Cornelius C Vermeule
Biographic Data
| ID | 1032014 |
|---|---|
| NAME | Cornelius C Vermeule |
| GIVEN NAMES | Cornelius C |
| FAMILY NAME | Vermeule |
| SIGNATURE | VERMEULE C C |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 3 |
Classical Gems: Ancient and Modern Intaglios and Cameos in the Fitzwilliam Museum, Cambridge . By Martin Henig
Greek Sculpture and Roman Taste. The Purpose and Setting of Graeco-Roman Art in Italy and the Greek Imperial East (Jerome Lectures, 12th series)
Victoria Romana: Archäologische Untersuchungen zur Geschichte und Wesensart der römischen Siegesgöttin von den Anfängen bis zum Ende des 3. Jhs. n. Chr
Christian Iconography: A Study of Its Origins. The A. W. Mellon Lectures in the Fine Arts, 1961, Delivered at the National Gallery of Art, Washington, D.C
Roman Imperial Art in Greece and Asia Minor
Roman Imperial Art in Greece and Asia Minor
The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle
Cornelius C. Vermeule, III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle, Transactions of the American Philosophical Society, Vol. 56, No. 2 (1966), pp. 1-170
Egyptian Contributions To Late Roman Imperial Portraiture
In the century from 225 to 325 vast and vital changes affected one of the major arts of the Roman Empire, the production of official and private portraits. Egypt had contributed much to the formulation of Roman portraiture in the last fifty years of the Roman Republic and the first five generations of the Empire, that is the Augustan and Julio-Claudian periods. In the years of transition to Late Antiquity and the early Middle Ages, the Roman prov…
The Colossus of Porto Raphti in Attica
The Hellenistic Origins of Byzantine Art
A Roman Silver Helmet in the Toledo (Ohio) Museum of Art
In 1958 Edward Drummond Libbey presented the helmet published here to the Toledo Museum of Art (pls. I, II). Its importance warrants at least a brief notice. The helmet is lifesize, that is it can be readily worn by a present-day person of average size. Excepting the possible loss of two ornaments (rosettes) at the sides of the browpiece or area where the pivots of the visor would be, if the helmet had one, the helmet is in nearly perfect conditi…
The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum
Cornelius C. Vermeule, III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum, Transactions of the American Philosophical Society, New Series, Vol. 50, No. 5 (1960), pp. 1-78
A New Trajan
Notes on a New Edition of Michaelis: Ancient Marbles in Great Britain
The Colossus of Porto Raphti in Attica
The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle
Cornelius C. Vermeule, III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle, Transactions of the American Philosophical Society, Vol. 56, No. 2 (1966), pp. 1-170
Notes on a New Edition of Michaelis: Ancient Marbles in Great Britain
Egyptian Contributions To Late Roman Imperial Portraiture
In the century from 225 to 325 vast and vital changes affected one of the major arts of the Roman Empire, the production of official and private portraits. Egypt had contributed much to the formulation of Roman portraiture in the last fifty years of the Roman Republic and the first five generations of the Empire, that is the Augustan and Julio-Claudian periods. In the years of transition to Late Antiquity and the early Middle Ages, the Roman prov…
The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum
Cornelius C. Vermeule, III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum, Transactions of the American Philosophical Society, New Series, Vol. 50, No. 5 (1960), pp. 1-78
Notes on a New Edition of Michaelis: Ancient Marbles in Great Britain
A New Trajan
A Roman Silver Helmet in the Toledo (Ohio) Museum of Art
In 1958 Edward Drummond Libbey presented the helmet published here to the Toledo Museum of Art (pls. I, II). Its importance warrants at least a brief notice. The helmet is lifesize, that is it can be readily worn by a present-day person of average size. Excepting the possible loss of two ornaments (rosettes) at the sides of the browpiece or area where the pivots of the visor would be, if the helmet had one, the helmet is in nearly perfect conditi…
The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum
Cornelius C. Vermeule, III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the British Museum, Transactions of the American Philosophical Society, New Series, Vol. 50, No. 5 (1960), pp. 1-78
Egyptian Contributions To Late Roman Imperial Portraiture
In the century from 225 to 325 vast and vital changes affected one of the major arts of the Roman Empire, the production of official and private portraits. Egypt had contributed much to the formulation of Roman portraiture in the last fifty years of the Roman Republic and the first five generations of the Empire, that is the Augustan and Julio-Claudian periods. In the years of transition to Late Antiquity and the early Middle Ages, the Roman prov…
The Colossus of Porto Raphti in Attica
The Hellenistic Origins of Byzantine Art
The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle
Cornelius C. Vermeule, III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle, Transactions of the American Philosophical Society, Vol. 56, No. 2 (1966), pp. 1-170
Roman Imperial Art in Greece and Asia Minor
Roman Imperial Art in Greece and Asia Minor
Victoria Romana: Archäologische Untersuchungen zur Geschichte und Wesensart der römischen Siegesgöttin von den Anfängen bis zum Ende des 3. Jhs. n. Chr
Christian Iconography: A Study of Its Origins. The A. W. Mellon Lectures in the Fine Arts, 1961, Delivered at the National Gallery of Art, Washington, D.C
Greek Sculpture and Roman Taste. The Purpose and Setting of Graeco-Roman Art in Italy and the Greek Imperial East (Jerome Lectures, 12th series)
Classical Gems: Ancient and Modern Intaglios and Cameos in the Fitzwilliam Museum, Cambridge . By Martin Henig
Art (12 works) · History (11 works) · Ancient Mediterranean Archaeology and History (8 works) · Classical Antiquity Studies (7 works) · Ancient history (6 works) · Art history (5 works) · Historical and Religious Studies of Rome (5 works) · Archaeology (4 works) · Classics (4 works) · Humanities (4 works)