Rona Goonginda Charles
Biographic Data
| ID | 10282014 |
|---|---|
| NAME | Rona Goonginda Charles |
| GIVEN NAMES | Rona Goonginda |
| FAMILY NAME | Charles |
| SIGNATURE | CHARLES R G |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Dirna arrun “We Hold It”
Since 2009–2010, practioner-custodians from Wanjina-Wunggurr First Nations in the Kimberley region of northwestern Australia have drawn upon archival materials relating to the multimodal performance-storytelling form Junba to renourish the practice and strengthen social and emotional well-being of young people in their communities. Numerous dance-songs that have not been performed for many years, some as long ago as the 1930s, others the 1960s, h…
Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone
To the extent that intercultural ethnomusicology in the Australian settler state operates on a colonialist stage, research that perpetuates a procedure of discovery, recording, and offsite archiving, analysis, and interpretation risks repeating a form of musical colonialism with which ethnomusicology worldwide is inextricably tied. While these research methods continue to play an important role in contemporary intercultural ethnomusicological res…
Moving Songs
Repatriation has become almost ubiquitous in ethnomusicological research on Australian Indigenous song. This article provides insights into processes of a repatriation-centered song revitalization project in the Kimberley, northwest Australia. Authored by an ethnomusicologist and two members of the Ngarinyin cultural heritage community, the article provides firsthand accounts of the early phases of a long-term repatriation-centered project referr…
No prominent works on this page.
Moving Songs
Repatriation has become almost ubiquitous in ethnomusicological research on Australian Indigenous song. This article provides insights into processes of a repatriation-centered song revitalization project in the Kimberley, northwest Australia. Authored by an ethnomusicologist and two members of the Ngarinyin cultural heritage community, the article provides firsthand accounts of the early phases of a long-term repatriation-centered project referr…
Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone
To the extent that intercultural ethnomusicology in the Australian settler state operates on a colonialist stage, research that perpetuates a procedure of discovery, recording, and offsite archiving, analysis, and interpretation risks repeating a form of musical colonialism with which ethnomusicology worldwide is inextricably tied. While these research methods continue to play an important role in contemporary intercultural ethnomusicological res…
Dirna arrun “We Hold It”
Since 2009–2010, practioner-custodians from Wanjina-Wunggurr First Nations in the Kimberley region of northwestern Australia have drawn upon archival materials relating to the multimodal performance-storytelling form Junba to renourish the practice and strengthen social and emotional well-being of young people in their communities. Numerous dance-songs that have not been performed for many years, some as long ago as the 1930s, others the 1960s, h…
Music History and Culture (3 works) · Archaeology (2 works) · Diverse Musicological Studies (2 works) · Repatriation (2 works) · Sociology (2 works) · Traditional knowledge (2 works) · Anthropology (1 work) · Archival science (1 work) · Art (1 work) · Cultural heritage (1 work)