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Ann Banfield

Biographic Data

ID1025633
NAMEAnn Banfield
GIVEN NAMESAnn
FAMILY NAMEBanfield
SIGNATUREBANFIELD A
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS17
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2011
H-INDEX3
  • Grammar and Memory

    Open Access•Ann Banfield•ARTICLE•Proceedings of the Annual Meeting…•2011

    Proceedings of the Eleventh Annual Meeting of the Berkeley Linguistics Society (1985), pp. 387-397

  • Beckett's Tattered Syntax

    Ann Banfield•ARTICLE•Representations•2003•Cited by: 3

    Joyce and Beckett aimed to create a language which, unlike world English, is no one's mother tongue, Joyce by exploiting the phonological and morphological principles for the production of new words, the lexicon's open-class "dictionary." Beckett, after imitating but ultimately resisting Joyce's lexical inventiveness, extracted the late minimalist style from the lexicon's nonproductive grammatical function words

  • Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Time

    Ann Banfield•ARTICLE•Poetics Today•2003•Cited by: 2•References: 12

    Virginia Woolf's experiments begin with Impressionism. But knowing Roger Fry's criticism of Impressionism as analyzing commonsense appearances but destroying design, she adopted Fry's dualist aesthetic. Paul Cézanne's"Post-Impressionism" constructed a geometry in Impressionism's sensible world, combining "vision" and "design."Literature's counterpart to the geometry of spatial relations were the temporal relations of Cambridge time philosophy. Co…

  • Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse

    Ann Banfield•ARTICLE•Modernism/modernity•2000•Cited by: 3•References: 3

    Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse Ann Banfield (bio) But for all their vagueness, for all their lack of definition, these controlling presences, these sources of power, these things with an inner life, with their own richness of content, these beings, with the destiny of the world hidden in their natures, are what we want to know about. As we cross a road busy with traffic, we see the colours of …

  • The Name of the Subject: "The "Il

    Ann Banfield•ARTICLE•Yale French Studies•1998•Cited by: 1

  • L'ecriture et le Non-Dit

    Ann Banfield•ARTICLE•diacritics•1991

  • L'Imparfait de l'Objectif: The Imperfect of the Object Glass

    Ann Banfield•ARTICLE•Camera Obscura Feminism Culture…•1990•Cited by: 2

    Research Article| September 01 1990 L'Imparfait de l'Objectif: the Imperfect of the Object Glass Ann Banfield Ann Banfield Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 64–87. https://doi.org/10.1215/02705346-8-3_24-64 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ann Banfield; L'Imparfait de l'Objectif: the Imperfect of the Object Glass. Camera Obs…

  • Reflective and Non-Reflective Consciousness in the Language of Fiction

    Ann Banfield•ARTICLE•Poetics Today•1981•Cited by: 2

  • Where Epistemology, Style, and Grammar Meet Literary History: The Development of Represented Speech and Thought

    Ann Banfield•ARTICLE•New Literary History•1978•Cited by: 4

    Ann Banfield, Where Epistemology, Style, and Grammar Meet Literary History: The Development of Represented Speech and Thought, New Literary History, Vol. 9, No. 3, Rhetoric I: Rhetorical Analyses (Spring, 1978), pp. 415-454

  • Where Epistemology, Style, and Grammar Meet Literary History: The Development of Represented Speech and Thought

    Ann Banfield•ARTICLE•New Literary History•1978•Cited by: 4

    Ann Banfield, Where Epistemology, Style, and Grammar Meet Literary History: The Development of Represented Speech and Thought, New Literary History, Vol. 9, No. 3, Rhetoric I: Rhetorical Analyses (Spring, 1978), pp. 415-454

  • Beckett's Tattered Syntax

    Ann Banfield•ARTICLE•Representations•2003•Cited by: 3

    Joyce and Beckett aimed to create a language which, unlike world English, is no one's mother tongue, Joyce by exploiting the phonological and morphological principles for the production of new words, the lexicon's open-class "dictionary." Beckett, after imitating but ultimately resisting Joyce's lexical inventiveness, extracted the late minimalist style from the lexicon's nonproductive grammatical function words

  • Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse

    Ann Banfield•ARTICLE•Modernism/modernity•2000•Cited by: 3•References: 3

    Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse Ann Banfield (bio) But for all their vagueness, for all their lack of definition, these controlling presences, these sources of power, these things with an inner life, with their own richness of content, these beings, with the destiny of the world hidden in their natures, are what we want to know about. As we cross a road busy with traffic, we see the colours of …

  • Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Time

    Ann Banfield•ARTICLE•Poetics Today•2003•Cited by: 2•References: 12

    Virginia Woolf's experiments begin with Impressionism. But knowing Roger Fry's criticism of Impressionism as analyzing commonsense appearances but destroying design, she adopted Fry's dualist aesthetic. Paul Cézanne's"Post-Impressionism" constructed a geometry in Impressionism's sensible world, combining "vision" and "design."Literature's counterpart to the geometry of spatial relations were the temporal relations of Cambridge time philosophy. Co…

  • L'Imparfait de l'Objectif: The Imperfect of the Object Glass

    Ann Banfield•ARTICLE•Camera Obscura Feminism Culture…•1990•Cited by: 2

    Research Article| September 01 1990 L'Imparfait de l'Objectif: the Imperfect of the Object Glass Ann Banfield Ann Banfield Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 64–87. https://doi.org/10.1215/02705346-8-3_24-64 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ann Banfield; L'Imparfait de l'Objectif: the Imperfect of the Object Glass. Camera Obs…

  • Reflective and Non-Reflective Consciousness in the Language of Fiction

    Ann Banfield•ARTICLE•Poetics Today•1981•Cited by: 2

  • The Name of the Subject: "The "Il

    Ann Banfield•ARTICLE•Yale French Studies•1998•Cited by: 1

  • Where Epistemology, Style, and Grammar Meet Literary History: The Development of Represented Speech and Thought

    Ann Banfield•ARTICLE•New Literary History•1978•Cited by: 4

    Ann Banfield, Where Epistemology, Style, and Grammar Meet Literary History: The Development of Represented Speech and Thought, New Literary History, Vol. 9, No. 3, Rhetoric I: Rhetorical Analyses (Spring, 1978), pp. 415-454

  • Reflective and Non-Reflective Consciousness in the Language of Fiction

    Ann Banfield•ARTICLE•Poetics Today•1981•Cited by: 2

  • L'Imparfait de l'Objectif: The Imperfect of the Object Glass

    Ann Banfield•ARTICLE•Camera Obscura Feminism Culture…•1990•Cited by: 2

    Research Article| September 01 1990 L'Imparfait de l'Objectif: the Imperfect of the Object Glass Ann Banfield Ann Banfield Search for other works by this author on: This Site Google Camera Obscura (1990) 8 (3 (24)): 64–87. https://doi.org/10.1215/02705346-8-3_24-64 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ann Banfield; L'Imparfait de l'Objectif: the Imperfect of the Object Glass. Camera Obs…

  • L'ecriture et le Non-Dit

    Ann Banfield•ARTICLE•diacritics•1991

  • The Name of the Subject: "The "Il

    Ann Banfield•ARTICLE•Yale French Studies•1998•Cited by: 1

  • Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse

    Ann Banfield•ARTICLE•Modernism/modernity•2000•Cited by: 3•References: 3

    Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse Ann Banfield (bio) But for all their vagueness, for all their lack of definition, these controlling presences, these sources of power, these things with an inner life, with their own richness of content, these beings, with the destiny of the world hidden in their natures, are what we want to know about. As we cross a road busy with traffic, we see the colours of …

  • Beckett's Tattered Syntax

    Ann Banfield•ARTICLE•Representations•2003•Cited by: 3

    Joyce and Beckett aimed to create a language which, unlike world English, is no one's mother tongue, Joyce by exploiting the phonological and morphological principles for the production of new words, the lexicon's open-class "dictionary." Beckett, after imitating but ultimately resisting Joyce's lexical inventiveness, extracted the late minimalist style from the lexicon's nonproductive grammatical function words

  • Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Time

    Ann Banfield•ARTICLE•Poetics Today•2003•Cited by: 2•References: 12

    Virginia Woolf's experiments begin with Impressionism. But knowing Roger Fry's criticism of Impressionism as analyzing commonsense appearances but destroying design, she adopted Fry's dualist aesthetic. Paul Cézanne's"Post-Impressionism" constructed a geometry in Impressionism's sensible world, combining "vision" and "design."Literature's counterpart to the geometry of spatial relations were the temporal relations of Cambridge time philosophy. Co…

  • Grammar and Memory

    Open Access•Ann Banfield•ARTICLE•Proceedings of the Annual Meeting…•2011

    Proceedings of the Eleventh Annual Meeting of the Berkeley Linguistics Society (1985), pp. 387-397

Art (6 works) · Philosophy (6 works) · Computer Science (4 works) · Linguistics (3 works) · Literature (3 works) · Art history (2 works) · Grammar (2 works) · Italian Fascism and Post-war Society (2 works) · Linguistics and Discourse Analysis (2 works) · World Wide Web (2 works)

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