Bronac Ferran
Biographic Data
| ID | 1029699 |
|---|---|
| NAME | Bronac Ferran |
| GIVEN NAMES | Bronac |
| FAMILY NAME | Ferran |
| SIGNATURE | FERRAN B |
| AFFILIATIONS | University of London |
| ORCID | 0000-0001-5052-3908 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
From Fingers to Digits
June 02 2021 From Fingers to Digits: An Artificial Aesthetic From Fingers to Digits: An Artificial Aesthetic. By Margaret A. Boden and Ernest A. Edmonds. (Cambridge, MA: MIT Press, 2019. U.S.A. 392 pp., illus. Trade. ISBN: 978-0262039628.) Bronac Ferran Bronac Ferran Search for other works by this author on: This Site Google Scholar Author and Article Information Bronac Ferran Online Issn: 1530-9282 Print Issn: 0024-094X ©2021 ISAST2021ISAST Leon…
The movement of the poem in the 1960s
Poetic form in the 1960s in Britain, and elsewhere, was affected by trans-disciplinary and trans-cultural influences that came fully into focus after the end of the Second World War. These were substantially iterated and theorized throughout the 1950s, paving the way for radical experiments in language during the following decade. Drawing on Paul Celan’s observation that poetry maintains itself ‘at its own extremity’ (expanded by Lyon [1983. “Poe…
Art That Makes Itself and other generative beginnings
In an interview with Bronaċ Ferran, Paul Brown recalls his involvement with people and places formative in shaping important countercultures of the 1960s and his long-term interest in generative art processes. He describes his interests since childhood in art and technological thinking which was further inspired by the Cybernetic Serendipity exhibition at the ICA in 1968. Shortly before seeing this, he had left art school, discouraged by a tutor …
The Conceptual Designer in 1965
This text is drawn from an interview with Stephen Willats by Bronaċ Ferran in summer 2016. Questions set by Ferran were answered by Willats who, working with the transcription of the interview edited it further, adding new answers to new questions. Ferran then revised her questions. In the interview Willats reveals why he came up with the concept of the Conceptual Designer, the evolution of his Shift Boxes and Visual Automatics works, how cyberne…
The experimental generation
This special double issue of ISR came out of a conference we organized together in 2014, exploring an apparent convergence of interest in art and science around the notion of social responsibility
Sheltering from the Storm—Artistic Residencies and Environmental Crisis
Conditions of crisis can be fertile soil for social transformation. The Lovely Weather project in Donegal, northwest Ireland, brought artists into residence in localities where changing socio-economic and awareness of shifting environmental conditions opened up space for different cooperative relations. Donegal, bounded by the Atlantic, sitting between the north and south of Ireland, is an ambiguous in-between region with strong yet undervalued t…
Creating a Program of Support for Art and Science Collaborations
October 01 2006 Creating a Program of Support for Art and Science Collaborations Bronac Ferran Bronac Ferran Search for other works by this author on: This Site Google Scholar Author and Article Information Bronac Ferran Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2006 Massachusetts Institute of Technology2006 Leonardo (2006) 39 (5): 441–445. https://doi.org/10.1162/leon.2006.39.5.441 Cite Icon Cite Permissions Share Icon Share Facebook Twitte…
Creating a Program of Support for Art and Science Collaborations
October 01 2006 Creating a Program of Support for Art and Science Collaborations Bronac Ferran Bronac Ferran Search for other works by this author on: This Site Google Scholar Author and Article Information Bronac Ferran Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2006 Massachusetts Institute of Technology2006 Leonardo (2006) 39 (5): 441–445. https://doi.org/10.1162/leon.2006.39.5.441 Cite Icon Cite Permissions Share Icon Share Facebook Twitte…
Creating a Program of Support for Art and Science Collaborations
October 01 2006 Creating a Program of Support for Art and Science Collaborations Bronac Ferran Bronac Ferran Search for other works by this author on: This Site Google Scholar Author and Article Information Bronac Ferran Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2006 Massachusetts Institute of Technology2006 Leonardo (2006) 39 (5): 441–445. https://doi.org/10.1162/leon.2006.39.5.441 Cite Icon Cite Permissions Share Icon Share Facebook Twitte…
Sheltering from the Storm—Artistic Residencies and Environmental Crisis
Conditions of crisis can be fertile soil for social transformation. The Lovely Weather project in Donegal, northwest Ireland, brought artists into residence in localities where changing socio-economic and awareness of shifting environmental conditions opened up space for different cooperative relations. Donegal, bounded by the Atlantic, sitting between the north and south of Ireland, is an ambiguous in-between region with strong yet undervalued t…
The movement of the poem in the 1960s
Poetic form in the 1960s in Britain, and elsewhere, was affected by trans-disciplinary and trans-cultural influences that came fully into focus after the end of the Second World War. These were substantially iterated and theorized throughout the 1950s, paving the way for radical experiments in language during the following decade. Drawing on Paul Celan’s observation that poetry maintains itself ‘at its own extremity’ (expanded by Lyon [1983. “Poe…
Art That Makes Itself and other generative beginnings
In an interview with Bronaċ Ferran, Paul Brown recalls his involvement with people and places formative in shaping important countercultures of the 1960s and his long-term interest in generative art processes. He describes his interests since childhood in art and technological thinking which was further inspired by the Cybernetic Serendipity exhibition at the ICA in 1968. Shortly before seeing this, he had left art school, discouraged by a tutor …
The Conceptual Designer in 1965
This text is drawn from an interview with Stephen Willats by Bronaċ Ferran in summer 2016. Questions set by Ferran were answered by Willats who, working with the transcription of the interview edited it further, adding new answers to new questions. Ferran then revised her questions. In the interview Willats reveals why he came up with the concept of the Conceptual Designer, the evolution of his Shift Boxes and Visual Automatics works, how cyberne…
The experimental generation
This special double issue of ISR came out of a conference we organized together in 2014, exploring an apparent convergence of interest in art and science around the notion of social responsibility
From Fingers to Digits
June 02 2021 From Fingers to Digits: An Artificial Aesthetic From Fingers to Digits: An Artificial Aesthetic. By Margaret A. Boden and Ernest A. Edmonds. (Cambridge, MA: MIT Press, 2019. U.S.A. 392 pp., illus. Trade. ISBN: 978-0262039628.) Bronac Ferran Bronac Ferran Search for other works by this author on: This Site Google Scholar Author and Article Information Bronac Ferran Online Issn: 1530-9282 Print Issn: 0024-094X ©2021 ISAST2021ISAST Leon…
Art (5 works) · Computer Science (5 works) · Art history (4 works) · Cultural Industries and Urban Development (3 works) · History (3 works) · History (3 works) · Sociology (3 works) · Visual arts (3 works) · Art, Technology, and Culture (2 works) · Artistic and Creative Research (2 works)