Felicia Hardison Londré
Biographic Data
| ID | 1028291 |
|---|---|
| NAME | Felicia Hardison Londré |
| GIVEN NAMES | Felicia Hardison |
| FAMILY NAME | Londré |
| SIGNATURE | LONDRÉ F H |
| AFFILIATIONS | University of Missouri–Kansas City, Kansas City, MO, USA |
| VERIFIED | No |
| TOTAL WORKS | 44 |
| TOTAL CITATIONS | 33 |
| AUTHOR COUNT | 44 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
From San Francisco Eastward: Victorian Theater in the American West. By Carolyn Grattan Eichin
From San Francisco Eastward: Victorian Theater in the American West. By Carolyn Grattan Eichin From San Francisco Eastward: Victorian Theater in the American West. By Carolyn Grattan Eichin. (Reno: University of Nevada Press, 2020. 291 pp. Illustrations, maps, notes, bibliography, index. $60.00.) Felicia Hardison Londré Felicia Hardison Londré University of Missouri–Kansas City, Kansas City, MO, USA Email: [email protected] Search for other works …
Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems by B. J. Sokol
Reviewed by: Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems by B. J. Sokol Felicia Hardison Londré SHAKESPEARE’S ARTISTS: THE PAINTERS, SCULPTORS, POETS AND MUSICIANS IN HIS PLAYS AND POEMS. By B. J. Sokol. London: Bloomsbury Arden Shakespeare, 2018; pp. 344. B. J. Sokol has a long trajectory of research and publication on Elizabethan contexts for Shakespeare’s work, with particular interest in Shakespe…
Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio
Reviewed by: Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio Felicia Hardison Londre TENNESSEE WILLIAMS AND ITALY: A TRANSCULTURAL PERSPECTIVE. By Alessandro Clericuzio. Palgrave Macmillan, 2016; pp. xv + 225; 6 b/w illus. Italy and Italian culture held special allure for Tennessee Williams, as attested by his Memoirs, his published letters and notebooks, and some of his literary work. His close friendship with …
Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro (review)
Reviewed by: Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro Felicia Hardison Londre COLLECTING SHAKESPEARE: THE STORY OF HENRY AND EMILY FOLGER. By Stephen H. Grant. Baltimore: Johns Hopkins University Press, 2014; pp. 264. SHAKESPEARE IN AMERICA: AN ANTHOLOGY FROM THE REVOLUTION TO NOW. Edited by James Shapiro. New York: Li…
New Women Dramatists in America, 1890–1920 (review)
Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and its Performers (review)
Reviewed by: Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and its Performers Felicia Hardison Londre Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and its Performers. By Arthur Frank Wertheim . New York: Palgrave Macmillan, 2006; pp. xvii + 332. $69.95 cloth. The title may seem tendentious, but Arthur Frank Wertheim's massive research underpinning this book supports its accu…
Anton Chekhov at the Moscow Art Theatre: Archive Illustrations of the Original Productions (review)
Reviewed by: Anton Chekhov at the Moscow Art Theatre: Archive Illustrations of the Original Productions Felicia Hardison Londré Anton Chekhov at the Moscow Art Theatre: Archive Illustrations of the Original Productions. Translated and edited by Vera Gottlieb. London: Routledge, 2005; pp. xv + 85. $115.00 cloth. The strikingly designed dustjacket of Anton Chekhov at the Moscow Art Theatre features a blow-up of illustration 129, the actor Artem in …
Tennessee Williams: A Guide to Research and Performance (review)
Reviewed by: Tennesse Williams: A Guide to Research and Performance Felicia Hardison Londré Tennesse Williams: A Guide to Research and Performance. Edited by Philip C. Kolin. Westport: Greenwood Press, 1998; pp. xv + 282. $75.00 cloth. Given the current boom in productions of Tennessee Williams’s plays and a concomitant acceleration of scholarship devoted to them, Philip C. Kolin’s survey of critical responses should find a receptive readership. …
The Oxford Illustrated History of Theatre (review)
Reviewed by: The Oxford Illustrated History of Theatre Felicia Hardison Londré The Oxford Illustrated History of Theatre. Edited by John Russell Brown. Oxford: Oxford University Press, 1995; pp. x + 582 + 24 unnumbered pages of color illustrations. $45.00 cloth. John Russell Brown’s introduction clearly sets forth what he wants his theatre history to be: a telling of the story of theatre that will also serve as a celebration of the theatre’s grea…
Edward Meyerhold: A Revolution in Theatre
Twelfth Night
Hamlet
Andre Antoine
The History of World Theater: From the English Restoration to the Present
Chickenhead
Theatre and Politics in Nineteenth-Century Spain: Juan De Grimaldi as Impresario and Government Agent
Eleonora Duse: In Life and Art
Broadway
Federico Garcia Lorca
Federico Garcia Lorca
International Bibliography of the Theatre: 1982
Cyrano de Bergerac
Still Harping on Daughters: Women and Drama in the Age of Shakespeare
The Gilbert and Sullivan Operas
Principles of Stage Combat
Still Harping on Daughters: Women and Drama in the Age of Shakespeare
From Hester Street to Hollywood: The Jewish-American Stage and Screen
An American Odyssey: Elia Kazan and American Culture
Ethnic Theatre in the United States
Strongly recommended for undergraduate and graduate libraries; useful in theater, American history, and ethnic studies. Choice
The History of World Theater: From the English Restoration to the Present
A Paul Robeson Research Guide: A Selected, Annotated Bibliography
Actors Are Madmen: Notebook of a Theatregoer in China
The Religious Musicals of Jean Racine
Lady Bug, Lady Bug, Fly Away Home
Notes & Queries
Alexander Ostrovsky
The House of Mirth: The Play of the Novel
Lorca in Metamorphosis: His Posthumous Plays
Federico Garcia Lorca's recently published posthumous plays are not likely to be produced very often. Their arcane, scatological, and homosexual features would confine them to the realm of experimental theatre or studio production for limited audiences, while their staging requirementsincluding a number of on-stage transformations would necessitate fairly lavish production values. In these highly theatrical works, Lorca not only liberated himself…
Tom Stoppard
Still Harping on Daughters: Women and Drama in the Age of Shakespeare
The Gilbert and Sullivan Operas
Principles of Stage Combat
An American Odyssey: Elia Kazan and American Culture
Three Sisters
To Be and Not to Be: "Negation and Metadrama in "Hamlet
Greek Tragic Poetry
Sortilèges
A Paul Robeson Research Guide: A Selected, Annotated Bibliography
From the Neck Up; An Illustrated Guide to Hatmaking
Actors Are Madmen: Notebook of a Theatregoer in China
Opera People
Ethnic Theatre in the United States
Strongly recommended for undergraduate and graduate libraries; useful in theater, American history, and ethnic studies. Choice
From Hester Street to Hollywood: The Jewish-American Stage and Screen
Staging Premodern Drama: A Guide to Production Problems
This wise volume, written by a veteran director and observer of premodern plays, offers good advice for neophyte and experienced directors. Choice
Cyrano de Bergerac
Federico Garcia Lorca
International Bibliography of the Theatre: 1982
Art (39 works) · History (17 works) · History (16 works) · Literature (10 works) · Art history (9 works) · Computer Science (7 works) · Shakespeare, Adaptation, and Literary Criticism (7 works) · Theatre and Performance Studies (7 works) · Visual arts (7 works) · Theater, Performance, and Music History (6 works)