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Marion W Copeland

Biographic Data

ID103102
NAMEMarion W Copeland
GIVEN NAMESMarion W
FAMILY NAMECopeland
SIGNATURECOPELAND M W
AFFILIATIONSHumane Society University, Washington, DC, USA.
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS35
WORKS AS AUTHOR19
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2016
H-INDEX2
  • The High Mountains of Portugal and Pax

    Marion W Copeland•ARTICLE•Anthrozoös•2016

  • The Elephants in the Room

    Marion W Copeland•ARTICLE•Anthrozoös•2015

    2015). The Elephants in the Room: An Excavation/ The Polar Bear in the Zoo: A Speculation. Anthrozoos: Vol. 28, No. 1, pp. 169-171

  • Animal Studies

    Marion W Copeland•ARTICLE•Anthrozoös•2014•Cited by: 15

    Cloth for Men', the title of this 10,000-word article, is also the strapline for a body of advertisements for the Tonik brand of mohair manufactured by Dormeuil, which appeared in the Sunday Times Magazine between 1968-73. Many menswear manufacturers and labels were promoted in its pages, and tailors in particular: in November 1967, for instance, tailors spent £256,600 on press advertising, while between 1969 and 1970 sales of suits constituted 1…

  • Thinking Animals

    Marion W Copeland•REVIEW•Anthrozoös•2013

  • The History of Ape Language Experimentation in Fiction

    Marion W Copeland•ARTICLE•Society and Animals•2012

  • Literary Animal Studies in 2012

    Marion W Copeland•ARTICLE•Anthrozoös•2012•Cited by: 2•References: 13

    Literary Animal Studies began, as did most of the disciplines that contribute to Animal Studies and Human–Animal Studies, in the 1980s. That era of raised social-consciousness opened academic disciplines to many new perspectives. The unique contribution Animal Studies made was to suggest that other-than-human perspectives not only existed but could expand and enhance human consciousness beyond what since the Middle Ages had been believed to be th…

  • Homeless Dogs and Melancholy Apes

    Marion W Copeland•ARTICLE•Anthrozoös•2012

    Homeless Dogs and Melancholy Apes: Humans and Other Animals in the Modern Literary Imagination Laura Brown." Anthrozoös, 25(2), pp. 245–246

  • Dog Stories Reconsidered

    Marion W Copeland, Marion Copeland•ARTICLE•Society and Animals•2009

  • An Animal-Centric Literature

    Open Access•Marion W Copeland•ARTICLE•Humanimalia•2009

    

  • A National Book Award Winner

    Marion W Copeland, Marion Copeland•ARTICLE•Society and Animals•2007

  • Talking Animals in British Children's Fiction, 1786-1914

    Marion W Copeland•ARTICLE•Anthrozoös•2007•Cited by: 15

    2007). Talking Animals in British Children's Fiction, 1786–1914. Anthrozoos: Vol. 20, No. 1, pp. 88-90

  • Toward a Critical Theory of Animal Issues in Fiction

    Marion W Copeland, Marion Copeland et al.•ARTICLE•Society and Animals•2005•Cited by: 2•References: 1

    The presence of nonhuman animals in works of fiction vary: from children’s story-books and young adult novels—which often feature them to the exclusion of human characters—and adult fiction—which occasionally gives them a titular role, as in Sterchi’s The cow (1988) and Hoeg’s The woman and the ape (1996) to a minimal presence—an occasional, tired, animal metaphor (take that, you dirty rat) or the inevitable, absent referent (the protagonist wave…

  • Crossover Animal Fantasy Series

    Marion W Copeland, Marion Copeland•ARTICLE•Society and Animals•2003

    Crossover fantasy series such as Harry Potter (Rowling, 1997, 1999, 2000, 2003), designed to appeal to readers of all ages, have received much popular and critical attention. Series like His Dark Materials (Pullman, 1995, 1997, 2000), more sophisticated and complex than Rowling's, have benefited from Harry Potter's press. In Rowling, nonhuman animals play roles but are not foregrounded. They are not central to action or theme or, in any sense, de…

  • The Defining Difference

    Marion W Copeland•ARTICLE•Anthrozoös•2003•Cited by: 1

  • Kindred Brutes

    Marion W Copeland•ARTICLE•Anthrozoös•2003

  • Nonhuman Animals

    Marion W Copeland•ARTICLE•Society and Animals•1998

  • Why Anthrozoos Should Welcome the Humanities

    Marion W Copeland, Marion Copeland•ARTICLE•Anthrozoös•1998

  • Mensch und Tier, Vol. XI

    Boria Sax, Harold Herzog et al.•ARTICLE•Anthrozoös•1996

  • News and Analysis

    Marion W Copeland, Arnold Arluke et al.•ARTICLE•Anthrozoös•1991

  • Animal Studies

    Marion W Copeland•ARTICLE•Anthrozoös•2014•Cited by: 15

    Cloth for Men', the title of this 10,000-word article, is also the strapline for a body of advertisements for the Tonik brand of mohair manufactured by Dormeuil, which appeared in the Sunday Times Magazine between 1968-73. Many menswear manufacturers and labels were promoted in its pages, and tailors in particular: in November 1967, for instance, tailors spent £256,600 on press advertising, while between 1969 and 1970 sales of suits constituted 1…

  • Talking Animals in British Children's Fiction, 1786-1914

    Marion W Copeland•ARTICLE•Anthrozoös•2007•Cited by: 15

    2007). Talking Animals in British Children's Fiction, 1786–1914. Anthrozoos: Vol. 20, No. 1, pp. 88-90

  • Literary Animal Studies in 2012

    Marion W Copeland•ARTICLE•Anthrozoös•2012•Cited by: 2•References: 13

    Literary Animal Studies began, as did most of the disciplines that contribute to Animal Studies and Human–Animal Studies, in the 1980s. That era of raised social-consciousness opened academic disciplines to many new perspectives. The unique contribution Animal Studies made was to suggest that other-than-human perspectives not only existed but could expand and enhance human consciousness beyond what since the Middle Ages had been believed to be th…

  • Toward a Critical Theory of Animal Issues in Fiction

    Marion W Copeland, Marion Copeland et al.•ARTICLE•Society and Animals•2005•Cited by: 2•References: 1

    The presence of nonhuman animals in works of fiction vary: from children’s story-books and young adult novels—which often feature them to the exclusion of human characters—and adult fiction—which occasionally gives them a titular role, as in Sterchi’s The cow (1988) and Hoeg’s The woman and the ape (1996) to a minimal presence—an occasional, tired, animal metaphor (take that, you dirty rat) or the inevitable, absent referent (the protagonist wave…

  • The Defining Difference

    Marion W Copeland•ARTICLE•Anthrozoös•2003•Cited by: 1

  • News and Analysis

    Marion W Copeland, Arnold Arluke et al.•ARTICLE•Anthrozoös•1991

  • Mensch und Tier, Vol. XI

    Boria Sax, Harold Herzog et al.•ARTICLE•Anthrozoös•1996

  • Nonhuman Animals

    Marion W Copeland•ARTICLE•Society and Animals•1998

  • Why Anthrozoos Should Welcome the Humanities

    Marion W Copeland, Marion Copeland•ARTICLE•Anthrozoös•1998

  • Crossover Animal Fantasy Series

    Marion W Copeland, Marion Copeland•ARTICLE•Society and Animals•2003

    Crossover fantasy series such as Harry Potter (Rowling, 1997, 1999, 2000, 2003), designed to appeal to readers of all ages, have received much popular and critical attention. Series like His Dark Materials (Pullman, 1995, 1997, 2000), more sophisticated and complex than Rowling's, have benefited from Harry Potter's press. In Rowling, nonhuman animals play roles but are not foregrounded. They are not central to action or theme or, in any sense, de…

  • The Defining Difference

    Marion W Copeland•ARTICLE•Anthrozoös•2003•Cited by: 1

  • Kindred Brutes

    Marion W Copeland•ARTICLE•Anthrozoös•2003

  • Toward a Critical Theory of Animal Issues in Fiction

    Marion W Copeland, Marion Copeland et al.•ARTICLE•Society and Animals•2005•Cited by: 2•References: 1

    The presence of nonhuman animals in works of fiction vary: from children’s story-books and young adult novels—which often feature them to the exclusion of human characters—and adult fiction—which occasionally gives them a titular role, as in Sterchi’s The cow (1988) and Hoeg’s The woman and the ape (1996) to a minimal presence—an occasional, tired, animal metaphor (take that, you dirty rat) or the inevitable, absent referent (the protagonist wave…

  • A National Book Award Winner

    Marion W Copeland, Marion Copeland•ARTICLE•Society and Animals•2007

  • Talking Animals in British Children's Fiction, 1786-1914

    Marion W Copeland•ARTICLE•Anthrozoös•2007•Cited by: 15

    2007). Talking Animals in British Children's Fiction, 1786–1914. Anthrozoos: Vol. 20, No. 1, pp. 88-90

  • Dog Stories Reconsidered

    Marion W Copeland, Marion Copeland•ARTICLE•Society and Animals•2009

  • An Animal-Centric Literature

    Open Access•Marion W Copeland•ARTICLE•Humanimalia•2009

    

  • The History of Ape Language Experimentation in Fiction

    Marion W Copeland•ARTICLE•Society and Animals•2012

  • Literary Animal Studies in 2012

    Marion W Copeland•ARTICLE•Anthrozoös•2012•Cited by: 2•References: 13

    Literary Animal Studies began, as did most of the disciplines that contribute to Animal Studies and Human–Animal Studies, in the 1980s. That era of raised social-consciousness opened academic disciplines to many new perspectives. The unique contribution Animal Studies made was to suggest that other-than-human perspectives not only existed but could expand and enhance human consciousness beyond what since the Middle Ages had been believed to be th…

  • Homeless Dogs and Melancholy Apes

    Marion W Copeland•ARTICLE•Anthrozoös•2012

    Homeless Dogs and Melancholy Apes: Humans and Other Animals in the Modern Literary Imagination Laura Brown." Anthrozoös, 25(2), pp. 245–246

  • Thinking Animals

    Marion W Copeland•REVIEW•Anthrozoös•2013

  • Animal Studies

    Marion W Copeland•ARTICLE•Anthrozoös•2014•Cited by: 15

    Cloth for Men', the title of this 10,000-word article, is also the strapline for a body of advertisements for the Tonik brand of mohair manufactured by Dormeuil, which appeared in the Sunday Times Magazine between 1968-73. Many menswear manufacturers and labels were promoted in its pages, and tailors in particular: in November 1967, for instance, tailors spent £256,600 on press advertising, while between 1969 and 1970 sales of suits constituted 1…

  • The Elephants in the Room

    Marion W Copeland•ARTICLE•Anthrozoös•2015

    2015). The Elephants in the Room: An Excavation/ The Polar Bear in the Zoo: A Speculation. Anthrozoos: Vol. 28, No. 1, pp. 169-171

  • The High Mountains of Portugal and Pax

    Marion W Copeland•ARTICLE•Anthrozoös•2016

Psychology (14 works) · Art (8 works) · Geographies of human-animal interactions (8 works) · Animal welfare (7 works) · Biology (7 works) · Ecology (7 works) · Animal-assisted therapy (6 works) · History (6 works) · Pet therapy (6 works) · Medicine (5 works)

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