Linda Schulte-Sasse
Biographic Data
| ID | 1023461 |
|---|---|
| NAME | Linda Schulte-Sasse |
| GIVEN NAMES | Linda |
| FAMILY NAME | Schulte-Sasse |
| SIGNATURE | SCHULTE-SASSE L |
| AFFILIATIONS | Macalester College |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
Advise and Consent: On the Americanization of Body Worlds
"Living on" in the American Press: Ruth Kluger's "Still Alive" and Its Challenge to a Cherished Holocaust Paradigm
Richard Wagner; Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal
Fixing the Nation's Problem: When a Sweet Bird of Youth Crosses the Line
There is hardly a novel, play, opera, or movie that has not been invoked over the past year as the perfect analogy to the scandal surrounding the impeachment of William Jefferson Clinton. Those in search of eternal human truth turn to canonical texts, like GOP lawyer Thomas Schippers when he remarked that it takes on all the aspects of a Greek tragedy. If Clinton wasn't just another Oedipus, then he was playing a Shakespearean Richard II to Ken S…
Entertaining the Third Reich: Illusions of Wholeness in Nazi Germany
Douglas Sirk's Schlußakkord and the Question of Aesthetic Resistance
Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema
Meet Ross Perot: The Lasting Legacy of Capraesque Populism
have cheated a little, changing the original n in this quote by Slavoj Zizek to a t and the tense from past to present. I do so in order to illustrate that Zizek's remarks about Argentine populist Juan Per6n apply equally to the recent populism of Ross Perot, suggesting continuities in political interpellation irrespective of cultural-historical juncture and political system. A simple question follows from Zizek's analysis: did Perot become the f…
Maintaining Normality: On the Strategic Function of the Media in Wars of Extermination
ver since President Mitterrand remarked during the first phase of the so-called Gulf crisis of 1990 that we were immersed a of war, his catchy phrase has been a favorite of the media. Despite its popularity, however, Mitterrand's phrase is much too unhistorical, too abstract in implying the existence of a universal and transhistorical (logique de guerre) that would be equally valid for Old Testament, Napoleonic, and contemporary wars. In fact, th…
War, Otherness, and Illusionary Identifications with the State
t is useful to distinguish among five different contexts in which the U.S. war effort in the Middle East can be analyzed and critiqued: 1. Long-term U.S. power politics and imperial objectives of domination, including military intervention in the Third World to secure strategically and economically important resources. Publications by Noam Chomsky and Joel Beinin may very well be the best-known and most effective among these critiques. 2. Inconsi…
Fanatics, Fundamentalists, Lunatics, and Drug Traffickers: The New Southern Enemy Image
would like to begin with a few brief reflections on the term enemy image, which takes on a number of different meanings in various disciplines. My personal orientation is toward a discourse theoretical understanding of the term, which I believe is viable considering discourse theory's interdisciplinarity and its compatibility with other approaches such as psychoanalysis and social psychology. As a means of explaining the delimited and operative c…
Leni Riefenstahl's Feature Films and the Question of a Fascist Aesthetic
n labeling a text or fascist, critics often restrict their criteria (to the extent these are articulated at all) to contentbased motifs such as the valorization of a Fiihrer or leader figure, the exaltation of nature, the glorification of the military and of death, or the negative portrayal of racial (especially Jewish) groups. Although these motifs clearly pervade National Socialist culture, one can question whether, on the one hand, they are pr…
National Socialism's Aestheticization of Genius. The Case of Herbert Maisch's Friedrich Schiller—Triumph eines Genies
A Nazi Herstory: The Paradox of Female "Genius" in Pabst's Neuberin Film Komodianten (1941)
The Jew as Other under National Socialism: Veit Harlan's Jud SuSS
Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920
Jochen Schulte-Sasse, Linda Schulte-Sasse, Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920, New German Critique, No. 29, The Origins of Mass Culture: The Case of Imperial Germany (1871-1918) (Spring - Summer, 1983), pp. 85-105
War, Otherness, and Illusionary Identifications with the State
t is useful to distinguish among five different contexts in which the U.S. war effort in the Middle East can be analyzed and critiqued: 1. Long-term U.S. power politics and imperial objectives of domination, including military intervention in the Third World to secure strategically and economically important resources. Publications by Noam Chomsky and Joel Beinin may very well be the best-known and most effective among these critiques. 2. Inconsi…
Leni Riefenstahl's Feature Films and the Question of a Fascist Aesthetic
n labeling a text or fascist, critics often restrict their criteria (to the extent these are articulated at all) to contentbased motifs such as the valorization of a Fiihrer or leader figure, the exaltation of nature, the glorification of the military and of death, or the negative portrayal of racial (especially Jewish) groups. Although these motifs clearly pervade National Socialist culture, one can question whether, on the one hand, they are pr…
Maintaining Normality: On the Strategic Function of the Media in Wars of Extermination
ver since President Mitterrand remarked during the first phase of the so-called Gulf crisis of 1990 that we were immersed a of war, his catchy phrase has been a favorite of the media. Despite its popularity, however, Mitterrand's phrase is much too unhistorical, too abstract in implying the existence of a universal and transhistorical (logique de guerre) that would be equally valid for Old Testament, Napoleonic, and contemporary wars. In fact, th…
Fanatics, Fundamentalists, Lunatics, and Drug Traffickers: The New Southern Enemy Image
would like to begin with a few brief reflections on the term enemy image, which takes on a number of different meanings in various disciplines. My personal orientation is toward a discourse theoretical understanding of the term, which I believe is viable considering discourse theory's interdisciplinarity and its compatibility with other approaches such as psychoanalysis and social psychology. As a means of explaining the delimited and operative c…
Douglas Sirk's Schlußakkord and the Question of Aesthetic Resistance
Meet Ross Perot: The Lasting Legacy of Capraesque Populism
have cheated a little, changing the original n in this quote by Slavoj Zizek to a t and the tense from past to present. I do so in order to illustrate that Zizek's remarks about Argentine populist Juan Per6n apply equally to the recent populism of Ross Perot, suggesting continuities in political interpellation irrespective of cultural-historical juncture and political system. A simple question follows from Zizek's analysis: did Perot become the f…
National Socialism's Aestheticization of Genius. The Case of Herbert Maisch's Friedrich Schiller—Triumph eines Genies
Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920
Jochen Schulte-Sasse, Linda Schulte-Sasse, Toward a "Culture" for the Masses: The Socio-Psychological Function of Popular Literature in Germany and the U. S., 1880-1920, New German Critique, No. 29, The Origins of Mass Culture: The Case of Imperial Germany (1871-1918) (Spring - Summer, 1983), pp. 85-105
The Jew as Other under National Socialism: Veit Harlan's Jud SuSS
A Nazi Herstory: The Paradox of Female "Genius" in Pabst's Neuberin Film Komodianten (1941)
Maintaining Normality: On the Strategic Function of the Media in Wars of Extermination
ver since President Mitterrand remarked during the first phase of the so-called Gulf crisis of 1990 that we were immersed a of war, his catchy phrase has been a favorite of the media. Despite its popularity, however, Mitterrand's phrase is much too unhistorical, too abstract in implying the existence of a universal and transhistorical (logique de guerre) that would be equally valid for Old Testament, Napoleonic, and contemporary wars. In fact, th…
War, Otherness, and Illusionary Identifications with the State
t is useful to distinguish among five different contexts in which the U.S. war effort in the Middle East can be analyzed and critiqued: 1. Long-term U.S. power politics and imperial objectives of domination, including military intervention in the Third World to secure strategically and economically important resources. Publications by Noam Chomsky and Joel Beinin may very well be the best-known and most effective among these critiques. 2. Inconsi…
Fanatics, Fundamentalists, Lunatics, and Drug Traffickers: The New Southern Enemy Image
would like to begin with a few brief reflections on the term enemy image, which takes on a number of different meanings in various disciplines. My personal orientation is toward a discourse theoretical understanding of the term, which I believe is viable considering discourse theory's interdisciplinarity and its compatibility with other approaches such as psychoanalysis and social psychology. As a means of explaining the delimited and operative c…
Leni Riefenstahl's Feature Films and the Question of a Fascist Aesthetic
n labeling a text or fascist, critics often restrict their criteria (to the extent these are articulated at all) to contentbased motifs such as the valorization of a Fiihrer or leader figure, the exaltation of nature, the glorification of the military and of death, or the negative portrayal of racial (especially Jewish) groups. Although these motifs clearly pervade National Socialist culture, one can question whether, on the one hand, they are pr…
National Socialism's Aestheticization of Genius. The Case of Herbert Maisch's Friedrich Schiller—Triumph eines Genies
Meet Ross Perot: The Lasting Legacy of Capraesque Populism
have cheated a little, changing the original n in this quote by Slavoj Zizek to a t and the tense from past to present. I do so in order to illustrate that Zizek's remarks about Argentine populist Juan Per6n apply equally to the recent populism of Ross Perot, suggesting continuities in political interpellation irrespective of cultural-historical juncture and political system. A simple question follows from Zizek's analysis: did Perot become the f…
Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema
Entertaining the Third Reich: Illusions of Wholeness in Nazi Germany
Douglas Sirk's Schlußakkord and the Question of Aesthetic Resistance
Fixing the Nation's Problem: When a Sweet Bird of Youth Crosses the Line
There is hardly a novel, play, opera, or movie that has not been invoked over the past year as the perfect analogy to the scandal surrounding the impeachment of William Jefferson Clinton. Those in search of eternal human truth turn to canonical texts, like GOP lawyer Thomas Schippers when he remarked that it takes on all the aspects of a Greek tragedy. If Clinton wasn't just another Oedipus, then he was playing a Shakespearean Richard II to Ken S…
Richard Wagner; Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal
"Living on" in the American Press: Ruth Kluger's "Still Alive" and Its Challenge to a Cherished Holocaust Paradigm
Advise and Consent: On the Americanization of Body Worlds
Art (10 works) · Philosophy (7 works) · Art history (6 works) · History (6 works) · Political science (6 works) · Philosophy (5 works) · Law (4 works) · Nazism (4 works) · Archaeology (3 works) · Biology (3 works)