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George O Carney

Biographic Data

ID102393
NAMEGeorge O Carney
GIVEN NAMESGeorge
FAMILY NAMEO Carney
SIGNATURECARNEY G O
AFFILIATIONSOklahoma State University
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS61
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR1999
H-INDEX5
  • Cowabunga! Surfer rock and the five themes of geography

    George O Carney•ARTICLE•Popular Music & Society•1999•Cited by: 1•References: 5

    (1999). Cowabunga! Surfer rock and the five themes of geography. Popular Music and Society: Vol. 23, No. 4, pp. 3-29

  • Music Geography

    George O Carney, George Carney•ARTICLE•Journal of Cultural Geography•1998•Cited by: 18

  • Baseball, Barns, and Bluegrass

    Open Access•Anita Howard, George O Carney•ARTICLE•Geographical Review•1998•Cited by: 3

  • Western North Carolina

    George O Carney•ARTICLE•Journal of Cultural Geography•1996•References: 1

    This study explores the long-debated question concerning the geographic origins of bluegrass music. Using the Sauerian culture hearth concept, western North Carolina is identified as the source area for the distinguishing elements of the bluegrass sound. Western North Carolinians pioneered the innovative instrumental sounds of bluegrass on the five-string banjo, fiddle, and guitar as well as the harmonies and repertoire of bluegrass vocals. A mus…

  • The Seven Themes of Music Geography

    Open Access•Peter H Nash, George O Carney•ARTICLE•Canadian Geographies /…•1996•Cited by: 18•References: 3

    Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact o…

  • Branson

    George O Carney•ARTICLE•Journal of Cultural Geography•1994•Cited by: 2

    Branson, Missouri is a country music center that has evolved through three stages of development: use of local talent, introduction of nationally-recognized veteran performers, and an infusion of a younger generation of stars. For the country music artist, Branson provides a music setting historically associated with traditional country music, an opportunity to perform on a regular basis in a permanent location, cultural and physical landscapes i…

  • Geography of Music

    George O Carney•ARTICLE•Journal of Cultural Geography•1990•Cited by: 7

    Cultural geographers first turned their attention to the geography of music in the late 1960s. During the past 20 years, a significant body of research has been published in or presented to almost 100 professional outlets. Research productivity peaked in the 1970s with most of the studies focusing on American folk and popular music. This essay outlines the seminal works in the geography of music, examines the literature on various music phenomena…

  • The Sounds of People and Places

    Andrew Kaye, Andrew L Kaye et al.•ARTICLE•Ethnomusicology•1989

  • The Sounds of People and Places

    Norm Cohen, George O Carney•ARTICLE•American Music•1988

    The new edition of this popular classroom anthology brings together the best recent essays by distinguished geographers on region, music and their interrelatedness. While emphasizing the regional nature of American music, the book introduces geographical concepts such as location factors, spatial organization, distribution, and diffusion. The study follows the paths of four types of American folk and popular music: gospel, country, jazz, and rock…

  • This Land is My Land

    R Todd Zdorowski, George O Carney•ARTICLE•Journal of Cultural Geography•1985•Cited by: 5

    Over 1000 long-term local residents responded to a survey of Oklahoma's vernacular regions. They indicated that their local regions had changed names over time. A majority of respondents in more than 40 of Oklahoma's 77 counties recall that their localities were called "Indian Territory" or some more specific variation on that theme in the past. Because "Indian Territory" was a term produced by the Federal government, this suggests that the centr…

  • The Shotgun House in Oklahoma

    George O Carney•ARTICLE•Journal of Cultural Geography•1983•Cited by: 1

    The shotgun house is a common form of folk architecture found in the cultural landscape of Oklahoma. It diffused into Oklahoma during the early decades of the 20th century and became a part of the built environment especially in boom towns associated with lumbering, mining and petroleum. Means of diffusion were related to the connectivity which existed between Oklahoma and the adjacent states of Texas and Louisiana where the shotgun was a popular…

  • Geography of Music

    George O Carney•ARTICLE•Journal of Cultural Geography•1980•Cited by: 1

    (1980). Geography of Music: A Bibliography. Journal of Cultural Geography: Vol. 1, No. 1, pp. 185-186

  • Country Music and the South

    George O Carney•ARTICLE•Journal of Cultural Geography•1980•Cited by: 5

    Cultural geographers have failed to examine one of the most significant culture items unique to the American South— country music. Examination of the history, folklore, and sociology literature provides data on the area of origin and diffusion routes of the vocal and instrumental characteristics of early country music. The mixing of musical cultures in the South led to the origin and evolution of seven substyles of country music during the twenti…

  • The corporation and the Indian

    Open Access•George O Carney•ARTICLE•Journal of Historical Geography•1978

  • Music Geography

    George O Carney, George Carney•ARTICLE•Journal of Cultural Geography•1998•Cited by: 18

  • The Seven Themes of Music Geography

    Open Access•Peter H Nash, George O Carney•ARTICLE•Canadian Geographies /…•1996•Cited by: 18•References: 3

    Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact o…

  • Geography of Music

    George O Carney•ARTICLE•Journal of Cultural Geography•1990•Cited by: 7

    Cultural geographers first turned their attention to the geography of music in the late 1960s. During the past 20 years, a significant body of research has been published in or presented to almost 100 professional outlets. Research productivity peaked in the 1970s with most of the studies focusing on American folk and popular music. This essay outlines the seminal works in the geography of music, examines the literature on various music phenomena…

  • This Land is My Land

    R Todd Zdorowski, George O Carney•ARTICLE•Journal of Cultural Geography•1985•Cited by: 5

    Over 1000 long-term local residents responded to a survey of Oklahoma's vernacular regions. They indicated that their local regions had changed names over time. A majority of respondents in more than 40 of Oklahoma's 77 counties recall that their localities were called "Indian Territory" or some more specific variation on that theme in the past. Because "Indian Territory" was a term produced by the Federal government, this suggests that the centr…

  • Country Music and the South

    George O Carney•ARTICLE•Journal of Cultural Geography•1980•Cited by: 5

    Cultural geographers have failed to examine one of the most significant culture items unique to the American South— country music. Examination of the history, folklore, and sociology literature provides data on the area of origin and diffusion routes of the vocal and instrumental characteristics of early country music. The mixing of musical cultures in the South led to the origin and evolution of seven substyles of country music during the twenti…

  • Baseball, Barns, and Bluegrass

    Open Access•Anita Howard, George O Carney•ARTICLE•Geographical Review•1998•Cited by: 3

  • Branson

    George O Carney•ARTICLE•Journal of Cultural Geography•1994•Cited by: 2

    Branson, Missouri is a country music center that has evolved through three stages of development: use of local talent, introduction of nationally-recognized veteran performers, and an infusion of a younger generation of stars. For the country music artist, Branson provides a music setting historically associated with traditional country music, an opportunity to perform on a regular basis in a permanent location, cultural and physical landscapes i…

  • Cowabunga! Surfer rock and the five themes of geography

    George O Carney•ARTICLE•Popular Music & Society•1999•Cited by: 1•References: 5

    (1999). Cowabunga! Surfer rock and the five themes of geography. Popular Music and Society: Vol. 23, No. 4, pp. 3-29

  • The Shotgun House in Oklahoma

    George O Carney•ARTICLE•Journal of Cultural Geography•1983•Cited by: 1

    The shotgun house is a common form of folk architecture found in the cultural landscape of Oklahoma. It diffused into Oklahoma during the early decades of the 20th century and became a part of the built environment especially in boom towns associated with lumbering, mining and petroleum. Means of diffusion were related to the connectivity which existed between Oklahoma and the adjacent states of Texas and Louisiana where the shotgun was a popular…

  • Geography of Music

    George O Carney•ARTICLE•Journal of Cultural Geography•1980•Cited by: 1

    (1980). Geography of Music: A Bibliography. Journal of Cultural Geography: Vol. 1, No. 1, pp. 185-186

  • The corporation and the Indian

    Open Access•George O Carney•ARTICLE•Journal of Historical Geography•1978

  • Geography of Music

    George O Carney•ARTICLE•Journal of Cultural Geography•1980•Cited by: 1

    (1980). Geography of Music: A Bibliography. Journal of Cultural Geography: Vol. 1, No. 1, pp. 185-186

  • Country Music and the South

    George O Carney•ARTICLE•Journal of Cultural Geography•1980•Cited by: 5

    Cultural geographers have failed to examine one of the most significant culture items unique to the American South— country music. Examination of the history, folklore, and sociology literature provides data on the area of origin and diffusion routes of the vocal and instrumental characteristics of early country music. The mixing of musical cultures in the South led to the origin and evolution of seven substyles of country music during the twenti…

  • The Shotgun House in Oklahoma

    George O Carney•ARTICLE•Journal of Cultural Geography•1983•Cited by: 1

    The shotgun house is a common form of folk architecture found in the cultural landscape of Oklahoma. It diffused into Oklahoma during the early decades of the 20th century and became a part of the built environment especially in boom towns associated with lumbering, mining and petroleum. Means of diffusion were related to the connectivity which existed between Oklahoma and the adjacent states of Texas and Louisiana where the shotgun was a popular…

  • This Land is My Land

    R Todd Zdorowski, George O Carney•ARTICLE•Journal of Cultural Geography•1985•Cited by: 5

    Over 1000 long-term local residents responded to a survey of Oklahoma's vernacular regions. They indicated that their local regions had changed names over time. A majority of respondents in more than 40 of Oklahoma's 77 counties recall that their localities were called "Indian Territory" or some more specific variation on that theme in the past. Because "Indian Territory" was a term produced by the Federal government, this suggests that the centr…

  • The Sounds of People and Places

    Norm Cohen, George O Carney•ARTICLE•American Music•1988

    The new edition of this popular classroom anthology brings together the best recent essays by distinguished geographers on region, music and their interrelatedness. While emphasizing the regional nature of American music, the book introduces geographical concepts such as location factors, spatial organization, distribution, and diffusion. The study follows the paths of four types of American folk and popular music: gospel, country, jazz, and rock…

  • The Sounds of People and Places

    Andrew Kaye, Andrew L Kaye et al.•ARTICLE•Ethnomusicology•1989

  • Geography of Music

    George O Carney•ARTICLE•Journal of Cultural Geography•1990•Cited by: 7

    Cultural geographers first turned their attention to the geography of music in the late 1960s. During the past 20 years, a significant body of research has been published in or presented to almost 100 professional outlets. Research productivity peaked in the 1970s with most of the studies focusing on American folk and popular music. This essay outlines the seminal works in the geography of music, examines the literature on various music phenomena…

  • Branson

    George O Carney•ARTICLE•Journal of Cultural Geography•1994•Cited by: 2

    Branson, Missouri is a country music center that has evolved through three stages of development: use of local talent, introduction of nationally-recognized veteran performers, and an infusion of a younger generation of stars. For the country music artist, Branson provides a music setting historically associated with traditional country music, an opportunity to perform on a regular basis in a permanent location, cultural and physical landscapes i…

  • Western North Carolina

    George O Carney•ARTICLE•Journal of Cultural Geography•1996•References: 1

    This study explores the long-debated question concerning the geographic origins of bluegrass music. Using the Sauerian culture hearth concept, western North Carolina is identified as the source area for the distinguishing elements of the bluegrass sound. Western North Carolinians pioneered the innovative instrumental sounds of bluegrass on the five-string banjo, fiddle, and guitar as well as the harmonies and repertoire of bluegrass vocals. A mus…

  • The Seven Themes of Music Geography

    Open Access•Peter H Nash, George O Carney•ARTICLE•Canadian Geographies /…•1996•Cited by: 18•References: 3

    Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact o…

  • Music Geography

    George O Carney, George Carney•ARTICLE•Journal of Cultural Geography•1998•Cited by: 18

  • Baseball, Barns, and Bluegrass

    Open Access•Anita Howard, George O Carney•ARTICLE•Geographical Review•1998•Cited by: 3

  • Cowabunga! Surfer rock and the five themes of geography

    George O Carney•ARTICLE•Popular Music & Society•1999•Cited by: 1•References: 5

    (1999). Cowabunga! Surfer rock and the five themes of geography. Popular Music and Society: Vol. 23, No. 4, pp. 3-29

Geography (13 works) · Art (7 works) · History (6 works) · Sociology (6 works) · Visual arts (6 works) · Archaeology (5 works) · Economic geography (5 works) · History (5 works) · Music History and Culture (5 works) · Anthropology (4 works)

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