E E Alekseyev
Biographic Data
| ID | 10291007 |
|---|---|
| NAME | E E Alekseyev |
| GIVEN NAMES | E E |
| FAMILY NAME | Alekseyev |
| SIGNATURE | ALEKSEYEV E E |
| AFFILIATIONS | International Institute of Boston |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 2
This article identifies the principal factors in the evolution of the tonal organization of traditional Jaw Harp music within the context of the chronology of its geographic distribution. The specificity of the vocal system of the Jaw Harp performance technique is analyzed in comparison with the vocal systems of verbal speech and singing. Based on the theories of residue pitch and harmonic templates, the article proposes a model of phonological c…
What the “Talking Jew’s Harp” is saying
This article is an attempt to further develop the theory of divergence of musical systems of east and west of Eurasia by defining characteristics of a special type of musical cognition prevalent in traditional musical cultures of the indige-nous population of Siberia and Russian Far East. Its underlying trait is orientation on timbre (spectral content of musical sound) rather than pitch (frequency relations between musical sounds). Accordingly, w…
No prominent works on this page.
What the “Talking Jew’s Harp” is saying
This article is an attempt to further develop the theory of divergence of musical systems of east and west of Eurasia by defining characteristics of a special type of musical cognition prevalent in traditional musical cultures of the indige-nous population of Siberia and Russian Far East. Its underlying trait is orientation on timbre (spectral content of musical sound) rather than pitch (frequency relations between musical sounds). Accordingly, w…
How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 2
This article identifies the principal factors in the evolution of the tonal organization of traditional Jaw Harp music within the context of the chronology of its geographic distribution. The specificity of the vocal system of the Jaw Harp performance technique is analyzed in comparison with the vocal systems of verbal speech and singing. Based on the theories of residue pitch and harmonic templates, the article proposes a model of phonological c…
Acoustics (2 works) · Diverse Musicological Studies (2 works) · Folklore, Mythology, and Literature Studies (2 works) · HARP (2 works) · History (2 works) · Linguistics (2 works) · Singing (2 works) · Archaeology (1 work) · Art (1 work) · Classical music (1 work)