Olha V Yalovenko
Biographic Data
| ID | 10294265 |
|---|---|
| NAME | Olha V Yalovenko |
| GIVEN NAMES | Olha V |
| FAMILY NAME | Yalovenko |
| SIGNATURE | YALOVENKO O V |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Poetics of Gastronomic Images in Jhumpa Lahiri’s “The Namesake”
The purpose of the article is to analyze the specificity of gastronomic images and the Indian gastronomic code in Jhumpa Lahiri’s “The Namesake” as a personification of Asian identity in the context of transcultural paradigm. In the article the following methods are used: cultural and historical, historical and typological, functional, hermeneutic, narratological analysis, biographical, the principles of postcolonial and decolonial criticism. The…
Food as a Concept of Culture and Indian Code in Jhumpa Lahiri`s Writing
The purpose of the article is to analyze the culinary concept with Indian gastronomy code analysis in the context of the transcultural paradigm in Jhumpa Lahiri`s writing (an American writer of Bengali origin). In the article we used the following methods: cultural and historical (defining the role and place of Lahiri`s writing in US literature of the twentieth century), historical and typological (determining the specifics of themes, motifs, ima…
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Food as a Concept of Culture and Indian Code in Jhumpa Lahiri`s Writing
The purpose of the article is to analyze the culinary concept with Indian gastronomy code analysis in the context of the transcultural paradigm in Jhumpa Lahiri`s writing (an American writer of Bengali origin). In the article we used the following methods: cultural and historical (defining the role and place of Lahiri`s writing in US literature of the twentieth century), historical and typological (determining the specifics of themes, motifs, ima…
Poetics of Gastronomic Images in Jhumpa Lahiri’s “The Namesake”
The purpose of the article is to analyze the specificity of gastronomic images and the Indian gastronomic code in Jhumpa Lahiri’s “The Namesake” as a personification of Asian identity in the context of transcultural paradigm. In the article the following methods are used: cultural and historical, historical and typological, functional, hermeneutic, narratological analysis, biographical, the principles of postcolonial and decolonial criticism. The…
Aesthetics (2 works) · Art (2 works) · Bengali (2 works) · Computer Science (2 works) · Criticism (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Poetics (2 works)