Montaigne pour la littrature, sont au coeur de cette tude et rvlent leur qute incessante de la varietas, et leur insatisfaction, leur angoisse mme, devant la finitude. Jeanneret claire parfaitement le processus gnratif de leurs oeuvres qui reproduisen…
The Vagaries of Exemplarity: Distortion or Dismissal
The Vagaries of Exemplarity: Distortion or Dismissal? Michel Jeanneret Example is an uncertain looking-glass, all embracing, turning all ways. Montaigne 1 Ancients and Moderns: Negotiating Coexistence Do the Ancients provide the Renaissance with a repertoire of infallible examples? Do they have such absolute authority that their models, whether ethical or aesthetic, retain their relevance in every circumstance? The question is part and parcel of …
Portrait of the Humanist as Proteus
Is the perfection of a being a result of its perfectibility, that is to say its imperfection? Is the greatness of a human being a function of how much he is a man in the making? Can the human being elude all determination in order to construct itself freely or, at the very least, expose itself to an infinite number of potential destinies? This dream of absolute freedom was at times the humanists' dream. The following paper will try to show that b…
The Renaissance and Its Ancients: Dismembering and Devouring
MLN - Volume 110, Number 5, December 1995 (French Issue)
Ouverture
Overture . Recent research on the variability of the literary text has either focused on rethinking it as constitutive of the medieval text, or concentrated, with genetic criticism, on the mutations prior to a finalised form. But is literary ductility thus limited to manuscript media ? Can these concepts apply elsewhere, and how
Œuvres à faire: La part du public dans l'art de la Renaissance
Works to be completed the role of the public in renaissance art . It is a banality - but an old ,banality, as Montaigne might show - to say that the reception of a work of art is an integral part of it. More interestingly, what strategies did Renaissance artists and writers develop to acquire the public's complicity and the assurance of a continued, dynamic interest
Sampling the Book: Renaissance Prologues and the French 'Conteurs
Commentary on Fiction, Fiction as Commentary
Research Article| October 01 1992 Commentary on Fiction, Fiction as Commentary Michel Jeanneret; Michel Jeanneret Search for other works by this author on: This Site Google Benjamin Semple Benjamin Semple Search for other works by this author on: This Site Google South Atlantic Quarterly (1992) 91 (4): 909–928. https://doi.org/10.1215/00382876-91-4-909 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citati…
Et La Forme Se Perd: Structures mobiles à la Renaissance
Notwithstanding the cliché of its Platonic conception of form as dominating matter, the Renaissance is fascinated with the instability of the forms matter takes. Vinci is obsessed by chaos : Montaigne with inconstancy. These themes give rise to «forms » : the metamorphoses in Ronsard' s poems parallel the lability of the architecture of his works. Or Montaigne's Essays, in perpetual flux : his writing inscribes time and mutability
Œdipe aveugle: À propos de Terence Cave, Recognitions
Des Mets et des mots. Banquets et propos de table a la Renaissance
Les paroles dégelées (Rabelais, Quart Livre, 48-65)
Un Poéte Et Ses Tableaux Le Cabinet De M. De Scudéry
UN POÉTE ET SES TABLEAUX LE CABINET DE M. DE SCUDÉRY Get access MICHEL JEANNERET MICHEL JEANNERET GENÈVE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXVIII, Issue 4, October 1974, Pages 385–395, https://doi.org/10.1093/fs/XXVIII.4.385 Published: 01 October 1974
Nerval Et La Biographie Impossible
Journal Article NERVAL ET LA BIOGRAPHIE IMPOSSIBLE Get access MICHEL JEANNERET MICHEL JEANNERET GENÉVE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXIV, Issue 2, April 1970, Pages 127–144, https://doi.org/10.1093/fs/XXIV.2.127 Published: 01 April 1970
The Vagaries of Exemplarity: Distortion or Dismissal
The Vagaries of Exemplarity: Distortion or Dismissal? Michel Jeanneret Example is an uncertain looking-glass, all embracing, turning all ways. Montaigne 1 Ancients and Moderns: Negotiating Coexistence Do the Ancients provide the Renaissance with a repertoire of infallible examples? Do they have such absolute authority that their models, whether ethical or aesthetic, retain their relevance in every circumstance? The question is part and parcel of …
Nerval Et La Biographie Impossible
Journal Article NERVAL ET LA BIOGRAPHIE IMPOSSIBLE Get access MICHEL JEANNERET MICHEL JEANNERET GENÉVE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXIV, Issue 2, April 1970, Pages 127–144, https://doi.org/10.1093/fs/XXIV.2.127 Published: 01 April 1970
Un Poéte Et Ses Tableaux Le Cabinet De M. De Scudéry
UN POÉTE ET SES TABLEAUX LE CABINET DE M. DE SCUDÉRY Get access MICHEL JEANNERET MICHEL JEANNERET GENÈVE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXVIII, Issue 4, October 1974, Pages 385–395, https://doi.org/10.1093/fs/XXVIII.4.385 Published: 01 October 1974
Les paroles dégelées (Rabelais, Quart Livre, 48-65)
Des Mets et des mots. Banquets et propos de table a la Renaissance
Œdipe aveugle: À propos de Terence Cave, Recognitions
Commentary on Fiction, Fiction as Commentary
Research Article| October 01 1992 Commentary on Fiction, Fiction as Commentary Michel Jeanneret; Michel Jeanneret Search for other works by this author on: This Site Google Benjamin Semple Benjamin Semple Search for other works by this author on: This Site Google South Atlantic Quarterly (1992) 91 (4): 909–928. https://doi.org/10.1215/00382876-91-4-909 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citati…
Et La Forme Se Perd: Structures mobiles à la Renaissance
Notwithstanding the cliché of its Platonic conception of form as dominating matter, the Renaissance is fascinated with the instability of the forms matter takes. Vinci is obsessed by chaos : Montaigne with inconstancy. These themes give rise to «forms » : the metamorphoses in Ronsard' s poems parallel the lability of the architecture of his works. Or Montaigne's Essays, in perpetual flux : his writing inscribes time and mutability
Sampling the Book: Renaissance Prologues and the French 'Conteurs
The Renaissance and Its Ancients: Dismembering and Devouring
MLN - Volume 110, Number 5, December 1995 (French Issue)
Ouverture
Overture . Recent research on the variability of the literary text has either focused on rethinking it as constitutive of the medieval text, or concentrated, with genetic criticism, on the mutations prior to a finalised form. But is literary ductility thus limited to manuscript media ? Can these concepts apply elsewhere, and how
Œuvres à faire: La part du public dans l'art de la Renaissance
Works to be completed the role of the public in renaissance art . It is a banality - but an old ,banality, as Montaigne might show - to say that the reception of a work of art is an integral part of it. More interestingly, what strategies did Renaissance artists and writers develop to acquire the public's complicity and the assurance of a continued, dynamic interest
Portrait of the Humanist as Proteus
Is the perfection of a being a result of its perfectibility, that is to say its imperfection? Is the greatness of a human being a function of how much he is a man in the making? Can the human being elude all determination in order to construct itself freely or, at the very least, expose itself to an infinite number of potential destinies? This dream of absolute freedom was at times the humanists' dream. The following paper will try to show that b…
The Vagaries of Exemplarity: Distortion or Dismissal
The Vagaries of Exemplarity: Distortion or Dismissal? Michel Jeanneret Example is an uncertain looking-glass, all embracing, turning all ways. Montaigne 1 Ancients and Moderns: Negotiating Coexistence Do the Ancients provide the Renaissance with a repertoire of infallible examples? Do they have such absolute authority that their models, whether ethical or aesthetic, retain their relevance in every circumstance? The question is part and parcel of …
Perpetuum Mobile. Métamorphoses des corps et des oeuvres de Vinci à Montaigne
C'est la notion de mtamorphose que s'attache l'rudit pour suggrer le foisonnement cratif des oeuvres et leur perptuelle gestation. Vinci, pour l'art, Erasme, Rabelais, Ronsard, Palissy, Du Bartas et Montaigne pour la littrature, sont au coeur de cette tude et rvlent leur qute incessante de la varietas, et leur insatisfaction, leur angoisse mme, devant la finitude. Jeanneret claire parfaitement le processus gnratif de leurs oeuvres qui reproduisen…
Le texte hors de lui: Le Commentaire
The Text Beside Itself: Its Commentary Commentaries of literary works can either reinforce their limits to build their own discourse, or develop them, rendering both them and themselves limitless - while making sense, their ultimate purpose
Pour la littérature
Gerard agonistes
A praise of Gerard Defaux, an expert in French Renaissance literature, this opening essay starts by pointing out the main achievements of Defaux as a specialist in Rabelais, Clement Marot, Maurice Sceve and Montaigne. It then pays hommage to Defaux as a fighter, a scholar who committed himself passionately to the defense of his ideas, notably the Christian dimension of Humanism and the rejection of deconstructionist theories
Humeurs noires
Cinquante-huit réponses à Nicolas Sarkozy
Dis-moi comment tu manges
Art (14 works) · Philosophy (12 works) · Art history (10 works) · Renaissance Literature and Culture (10 works) · French Literature and Criticism (7 works) · Philosophy (7 works) · The Renaissance (6 works) · History (5 works) · Humanities (5 works) · Computer Science (4 works)