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Warren D Anderson

Biographic Data

ID1025467
NAMEWarren D Anderson
GIVEN NAMESWarren D
FAMILY NAMEAnderson
SIGNATUREANDERSON W D
ORCID0000-0002-7235-5869
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS4
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Oral History and Migrant Wage Labor

    Warren D Anderson•ARTICLE•The Oral History Review•2001•Cited by: 1

    (2001). Oral History and Migrant Wage Labor: Sources of Narrative Distortion. The Oral History Review: Vol. 28, No. 2, pp. 1-20

  • Music and Musicians in Ancient Greece

    Judith Solomon, Jon Solomon et al.•ARTICLE•The Classical World•1998

  • Music and Musicians in Ancient Greece

    Warren D Anderson, M L West•ARTICLE•Yearbook for Traditional Music•1995

  • Musical Developments in the School of Aristotle

    Open Access•Warren D Anderson, Warren Anderson•ARTICLE•Royal Musical Association…•1980

    At the end of his life, Socrates reported a command which he had received in a dream. This is, of course, the Platonic Socrates; the Socrates of Xenophon would never have had anything to do with so trifling a pursuit as musical composition. According to Plato, he was told, ‘Compose musical settings of poetry; make this your regular practice’ (Phaedo 60e6–7: , mousikēn poiei kai ergadzou).

  • Word-Accent and Melody in Ancient Greek Musical Texts

    Warren D Anderson, Warren Anderson•ARTICLE•Journal of Music Theory•1973

  • Ethos and Education in Greek Music

    Glanville Downey, Warren D Anderson•ARTICLE•The Classical World•1967

  • Matthew Arnold and the Classical Tradition

    James P Sullivan, Warren D Anderson•ARTICLE•The Classical World•1965

  • Aeschylus, Prometheus Bound

    Alexander G Mckay, Aeschylus Aeschylus et al.•ARTICLE•The Classical World•1963•Cited by: 3

  • Aeschylus, Prometheus Bound

    Alexander G Mckay, Aeschylus Aeschylus et al.•ARTICLE•The Classical World•1963•Cited by: 3

  • Oral History and Migrant Wage Labor

    Warren D Anderson•ARTICLE•The Oral History Review•2001•Cited by: 1

    (2001). Oral History and Migrant Wage Labor: Sources of Narrative Distortion. The Oral History Review: Vol. 28, No. 2, pp. 1-20

  • Aeschylus, Prometheus Bound

    Alexander G Mckay, Aeschylus Aeschylus et al.•ARTICLE•The Classical World•1963•Cited by: 3

  • Matthew Arnold and the Classical Tradition

    James P Sullivan, Warren D Anderson•ARTICLE•The Classical World•1965

  • Ethos and Education in Greek Music

    Glanville Downey, Warren D Anderson•ARTICLE•The Classical World•1967

  • Word-Accent and Melody in Ancient Greek Musical Texts

    Warren D Anderson, Warren Anderson•ARTICLE•Journal of Music Theory•1973

  • Musical Developments in the School of Aristotle

    Open Access•Warren D Anderson, Warren Anderson•ARTICLE•Royal Musical Association…•1980

    At the end of his life, Socrates reported a command which he had received in a dream. This is, of course, the Platonic Socrates; the Socrates of Xenophon would never have had anything to do with so trifling a pursuit as musical composition. According to Plato, he was told, ‘Compose musical settings of poetry; make this your regular practice’ (Phaedo 60e6–7: , mousikēn poiei kai ergadzou).

  • Music and Musicians in Ancient Greece

    Warren D Anderson, M L West•ARTICLE•Yearbook for Traditional Music•1995

  • Music and Musicians in Ancient Greece

    Judith Solomon, Jon Solomon et al.•ARTICLE•The Classical World•1998

  • Oral History and Migrant Wage Labor

    Warren D Anderson•ARTICLE•The Oral History Review•2001•Cited by: 1

    (2001). Oral History and Migrant Wage Labor: Sources of Narrative Distortion. The Oral History Review: Vol. 28, No. 2, pp. 1-20

Art (8 works) · History (6 works) · Literature (5 works) · Philosophy (5 works) · Musicology and Musical Analysis (4 works) · Classical Antiquity Studies (3 works) · History (3 works) · Computer Science (2 works) · Linguistics (2 works) · Musical (2 works)

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