Scott L Marcus
Biographic Data
| ID | 10323166 |
|---|---|
| NAME | Scott L Marcus |
| GIVEN NAMES | Scott L |
| FAMILY NAME | Marcus |
| SIGNATURE | MARCUS S L |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 1995 |
| H-INDEX | 1 |
Sitar and Sarod in the 18th and 19th Centuries
Parody-Generated Texts
The biraha music culture of northern India has a unique makeup and history which allows for detailed study of changes in song structure over the last 100 years. While studies of musical change of such scope are somewhat common when the subject is any number of well-documented classical traditions, it is rather unexpected in this instance since birahf is a folk music of low-caste Indians. Indeed, many have thought that historical studies of indivi…
Solo Instrumental Improvisation (Taqāsīm) in Arab Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Modulation in Arab Music
A partir du cas du Caire (Egypte), l'A. montre que les modulations (passage d'un « maqam » a un autre) jouent un role central dans la musique arabe meme si aucun traite musical ne les mentionne. Des classifications existent (modulation tonique / non tonique, soudaine / graduelle, commune / rare) et il y a peu de regles specifiques mais elles sont rigoureusement appliquees
Sitar Music in Calcutta
Sitar Technique in Nibaddh Forms
Solo Instrumental Improvisation (Taqāsīm) in Arab Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Modulation in Arab Music
A partir du cas du Caire (Egypte), l'A. montre que les modulations (passage d'un « maqam » a un autre) jouent un role central dans la musique arabe meme si aucun traite musical ne les mentionne. Des classifications existent (modulation tonique / non tonique, soudaine / graduelle, commune / rare) et il y a peu de regles specifiques mais elles sont rigoureusement appliquees
Sitar Technique in Nibaddh Forms
Modulation in Arab Music
A partir du cas du Caire (Egypte), l'A. montre que les modulations (passage d'un « maqam » a un autre) jouent un role central dans la musique arabe meme si aucun traite musical ne les mentionne. Des classifications existent (modulation tonique / non tonique, soudaine / graduelle, commune / rare) et il y a peu de regles specifiques mais elles sont rigoureusement appliquees
Sitar Music in Calcutta
Solo Instrumental Improvisation (Taqāsīm) in Arab Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Parody-Generated Texts
The biraha music culture of northern India has a unique makeup and history which allows for detailed study of changes in song structure over the last 100 years. While studies of musical change of such scope are somewhat common when the subject is any number of well-documented classical traditions, it is rather unexpected in this instance since birahf is a folk music of low-caste Indians. Indeed, many have thought that historical studies of indivi…
Sitar and Sarod in the 18th and 19th Centuries
Art (6 works) · History (4 works) · Computer Science (3 works) · Aesthetics (2 works) · History (2 works) · Literature (2 works) · Theater, Performance, and Music History (2 works) · Ancient history (1 work) · Art history (1 work) · Citation (1 work)