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Earl G Ingersoll

Biographic Data

ID1024116
NAMEEarl G Ingersoll
GIVEN NAMESEarl G
FAMILY NAMEIngersoll
SIGNATUREINGERSOLL E G
AFFILIATIONSState University of New York
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT1
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2014
H-INDEX0
  • Understanding Steven Millhauser

    Earl G Ingersoll•BOOK•Understanding Steven Millhauser•2014

  • Survival in Margaret Atwood's Novel Oryx and Crake

    Earl G Ingersoll, Earl Ingersoll•ARTICLE•Extrapolation•2004

    Two generations ago when the American New Critics preached a concentration on “the work itself” (usually a poem) and a rejection of concerns with everything outside the work, one major item on their agenda was eliminating the author as an authority for “his” work, stressing that once works are completed their authors become mere readers of their own productions. That intrinsic approach has long since disappeared, especially with the commodifying …

  • Engendering Metafiction

    Earl G Ingersoll•ARTICLE•The American Review of Canadian…•2001

    In the five years since Margaret Atwood's novel Alias Grace (1996) appeared, a number of readers have been attracted to the implications of the quilting trope. Each of the novel's fifteen parts takes its name from a traditional pattern in quilt making. It becomes clear, as Margaret Rogerson has noted, that Atwood offers a linear equivalent to the spatial arrangement of blocks in a quilting pattern, and Grace herself is aware of the function of qu…

  • The Construction of Masculinity in Brian De Palma's Film Casualties of War

    Open Access•Earl G Ingersoll•ARTICLE•The Journal of Men s Studies•1995•References: 2

  • A Conversation with Isaac Asimov

    Earl G Ingersoll•ARTICLE•Science Fiction Studies•1987

No prominent works on this page.

  • A Conversation with Isaac Asimov

    Earl G Ingersoll•ARTICLE•Science Fiction Studies•1987

  • The Construction of Masculinity in Brian De Palma's Film Casualties of War

    Open Access•Earl G Ingersoll•ARTICLE•The Journal of Men s Studies•1995•References: 2

  • Engendering Metafiction

    Earl G Ingersoll•ARTICLE•The American Review of Canadian…•2001

    In the five years since Margaret Atwood's novel Alias Grace (1996) appeared, a number of readers have been attracted to the implications of the quilting trope. Each of the novel's fifteen parts takes its name from a traditional pattern in quilt making. It becomes clear, as Margaret Rogerson has noted, that Atwood offers a linear equivalent to the spatial arrangement of blocks in a quilting pattern, and Grace herself is aware of the function of qu…

  • Survival in Margaret Atwood's Novel Oryx and Crake

    Earl G Ingersoll, Earl Ingersoll•ARTICLE•Extrapolation•2004

    Two generations ago when the American New Critics preached a concentration on “the work itself” (usually a poem) and a rejection of concerns with everything outside the work, one major item on their agenda was eliminating the author as an authority for “his” work, stressing that once works are completed their authors become mere readers of their own productions. That intrinsic approach has long since disappeared, especially with the commodifying …

  • Understanding Steven Millhauser

    Earl G Ingersoll•BOOK•Understanding Steven Millhauser•2014

Utopian, Dystopian, and Speculative Fiction (4 works) · Art (3 works) · History (3 works) · Computer Science (2 works) · Contemporary Literature and Criticism (2 works) · Short Stories in Global Literature (2 works) · Alias (1 works) · American literature (1 works) · Biology (1 works) · Cinema and Media Studies (1 works)

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