Dylon Lamar Robbins
Biographic Data
| ID | 102794 |
|---|---|
| NAME | Dylon Lamar Robbins |
| GIVEN NAMES | Dylon Lamar |
| FAMILY NAME | Robbins |
| SIGNATURE | ROBBINS D L |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
La Posesión Como Subjetividad Política en O Contestado– Restos Mortais De Sylvio Back
Audible Geographies in Latin America: Sounds of Race and Place
Nina Rodrigues and Fausta: Sound and Racialization in Belle Époque Salvador da Bahia
Dylon Lamar Robbins (dlr329{at}nyu.edu) Department of Spanish & Portuguese, Center for Latin American & Caribbean Studies, New York University, 13-19 University Place, 4th floor, New York, NY 10003
War, Modernity, and Motion in the Edison Films of 1898
This essay examines films created by the Edison Company of the US military campaign in the Caribbean in 1898 and their projection and reception in Vaudeville theaters and other similar venues in the larger urban areas of the US. Through an analysis of these films in regards to their production and reception contexts, it discusses relationships between entertainment, nationalism, and colonialism in this early cinema. Features foregrounding technol…
Audible Geographies in Latin America: Sounds of Race and Place
War, Modernity, and Motion in the Edison Films of 1898
This essay examines films created by the Edison Company of the US military campaign in the Caribbean in 1898 and their projection and reception in Vaudeville theaters and other similar venues in the larger urban areas of the US. Through an analysis of these films in regards to their production and reception contexts, it discusses relationships between entertainment, nationalism, and colonialism in this early cinema. Features foregrounding technol…
Nina Rodrigues and Fausta: Sound and Racialization in Belle Époque Salvador da Bahia
Dylon Lamar Robbins (dlr329{at}nyu.edu) Department of Spanish & Portuguese, Center for Latin American & Caribbean Studies, New York University, 13-19 University Place, 4th floor, New York, NY 10003
War, Modernity, and Motion in the Edison Films of 1898
This essay examines films created by the Edison Company of the US military campaign in the Caribbean in 1898 and their projection and reception in Vaudeville theaters and other similar venues in the larger urban areas of the US. Through an analysis of these films in regards to their production and reception contexts, it discusses relationships between entertainment, nationalism, and colonialism in this early cinema. Features foregrounding technol…
Audible Geographies in Latin America: Sounds of Race and Place
La Posesión Como Subjetividad Política en O Contestado– Restos Mortais De Sylvio Back
Art (2 works) · History (2 works) · Law (2 works) · Media, Gender, and Advertising (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 works) · Caribbean and African Literature and Culture (1 works) · Cinema and Media Studies (1 works)