Craig Ayrey
Biographic Data
| ID | 1028150 |
|---|---|
| NAME | Craig Ayrey |
| GIVEN NAMES | Craig |
| FAMILY NAME | Ayrey |
| SIGNATURE | AYREY C |
| AFFILIATIONS | Goldsmiths University of London |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
Jankélévitch the Obscure(d)
N omos /N omos: L aw , M elody and the D econstructive in W ebern's ‘L eichteste B ürden der B äume ’, C antata II O p . 31
Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music
This book is devoted to music analysis as an interpretive activity. Interpretation is often considered only in theory, or as a philosophical problem, but this book attempts to demonstrate and reflect on the interpretive results of analysis. Two associated types of practice are emphasised: ‘translation’, the transformation of one type of experience or art object into the musical work, the artistic attempt to persuade us that the new product is as …
Universe of Particulars: Subotnik, Deconstruction, and Chopin
Berg's 'Warm Die Lufte' and PC Set Genera: A Preliminary Reading
Allen Forte's theory of pitch-class set genera is ten years old. Unlike the theory of set complexes, published in full in The Structure of Atonal Music (Forte 1973), Forte's 'Pitch-Class Set Genera and the Origin of Modern Harmonic Species' (Forte 1988) has nothing like the currency that the earlier text had in its f1rst decade. Almost certainly, this is because the new formalism which brought postgraduate courses in analysis and theory on this s…
Musical Fact and the Semiology of Music
Claude Debussy and Twentieth-Century Music
Berg's 'Scheideweg: Analytical Issues in Op. 2/ii
Berg's 'Scheideweg: Analytical Issues in Op. 2/ii
Claude Debussy and Twentieth-Century Music
Musical Fact and the Semiology of Music
Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music
This book is devoted to music analysis as an interpretive activity. Interpretation is often considered only in theory, or as a philosophical problem, but this book attempts to demonstrate and reflect on the interpretive results of analysis. Two associated types of practice are emphasised: ‘translation’, the transformation of one type of experience or art object into the musical work, the artistic attempt to persuade us that the new product is as …
Universe of Particulars: Subotnik, Deconstruction, and Chopin
Berg's 'Warm Die Lufte' and PC Set Genera: A Preliminary Reading
Allen Forte's theory of pitch-class set genera is ten years old. Unlike the theory of set complexes, published in full in The Structure of Atonal Music (Forte 1973), Forte's 'Pitch-Class Set Genera and the Origin of Modern Harmonic Species' (Forte 1988) has nothing like the currency that the earlier text had in its f1rst decade. Almost certainly, this is because the new formalism which brought postgraduate courses in analysis and theory on this s…
N omos /N omos: L aw , M elody and the D econstructive in W ebern's ‘L eichteste B ürden der B äume ’, C antata II O p . 31
Jankélévitch the Obscure(d)
Art (7 works) · Musicology and Musical Analysis (6 works) · Literature (4 works) · Philosophy (4 works) · Diverse Musicological Studies (3 works) · Music History and Culture (3 works) · Musical (3 works) · Computer Science (2 works) · Linguistics (2 works) · Psychology (2 works)