Susanne Lindgren Wofford
Biographic Data
| ID | 1023323 |
|---|---|
| NAME | Susanne Lindgren Wofford |
| GIVEN NAMES | Susanne Lindgren |
| FAMILY NAME | Wofford |
| SIGNATURE | WOFFORD S L |
| AFFILIATIONS | University of Wisconsin–Madison |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 2 |
Foreign
This chapter focuses on the importation into English drama of elements that had their roots in European theatre as well as in classical sources and in English imaginations of the ancient past. It shows how this foreign material was absorbed by the plays of Christopher Marlowe, William Shakespeare, Thomas Dekker, Thomas Middleton, and John Marston, becoming fully international even when they appeared to be most local. It also considers several met…
Epic Traditions in the Contemporary World: The Poetics of Community
Translations of Power: Narcissism and the Unconscious in Epic History
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Choice of Achilles: The Ideology of Figure in the Epic
Introduction: ideology and trope in epic argument Part I. The Ancient Epic: 1. The politics of the simile in the Iliad 2. The Aeneid: the power of the figure 3. The figurative economy of the Aenid Part II. Versions of the Renaissance Epic: 4. The epistemologies of errantry in The Faerie Queene 5. The politics of allegory in The Faerie Queene 6. The compulsion of Trope: two paradigms notes Index of citations General index
The Choice of Achilles: The Ideology of Figure in the Epic
Introduction: ideology and trope in epic argument Part I. The Ancient Epic: 1. The politics of the simile in the Iliad 2. The Aeneid: the power of the figure 3. The figurative economy of the Aenid Part II. Versions of the Renaissance Epic: 4. The epistemologies of errantry in The Faerie Queene 5. The politics of allegory in The Faerie Queene 6. The compulsion of Trope: two paradigms notes Index of citations General index
Epic Traditions in the Contemporary World: The Poetics of Community
The Choice of Achilles: The Ideology of Figure in the Epic
Introduction: ideology and trope in epic argument Part I. The Ancient Epic: 1. The politics of the simile in the Iliad 2. The Aeneid: the power of the figure 3. The figurative economy of the Aenid Part II. Versions of the Renaissance Epic: 4. The epistemologies of errantry in The Faerie Queene 5. The politics of allegory in The Faerie Queene 6. The compulsion of Trope: two paradigms notes Index of citations General index
Translations of Power: Narcissism and the Unconscious in Epic History
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Epic Traditions in the Contemporary World: The Poetics of Community
Foreign
This chapter focuses on the importation into English drama of elements that had their roots in European theatre as well as in classical sources and in English imaginations of the ancient past. It shows how this foreign material was absorbed by the plays of Christopher Marlowe, William Shakespeare, Thomas Dekker, Thomas Middleton, and John Marston, becoming fully international even when they appeared to be most local. It also considers several met…
Art (4 works) · History (4 works) · Literature (4 works) · EPIC (3 works) · Classical Antiquity Studies (2 works) · History (2 works) · Aesthetics (1 works) · Communities (1 works) · Drama (1 works) · Epic literature (1 works)