Dmitry Zhatkin
Biographic Data
| ID | 10277716 |
|---|---|
| NAME | Dmitry Zhatkin |
| GIVEN NAMES | Dmitry |
| FAMILY NAME | Zhatkin |
| SIGNATURE | ZHATKIN D |
| AFFILIATIONS | Penza State Technological University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Sergey Durylin on Shakespeare in the Russian Theatre
The article examines Sergei Durylin’s writings in the 1930s–1950s as a theater critic (in particular, writing about Shakespeare in the Russian theater), interpreted as a marginal hypostasis of this author’s work. The methodological basis for the study is the method of context-hermeneutic approach applied by E.A. Korshunova to the work of Durylin the writer. Theater criticism became one of the main areas of Sergei Durylin’s work after his two exil…
The Russian Fate of John Gayʼs Fables
The article, in a pioneering effort, offers to consider the history of the Russian reception of the fable creativity of the English writer John Gay (1685–1732), from its beginnings to the present day. It is noted that close attention to the fables of J. Gay in the last quarter of the 18th century, this was largely due to the interest of the Russian society in novelties in French books; as a result, prosaic translations of poetic texts from an int…
No prominent works on this page.
The Russian Fate of John Gayʼs Fables
The article, in a pioneering effort, offers to consider the history of the Russian reception of the fable creativity of the English writer John Gay (1685–1732), from its beginnings to the present day. It is noted that close attention to the fables of J. Gay in the last quarter of the 18th century, this was largely due to the interest of the Russian society in novelties in French books; as a result, prosaic translations of poetic texts from an int…
Sergey Durylin on Shakespeare in the Russian Theatre
The article examines Sergei Durylin’s writings in the 1930s–1950s as a theater critic (in particular, writing about Shakespeare in the Russian theater), interpreted as a marginal hypostasis of this author’s work. The methodological basis for the study is the method of context-hermeneutic approach applied by E.A. Korshunova to the work of Durylin the writer. Theater criticism became one of the main areas of Sergei Durylin’s work after his two exil…
Art (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 work) · Creativity (1 work) · Discourse Analysis and Cultural Communication (1 work) · Eastern European Communism and Reforms (1 work) · Fable (1 work) · Historical Geopolitical and Social Dynamics (1 work) · History (1 work)