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Senka Božić-Vrbančić

Biographic Data

ID102837
NAMESenka Božić-Vrbančić
GIVEN NAMESSenka
FAMILY NAMEBožić-Vrbančić
SIGNATUREBOŽIĆ-VRBANČIĆ S
AFFILIATIONSUniversity of Zadar
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS5
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Odmetnuto gledište” ili: Ideja akademske slobode danas

    Open Access•Senka Božić-Vrbančić, Tomislav Oroz•ARTICLE•Etnološka tribina•2024•References: 2

    U radu, koji je koncipiran kao poticaj za raspravu, problematizira se pitanje akademske slobode u suvremenom neoliberalnom kontekstu obilježenom nesigurnošću života. Upućujući na povijesno-društvena, politička i institucionalna ishodišta koja su omogućila (re)definiranje ideala akademske slobode, autori propituju razne suvremene procese – od prilagodbe tržištu rada do kontrole osiguranja kvalitete i provjere “korisnosti znanja” – otvarajući pitan…

  • Impasse: Život U Nesigurnosti

    Open Access•Senka Božić-Vrbančić•ARTICLE•Studia Ethnologica Croatica•2022

  • Contested Sites of Memory on Tarara in New Zealand

    Open Access•Senka Božić-Vrbančić•ARTICLE•Folia linguistica et litteraria•2019

    During the colonial time in New Zealand Maori and Croatians worked together on the gumfileds of the Far North. On the gumfields both Maori and Croats were stigmatized, each in their own way and for different reasons. This stigmatisation excluded them from the dominant culture and constituted the common terrain for their relationship. The intermarriages were common. This paper explores the ways the stories about Maori and Croatians in New Zealand …

  • Creaturely Life in “We Come as Friends”

    Open Access•Mario Vrbancic, Senka Božić-Vrbančić•ARTICLE•Humanities•2019

    In this article we focus on the analysis of a 2014 Austrian–French documentary We come as friends (110 min), written, directed, and produced by Hubert Sauper. We come as friends is a documentary about a corporate, polycentric, contemporary colonization of South Sudan. It is described by Sauper as “a modern odyssey, a dizzying, science fiction-like journey into the heart of Africa”. It is about Sudan, the continent’s biggest country, at the moment…

  • I am tired from all of these feelings’: Narrating suffering in the film Sick

    Open Access•Senka Božić-Vrbančić, Renata Kokanović et al.•ARTICLE•Arts and Humanities in Higher…•2018•References: 4

    This article explores ‘the politics of sentimentality’ with specific reference to the documentary film Sick, which represents the narrative of a young lesbian woman, Ana, who was confined in a psychiatric hospital in Croatia and ‘treated’ for her homosexuality. We consider the ways our most intimate emotional relationships and states, such as pain and suffering, articulate with a wider context of familial citizenship and critically examine the po…

  • After all, I am partly Māori, partly Dalmatian, but first of all I am a New Zealander

    Open Access•Senka Božić-Vrbančić•ARTICLE•Ethnography•2005•Cited by: 5•References: 2

    This article explores the complexity of the processes of identity construction for 'mixed-race' individuals in New Zealand. It focuses on two life stories told by Māori-Croatian women in order to analyse how individuals of Māori-Croatian background constitute their own identity within the heterogeneous discursive practices (race, ethnicity, gender, class, nation) that have operated in New Zealand from colonial times to the bicultural New Zealand …

  • After all, I am partly Māori, partly Dalmatian, but first of all I am a New Zealander

    Open Access•Senka Božić-Vrbančić•ARTICLE•Ethnography•2005•Cited by: 5•References: 2

    This article explores the complexity of the processes of identity construction for 'mixed-race' individuals in New Zealand. It focuses on two life stories told by Māori-Croatian women in order to analyse how individuals of Māori-Croatian background constitute their own identity within the heterogeneous discursive practices (race, ethnicity, gender, class, nation) that have operated in New Zealand from colonial times to the bicultural New Zealand …

  • After all, I am partly Māori, partly Dalmatian, but first of all I am a New Zealander

    Open Access•Senka Božić-Vrbančić•ARTICLE•Ethnography•2005•Cited by: 5•References: 2

    This article explores the complexity of the processes of identity construction for 'mixed-race' individuals in New Zealand. It focuses on two life stories told by Māori-Croatian women in order to analyse how individuals of Māori-Croatian background constitute their own identity within the heterogeneous discursive practices (race, ethnicity, gender, class, nation) that have operated in New Zealand from colonial times to the bicultural New Zealand …

  • I am tired from all of these feelings’: Narrating suffering in the film Sick

    Open Access•Senka Božić-Vrbančić, Renata Kokanović et al.•ARTICLE•Arts and Humanities in Higher…•2018•References: 4

    This article explores ‘the politics of sentimentality’ with specific reference to the documentary film Sick, which represents the narrative of a young lesbian woman, Ana, who was confined in a psychiatric hospital in Croatia and ‘treated’ for her homosexuality. We consider the ways our most intimate emotional relationships and states, such as pain and suffering, articulate with a wider context of familial citizenship and critically examine the po…

  • Contested Sites of Memory on Tarara in New Zealand

    Open Access•Senka Božić-Vrbančić•ARTICLE•Folia linguistica et litteraria•2019

    During the colonial time in New Zealand Maori and Croatians worked together on the gumfileds of the Far North. On the gumfields both Maori and Croats were stigmatized, each in their own way and for different reasons. This stigmatisation excluded them from the dominant culture and constituted the common terrain for their relationship. The intermarriages were common. This paper explores the ways the stories about Maori and Croatians in New Zealand …

  • Creaturely Life in “We Come as Friends”

    Open Access•Mario Vrbancic, Senka Božić-Vrbančić•ARTICLE•Humanities•2019

    In this article we focus on the analysis of a 2014 Austrian–French documentary We come as friends (110 min), written, directed, and produced by Hubert Sauper. We come as friends is a documentary about a corporate, polycentric, contemporary colonization of South Sudan. It is described by Sauper as “a modern odyssey, a dizzying, science fiction-like journey into the heart of Africa”. It is about Sudan, the continent’s biggest country, at the moment…

  • Impasse: Život U Nesigurnosti

    Open Access•Senka Božić-Vrbančić•ARTICLE•Studia Ethnologica Croatica•2022

  • Odmetnuto gledište” ili: Ideja akademske slobode danas

    Open Access•Senka Božić-Vrbančić, Tomislav Oroz•ARTICLE•Etnološka tribina•2024•References: 2

    U radu, koji je koncipiran kao poticaj za raspravu, problematizira se pitanje akademske slobode u suvremenom neoliberalnom kontekstu obilježenom nesigurnošću života. Upućujući na povijesno-društvena, politička i institucionalna ishodišta koja su omogućila (re)definiranje ideala akademske slobode, autori propituju razne suvremene procese – od prilagodbe tržištu rada do kontrole osiguranja kvalitete i provjere “korisnosti znanja” – otvarajući pitan…

Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Colonialism (3 works) · History (3 works) · Law (3 works) · Philosophy (3 works) · Politics (3 works) · Archaeology (2 works) · Art (2 works)

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