David Cast
Biographic Data
| ID | 1032952 |
|---|---|
| NAME | David Cast |
| GIVEN NAMES | David |
| FAMILY NAME | Cast |
| SIGNATURE | CAST D |
| AFFILIATIONS | Bryn Mawr College |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Collector of Lives
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Painting as Medicine in Early Modern Rome
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Street Life in London
This is a capacious, comprehensive volume, the latest in the series Verticals, studies in the history of photography. John Thomson, the prime figure of this account, is renowned in the annals of ph
Paolo de Matteis
Livio Pestilli. Paolo de Matteis: Neapolitan Painting and Cultural History in Baroque Europe. Farnham: Ashgate Publishing Limited, 2013. xix + 404 pp. + 39 color pls. $124.95. ISBN: 978-1-4094-4620-0. - Volume 67 Issue 2
Kneller, Sir Godfrey
Hardie, Martin
Coldstream, Sir William
Waterhouse, Sir Ellis
Seguier, William
Billi, Antonio
Crowe, Sir J(oseph) A(rthur)
Euston Road School
Gori, Antonio Francesco
Jamesone, George
Du Texte à l'Image
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Light and Color in the Italian Renaissance Theory of Art
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Aurispa, Petrarch, and Lucian
‘A great age of literature’ remarked Ezra Pound in Make it New 'is perhaps always a great age of translation.’ In this article we will be examining a Latin translation of the twelfth Dialogue of the Dead of Lucian by the Italian humanist Giovanni Aurispa, and the influence that this translation, known generally as the Comparatio, had in Italy and in other countries of Europe, in France, in Germany, in England, in Spain, and in Bohemia. Such a tra…
Painting and Experience in Fifteenth Century Italy
The purpose of this concise and tightly written book is to show "how the style of pictures is a proper material of social history."Mr. Baxandall's argument is this.Believing that the symbolic structures used by a society at any given moment are reflected in all the modes of expression that appear in that society, Mr. Baxandall is concerned to show how our understanding of painting-which in the Renaissance was an obviously import- ant expressive l…
The Quattrocento
the relationships between Humanists and the clergy in the history of the Conciliar move- ment and of its ineffectiveness should be followed up, and would undoubtedly yield a scholarly harvest of value (ii, 764).Clinching a point which may seem obvious but still needs reiteration, is Trinkaus' state- ment that "none of these men [the Humanists] were reformers in the sense of Protestant reformers.The Humanists represent a certain ideal of human lif…
Patrons and Artisits in the Italian Renaissance
dence which contradicts the commonly accepted notion of a preponderant Italian influence on English drama.He argues that the Italian dramatic texts that can be positively identified as sources used by the English playwrights are so few as to raise serious doubts about their purported impact.For similar reasons, Orr is inclined to minimize the role usually assigned to Italian theorists like Cinthio in shaping English drama.Instead, he would propos…
The Rise of the Artist in the Middle Ages and Early Renaissance
Little of this is easy reading.The chapters of this book are derived from lectures that Mr. Baxandall prepared for students of history at London University, and there is a certain casualness about the language that makes some of the reasoning a little elusive.And we may not entirely agree with the point of his thesis.But what Mr. Baxandall is talking about in this book is new and important material, and there are few readers who will not find the…
Aurispa, Petrarch, and Lucian
‘A great age of literature’ remarked Ezra Pound in Make it New 'is perhaps always a great age of translation.’ In this article we will be examining a Latin translation of the twelfth Dialogue of the Dead of Lucian by the Italian humanist Giovanni Aurispa, and the influence that this translation, known generally as the Comparatio, had in Italy and in other countries of Europe, in France, in Germany, in England, in Spain, and in Bohemia. Such a tra…
Painting and Experience in Fifteenth Century Italy
The purpose of this concise and tightly written book is to show "how the style of pictures is a proper material of social history."Mr. Baxandall's argument is this.Believing that the symbolic structures used by a society at any given moment are reflected in all the modes of expression that appear in that society, Mr. Baxandall is concerned to show how our understanding of painting-which in the Renaissance was an obviously import- ant expressive l…
The Quattrocento
the relationships between Humanists and the clergy in the history of the Conciliar move- ment and of its ineffectiveness should be followed up, and would undoubtedly yield a scholarly harvest of value (ii, 764).Clinching a point which may seem obvious but still needs reiteration, is Trinkaus' state- ment that "none of these men [the Humanists] were reformers in the sense of Protestant reformers.The Humanists represent a certain ideal of human lif…
Patrons and Artisits in the Italian Renaissance
dence which contradicts the commonly accepted notion of a preponderant Italian influence on English drama.He argues that the Italian dramatic texts that can be positively identified as sources used by the English playwrights are so few as to raise serious doubts about their purported impact.For similar reasons, Orr is inclined to minimize the role usually assigned to Italian theorists like Cinthio in shaping English drama.Instead, he would propos…
The Rise of the Artist in the Middle Ages and Early Renaissance
Little of this is easy reading.The chapters of this book are derived from lectures that Mr. Baxandall prepared for students of history at London University, and there is a certain casualness about the language that makes some of the reasoning a little elusive.And we may not entirely agree with the point of his thesis.But what Mr. Baxandall is talking about in this book is new and important material, and there are few readers who will not find the…
Aurispa, Petrarch, and Lucian
‘A great age of literature’ remarked Ezra Pound in Make it New 'is perhaps always a great age of translation.’ In this article we will be examining a Latin translation of the twelfth Dialogue of the Dead of Lucian by the Italian humanist Giovanni Aurispa, and the influence that this translation, known generally as the Comparatio, had in Italy and in other countries of Europe, in France, in Germany, in England, in Spain, and in Bohemia. Such a tra…
Light and Color in the Italian Renaissance Theory of Art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Du Texte à l'Image
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Kneller, Sir Godfrey
Hardie, Martin
Coldstream, Sir William
Waterhouse, Sir Ellis
Seguier, William
Billi, Antonio
Crowe, Sir J(oseph) A(rthur)
Euston Road School
Gori, Antonio Francesco
Jamesone, George
Paolo de Matteis
Livio Pestilli. Paolo de Matteis: Neapolitan Painting and Cultural History in Baroque Europe. Farnham: Ashgate Publishing Limited, 2013. xix + 404 pp. + 39 color pls. $124.95. ISBN: 978-1-4094-4620-0. - Volume 67 Issue 2
Street Life in London
This is a capacious, comprehensive volume, the latest in the series Verticals, studies in the history of photography. John Thomson, the prime figure of this account, is renowned in the annals of ph
Painting as Medicine in Early Modern Rome
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Collector of Lives
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (14 works) · Art history (11 works) · Renaissance and Early Modern Studies (8 works) · History (6 works) · History (6 works) · Historical Art and Architecture Studies (5 works) · Classics (4 works) · Classics (4 works) · The Renaissance (4 works) · Architecture and Art History Studies (3 works)