Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Charlotte Joy

Biographic Data

ID102338
NAMECharlotte Joy
GIVEN NAMESCharlotte
FAMILY NAMEJoy
SIGNATUREJOY C
AFFILIATIONSUniversity of Cambridge
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS11
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Historic Monuments and Religious Buildings as Victims in Prosecutor v Al Mahdi at the International Criminal Court

    Open Access•Juan-Pablo Pérez-León-Acevedo, Charlotte Joy•ARTICLE•Journal of African Law•2025

    In this article, we combine anthropological and legal approaches to interrogate the position and status of “victims” during Prosecutor v Al Mahdi at the International Criminal Court (ICC). Anthropological work on ontology and distributed agency provides a potential model for a broader reading of the category of victim. We then consider the war crime committed and propose an adapted application of international law sources on victimhood in order t…

  • Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance

    Lisa Homann, UCLA Editorial Board et al.•ARTICLE•African Arts•2020•Cited by: 1•References: 19

    October 01 2020 Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance Lisa Homann, Lisa Homann Guest Dialogue Editor; Associate Professor, Department of Art & Art History, UNC Charlotte; UNC Editorial Board Member, African Arts Consortium Search for other works by this author on: This Site Google Scholar UCLA Editorial Board, UCLA Editorial Board Search for other works by this author on: This Site Google Schola…

  • Crimes against cultural heritage in Timbuktu

    Open Access•Charlotte Joy, Charlotte Louise Joy•ARTICLE•Anthropology Today•2018•Cited by: 8•References: 5

    On 3 March 2016, Ahmad al-Faqi al-Mahdi sat in a courtroom at the International Criminal Court (ICC) and became the first person to be prosecuted for the destruction of cultural sites as a war crime. In this article, the author argues that it is no coincidence that the first case the ICC has brought to justice involves a UNESCO World Heritage site. She charts the history of the relationship between Mali and UNESCO and the history of Islam in Mali…

  • Negotiating material identities: Young men and modernity in Djenné

    Open Access•Charlotte Joy•ARTICLE•Journal of Material Culture•2011•Cited by: 2•References: 5

    UNESCO's recent emphasis on countries' intangible cultural heritage (ICH) has raised questions about what such a programme of validation means in practice. In this article, a discussion of the restoration of traditional boys' houses ( sahos) on the outskirts of Djenné in Mali is used to question what is actually preserved through architectural restoration. An exploration of modern boys' houses highlights their dynamic social function and the tens…

  • Crimes against cultural heritage in Timbuktu

    Open Access•Charlotte Joy, Charlotte Louise Joy•ARTICLE•Anthropology Today•2018•Cited by: 8•References: 5

    On 3 March 2016, Ahmad al-Faqi al-Mahdi sat in a courtroom at the International Criminal Court (ICC) and became the first person to be prosecuted for the destruction of cultural sites as a war crime. In this article, the author argues that it is no coincidence that the first case the ICC has brought to justice involves a UNESCO World Heritage site. She charts the history of the relationship between Mali and UNESCO and the history of Islam in Mali…

  • Negotiating material identities: Young men and modernity in Djenné

    Open Access•Charlotte Joy•ARTICLE•Journal of Material Culture•2011•Cited by: 2•References: 5

    UNESCO's recent emphasis on countries' intangible cultural heritage (ICH) has raised questions about what such a programme of validation means in practice. In this article, a discussion of the restoration of traditional boys' houses ( sahos) on the outskirts of Djenné in Mali is used to question what is actually preserved through architectural restoration. An exploration of modern boys' houses highlights their dynamic social function and the tens…

  • Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance

    Lisa Homann, UCLA Editorial Board et al.•ARTICLE•African Arts•2020•Cited by: 1•References: 19

    October 01 2020 Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance Lisa Homann, Lisa Homann Guest Dialogue Editor; Associate Professor, Department of Art & Art History, UNC Charlotte; UNC Editorial Board Member, African Arts Consortium Search for other works by this author on: This Site Google Scholar UCLA Editorial Board, UCLA Editorial Board Search for other works by this author on: This Site Google Schola…

  • Negotiating material identities: Young men and modernity in Djenné

    Open Access•Charlotte Joy•ARTICLE•Journal of Material Culture•2011•Cited by: 2•References: 5

    UNESCO's recent emphasis on countries' intangible cultural heritage (ICH) has raised questions about what such a programme of validation means in practice. In this article, a discussion of the restoration of traditional boys' houses ( sahos) on the outskirts of Djenné in Mali is used to question what is actually preserved through architectural restoration. An exploration of modern boys' houses highlights their dynamic social function and the tens…

  • Crimes against cultural heritage in Timbuktu

    Open Access•Charlotte Joy, Charlotte Louise Joy•ARTICLE•Anthropology Today•2018•Cited by: 8•References: 5

    On 3 March 2016, Ahmad al-Faqi al-Mahdi sat in a courtroom at the International Criminal Court (ICC) and became the first person to be prosecuted for the destruction of cultural sites as a war crime. In this article, the author argues that it is no coincidence that the first case the ICC has brought to justice involves a UNESCO World Heritage site. She charts the history of the relationship between Mali and UNESCO and the history of Islam in Mali…

  • Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance

    Lisa Homann, UCLA Editorial Board et al.•ARTICLE•African Arts•2020•Cited by: 1•References: 19

    October 01 2020 Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance Lisa Homann, Lisa Homann Guest Dialogue Editor; Associate Professor, Department of Art & Art History, UNC Charlotte; UNC Editorial Board Member, African Arts Consortium Search for other works by this author on: This Site Google Scholar UCLA Editorial Board, UCLA Editorial Board Search for other works by this author on: This Site Google Schola…

  • Historic Monuments and Religious Buildings as Victims in Prosecutor v Al Mahdi at the International Criminal Court

    Open Access•Juan-Pablo Pérez-León-Acevedo, Charlotte Joy•ARTICLE•Journal of African Law•2025

    In this article, we combine anthropological and legal approaches to interrogate the position and status of “victims” during Prosecutor v Al Mahdi at the International Criminal Court (ICC). Anthropological work on ontology and distributed agency provides a potential model for a broader reading of the category of victim. We then consider the war crime committed and propose an adapted application of international law sources on victimhood in order t…

History (3 works) · Sociology (3 works) · Anthropological Studies and Insights (2 works) · Archaeological Research and Protection (2 works) · Archaeology (2 works) · Art (2 works) · Cultural heritage (2 works) · Cultural Heritage Management and Preservation (2 works) · Law (2 works) · Political science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae