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Silvio Gaggi

Biographic Data

ID1028637
NAMESilvio Gaggi
GIVEN NAMESSilvio
FAMILY NAMEGaggi
SIGNATUREGAGGI S
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR1992
H-INDEX0
  • Modern/Postmodern

    Deborah R Geis, Silvio Gaggi•ARTICLE•Theatre Journal•1992

  • Sculpture, Theater and Art Performance

    Silvio Gaggi•ARTICLE•Leonardo•1986

    The author articulates some tentative distinctions between recent sculpture, art performance and theater proper. A comparison of works in several media suggests a convergence of expansionist sculpture and reductionist theater. He identifies several factors that must be considered in attempting to formulate distinctions between these genre

  • Reply to Steven Durland

    Silvio Gaggi•ARTICLE•Leonardo•1986

  • "Pinter's "Betrayal

    Silvio Gaggi•ARTICLE•Theatre Journal•1981

    Harold Pinter's Betrayal,' which has recently completed runs in London and New York, is virtually a catalogue of communication problems, apparent because in the end one must question whether the themes of the play really involve difficulties in communication or inadequacies of language as an instrument of communication. The real problem may be something quite different: that individuals see each other quite clearly and it is only with great diffi…

No prominent works on this page.

  • "Pinter's "Betrayal

    Silvio Gaggi•ARTICLE•Theatre Journal•1981

    Harold Pinter's Betrayal,' which has recently completed runs in London and New York, is virtually a catalogue of communication problems, apparent because in the end one must question whether the themes of the play really involve difficulties in communication or inadequacies of language as an instrument of communication. The real problem may be something quite different: that individuals see each other quite clearly and it is only with great diffi…

  • Sculpture, Theater and Art Performance

    Silvio Gaggi•ARTICLE•Leonardo•1986

    The author articulates some tentative distinctions between recent sculpture, art performance and theater proper. A comparison of works in several media suggests a convergence of expansionist sculpture and reductionist theater. He identifies several factors that must be considered in attempting to formulate distinctions between these genre

  • Reply to Steven Durland

    Silvio Gaggi•ARTICLE•Leonardo•1986

  • Modern/Postmodern

    Deborah R Geis, Silvio Gaggi•ARTICLE•Theatre Journal•1992

Art (4 works) · Art history (3 works) · Art, Politics, and Modernism (2 works) · History (2 works) · History (2 works) · Psychology (2 works) · The arts (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Betrayal (1 work)

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