V V Serdechnaya
Biographic Data
| ID | 10238666 |
|---|---|
| NAME | V V Serdechnaya |
| GIVEN NAMES | V V |
| FAMILY NAME | Serdechnaya |
| SIGNATURE | SERDECHNAYA V V |
| AFFILIATIONS | Kuban State University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Evolution of Literary-Critical Method of Julius Aikhenvald and His Views on Shakespeare’s Creativity
The research problem concerns the evolution of critical views of Julius Isaevich Aikhenvald (1872—1928) in relation to his perception of William Shakespeare’s creativity. The aim of the study is to trace how changes in the critic’s personal fate and the global political situation led to his reevaluation of Shakespeare’s images. The material consists of little-known articles by the critic, published both in Russia in the 1910s-1920s and in emigrat…
Problems of Russian Theatrical Reception of Shakespeare in Criticism of Yuli Eichenwald
The problem of this study lies in evaluating the methodological approach of Yuli Eichenwald (1872—1928) as a theatrical critic and theorist, specifically his writings on Shakespearean productions both in Russia and abroad. Known primarily as a literary critic, Eichenwald also wrote about theater, but his works in this area have been largely unexplored. The aim of this study is to shed light on Eichenwald's principles of theatrical criticism. The …
Translation Strategies of M. Kuzmin in Translating Shakespeare
The article deals with the reception of the works of William Shakespeare in the translations of Mikhail Kuzmin (1872–1936). The relevance of the research is due to the insufficient study of the reception of Shakespeare’s work in the heritage of Kuzmin, including in his translation heritage. The novelty of the study lies in a comprehensive understanding of the place of Shakespeare in the creative activity of M. Kuzmin, including as a translator an…
Translation, Critical, and Creative Reception of Shakespeare in Legacy of Sigizmund Krzhizhanovsky
This article examines the reception of William Shakespeare’s works in the creative output of writer, theorist, and historian of theater Sigizmund Krzhizhanovsky (1887—1950). The relevance of the study is due to the insufficient research on the reception of Shakespeare’s works in Krzhizhanovsky’s legacy, as well as the interpretation of many unexplored, unpublished, or not yet introduced into scientific circulation materials on the topic. The nove…
Translation Principles of Vadim Shershenevich and Their Implementation in Translations of Playwrights of William Shakespeare
The article is devoted to comprehension of the translational reception of William Shakespeare’s work in the legacy of Vadim Shershenevich (1893—1942) in the context of his author's translation strategies. The novelty of the study is connected with the identification of Shershenevich’s translation strategies as an adherent of “accurate translation”, with the reconstruction of the history of the poet’s translation achievements in the field of Shake…
Vadim Shershenevich as a translator, librettist and critic in a theatrical dialogue with Shakespeare
The reception of the works of William Shakespeare in the work of the poet and translator Vadim Shershenevich (1893—1942) is considered. The relevance of the study is due to the insufficient study of the reception of Shakespeare’s work in the legacy of Shershenevich. The novelty of the study lies in the reference to the little-known texts by Shershenevich, which are translations and adaptations of Shakespeare’s plays for the early Soviet theater, …
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Translation Principles of Vadim Shershenevich and Their Implementation in Translations of Playwrights of William Shakespeare
The article is devoted to comprehension of the translational reception of William Shakespeare’s work in the legacy of Vadim Shershenevich (1893—1942) in the context of his author's translation strategies. The novelty of the study is connected with the identification of Shershenevich’s translation strategies as an adherent of “accurate translation”, with the reconstruction of the history of the poet’s translation achievements in the field of Shake…
Vadim Shershenevich as a translator, librettist and critic in a theatrical dialogue with Shakespeare
The reception of the works of William Shakespeare in the work of the poet and translator Vadim Shershenevich (1893—1942) is considered. The relevance of the study is due to the insufficient study of the reception of Shakespeare’s work in the legacy of Shershenevich. The novelty of the study lies in the reference to the little-known texts by Shershenevich, which are translations and adaptations of Shakespeare’s plays for the early Soviet theater, …
Translation Strategies of M. Kuzmin in Translating Shakespeare
The article deals with the reception of the works of William Shakespeare in the translations of Mikhail Kuzmin (1872–1936). The relevance of the research is due to the insufficient study of the reception of Shakespeare’s work in the heritage of Kuzmin, including in his translation heritage. The novelty of the study lies in a comprehensive understanding of the place of Shakespeare in the creative activity of M. Kuzmin, including as a translator an…
Translation, Critical, and Creative Reception of Shakespeare in Legacy of Sigizmund Krzhizhanovsky
This article examines the reception of William Shakespeare’s works in the creative output of writer, theorist, and historian of theater Sigizmund Krzhizhanovsky (1887—1950). The relevance of the study is due to the insufficient research on the reception of Shakespeare’s works in Krzhizhanovsky’s legacy, as well as the interpretation of many unexplored, unpublished, or not yet introduced into scientific circulation materials on the topic. The nove…
Evolution of Literary-Critical Method of Julius Aikhenvald and His Views on Shakespeare’s Creativity
The research problem concerns the evolution of critical views of Julius Isaevich Aikhenvald (1872—1928) in relation to his perception of William Shakespeare’s creativity. The aim of the study is to trace how changes in the critic’s personal fate and the global political situation led to his reevaluation of Shakespeare’s images. The material consists of little-known articles by the critic, published both in Russia in the 1910s-1920s and in emigrat…
Problems of Russian Theatrical Reception of Shakespeare in Criticism of Yuli Eichenwald
The problem of this study lies in evaluating the methodological approach of Yuli Eichenwald (1872—1928) as a theatrical critic and theorist, specifically his writings on Shakespearean productions both in Russia and abroad. Known primarily as a literary critic, Eichenwald also wrote about theater, but his works in this area have been largely unexplored. The aim of this study is to shed light on Eichenwald's principles of theatrical criticism. The …
Art (6 works) · Literature (6 works) · Discourse Analysis and Cultural Communication (5 works) · Philosophy (5 works) · History (4 works) · Language, Communication, and Linguistic Studies (4 works) · Novelty (4 works) · Linguistics (3 works) · Aesthetics (2 works) · Computer Science (2 works)