Mark Rollins
Biographic Data
| ID | 1029316 |
|---|---|
| NAME | Mark Rollins |
| GIVEN NAMES | Mark |
| FAMILY NAME | Rollins |
| SIGNATURE | ROLLINS M |
| ORCID | 0000-0002-6201-2387 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Danto and his Critics
"Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematicall…
Danto and his Critics
Journal Article Book Reviews Get access Danto and his Critics. Edited by Mark Rollins (Oxford: Basil Blackwell, 1993. Pp. viii + 223. Price £45.00 h/b, £14.99 p/b.) Alan H. Goldman Alan H. Goldman University of Miami Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 46, Issue 185, October 1996, Pages 530–532, https://doi.org/10.2307/2956367 Published: 01 October 1996
Deep Plasticity: The Encoding Approach to Perceptual Change
The basic problem of perceptual change is how to account for both variation and constancy in perceiving the world. Is order learned? How deep does plasticity go in that respect? I argue that different kinds of perceptual plasticity have been confused in recent debates, notably between J. Fodor and P. M. Churchland. By focusing on changes in the use of concepts, the issues in the Fodor-Churchland debate can be resolved. Beyond that debate, I propo…
Mental Imagery: On the Limits of Cognitive Science
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Mental Imagery: On the Limits of Cognitive Science
Deep Plasticity: The Encoding Approach to Perceptual Change
The basic problem of perceptual change is how to account for both variation and constancy in perceiving the world. Is order learned? How deep does plasticity go in that respect? I argue that different kinds of perceptual plasticity have been confused in recent debates, notably between J. Fodor and P. M. Churchland. By focusing on changes in the use of concepts, the issues in the Fodor-Churchland debate can be resolved. Beyond that debate, I propo…
Danto and his Critics
Journal Article Book Reviews Get access Danto and his Critics. Edited by Mark Rollins (Oxford: Basil Blackwell, 1993. Pp. viii + 223. Price £45.00 h/b, £14.99 p/b.) Alan H. Goldman Alan H. Goldman University of Miami Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 46, Issue 185, October 1996, Pages 530–532, https://doi.org/10.2307/2956367 Published: 01 October 1996
Danto and his Critics
"Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematicall…
Philosophy (3 works) · Art (2 works) · Cognitive psychology (2 works) · Cognitive science (2 works) · Italian Fascism and Post-war Society (2 works) · Psychology (2 works) · Aesthetics (1 works) · Aesthetics (1 works) · Art history (1 works) · Arthur Coleman Danto (1924-) (1 works)