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Susanne Kord

Biographic Data

ID1033318
NAMESusanne Kord
GIVEN NAMESSusanne
FAMILY NAMEKord
SIGNATUREKORD S
AFFILIATIONSUCL Australia
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS3
WORKS AS AUTHOR16
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Berlin 1927

    Susanne Kord•ARTICLE•European Judaism•2020

    This article outlines intersections between Albert Friedlander and two other Berliners of the 1920s: the Sass brothers, Berlin’s most daring and beloved crooks, and the Jewish crime writer Walter Serner. It attempts to read their stories as ‘prayers’ or ‘poetry’ in Friedlander’s sense

  • Contemporary Hollywood Masculinities

    Open Access•Susanne Kord, Elisabeth Krimmer•EDITOR•BOOK•Contemporary Hollywood…•2011•Cited by: 3

  • Ancient Fears and the New Order

    Open Access•Susanne Kord•ARTICLE•German Life and Letters•2008

    By common accord, the eradication of witch beliefs is one of the most important signs of the new order established in the Enlightenment. During the ‘Age of Reason’, experimental and mathematical sciences began to form the basis of new philosophies; mechanistic processes supplanted the spiritual as a method of explaining the world; witch beliefs and other superstitions began to lose their validity, and – accordingly – witch hunts, trials and execu…

  • Productive Men, Reproductive Women

    Susanne Kord, Marion W Gray•ARTICLE•The German Quarterly•2001

  • Unwrapping Goethe's Weimar

    Karin A Wurst, Burkhard Henke et al.•ARTICLE•German Studies Review•2001

  • Frauenbilder im Werk Marie von Ebner-Eschenbachs

    Susanne Kord, Ulrike Tanzer•ARTICLE•The German Quarterly•2000

  • Women, the Novel, and the German Nation 1771-1871

    Susanne Kord, Todd Kontje•ARTICLE•The German Quarterly•2000

  • The Feminist Encyclopedia of German Literature

    Marion Gehlker, Friederike Eigler et al.•ARTICLE•German Studies Review•1999

  • Sich Einen Namen Machen

    Open Access•Susanne Kord•BOOK•Sich Einen Namen Machen•1996

  • Romane und Erzahlungen deutscher Schriftstellerinnen um 1800

    Susanne Kord, Helga Gallas et al.•ARTICLE•The German Quarterly•1994

  • Dramatikerinnen und Zeitstucke

    Susanne Kord, Anne Sturzer•ARTICLE•The German Quarterly•1994

  • How Dramas End

    Susanne Kord, Susanne T Kord et al.•ARTICLE•The German Quarterly•1994

  • Tugend im Rampenlicht

    Susanne Kord, Susanne T Kord•ARTICLE•The German Quarterly•1993

    Susanne T. Kord, Tugend im Rampenlicht: Friederike Sophie Hensel als Schauspielerin und Dramatikerin, The German Quarterly, Vol. 66, No. 1, From Mid-18th-Century to Romanticism (Winter, 1993), pp. 1-19

  • Ein Blick hinter die Kulissen

    Caroline Molina, Susanne Kord•ARTICLE•The German Quarterly•1993

  • Ein Blick hinter die Kulissen

    Karin A Wurst, Susanne Kord•ARTICLE•German Studies Review•1993

    This study presents a selection of eighteenth- and nineteenth-century German women dramatists and their works. The texts were not located within what we know as literary history, but rather within the context of the contemporary German theatre and the social conditions governing the writing and publishing of plays by women. The majority of these dramatists are unknown today. Research in this area is made more difficult by the widespread anonymity…

  • Women as Children, Women as Childkillers

    Susanne Kord•ARTICLE•Eighteenth-Century Studies•1993

    1 Considering this fact, it is surprising how little literature there is on the subjects, particularly on infanticide. The four main studies that should be mentioned here are Wilhelm Wachtershauser's Das Verbrechen des Kindesmordes im Zeitalter der Aujkldrung (Berlin, 1973); Jan Mathias Rameckers' 1927 dissertation Der Kindesmord in der Literatur der Sturmund Drang-Periode (Rotterdam); Beat Weber's study Kindsmorderin im deutschen Schrifttum von …

  • Ein Blick Hinter die Kulissen

    Open Access•Susanne Kord•BOOK•Ein Blick Hinter die Kulissen•1992

  • Contemporary Hollywood Masculinities

    Open Access•Susanne Kord, Elisabeth Krimmer•EDITOR•BOOK•Contemporary Hollywood…•2011•Cited by: 3

  • Ein Blick Hinter die Kulissen

    Open Access•Susanne Kord•BOOK•Ein Blick Hinter die Kulissen•1992

  • Tugend im Rampenlicht

    Susanne Kord, Susanne T Kord•ARTICLE•The German Quarterly•1993

    Susanne T. Kord, Tugend im Rampenlicht: Friederike Sophie Hensel als Schauspielerin und Dramatikerin, The German Quarterly, Vol. 66, No. 1, From Mid-18th-Century to Romanticism (Winter, 1993), pp. 1-19

  • Ein Blick hinter die Kulissen

    Caroline Molina, Susanne Kord•ARTICLE•The German Quarterly•1993

  • Ein Blick hinter die Kulissen

    Karin A Wurst, Susanne Kord•ARTICLE•German Studies Review•1993

    This study presents a selection of eighteenth- and nineteenth-century German women dramatists and their works. The texts were not located within what we know as literary history, but rather within the context of the contemporary German theatre and the social conditions governing the writing and publishing of plays by women. The majority of these dramatists are unknown today. Research in this area is made more difficult by the widespread anonymity…

  • Women as Children, Women as Childkillers

    Susanne Kord•ARTICLE•Eighteenth-Century Studies•1993

    1 Considering this fact, it is surprising how little literature there is on the subjects, particularly on infanticide. The four main studies that should be mentioned here are Wilhelm Wachtershauser's Das Verbrechen des Kindesmordes im Zeitalter der Aujkldrung (Berlin, 1973); Jan Mathias Rameckers' 1927 dissertation Der Kindesmord in der Literatur der Sturmund Drang-Periode (Rotterdam); Beat Weber's study Kindsmorderin im deutschen Schrifttum von …

  • Romane und Erzahlungen deutscher Schriftstellerinnen um 1800

    Susanne Kord, Helga Gallas et al.•ARTICLE•The German Quarterly•1994

  • Dramatikerinnen und Zeitstucke

    Susanne Kord, Anne Sturzer•ARTICLE•The German Quarterly•1994

  • How Dramas End

    Susanne Kord, Susanne T Kord et al.•ARTICLE•The German Quarterly•1994

  • Sich Einen Namen Machen

    Open Access•Susanne Kord•BOOK•Sich Einen Namen Machen•1996

  • The Feminist Encyclopedia of German Literature

    Marion Gehlker, Friederike Eigler et al.•ARTICLE•German Studies Review•1999

  • Frauenbilder im Werk Marie von Ebner-Eschenbachs

    Susanne Kord, Ulrike Tanzer•ARTICLE•The German Quarterly•2000

  • Women, the Novel, and the German Nation 1771-1871

    Susanne Kord, Todd Kontje•ARTICLE•The German Quarterly•2000

  • Productive Men, Reproductive Women

    Susanne Kord, Marion W Gray•ARTICLE•The German Quarterly•2001

  • Unwrapping Goethe's Weimar

    Karin A Wurst, Burkhard Henke et al.•ARTICLE•German Studies Review•2001

  • Ancient Fears and the New Order

    Open Access•Susanne Kord•ARTICLE•German Life and Letters•2008

    By common accord, the eradication of witch beliefs is one of the most important signs of the new order established in the Enlightenment. During the ‘Age of Reason’, experimental and mathematical sciences began to form the basis of new philosophies; mechanistic processes supplanted the spiritual as a method of explaining the world; witch beliefs and other superstitions began to lose their validity, and – accordingly – witch hunts, trials and execu…

  • Contemporary Hollywood Masculinities

    Open Access•Susanne Kord, Elisabeth Krimmer•EDITOR•BOOK•Contemporary Hollywood…•2011•Cited by: 3

  • Berlin 1927

    Susanne Kord•ARTICLE•European Judaism•2020

    This article outlines intersections between Albert Friedlander and two other Berliners of the 1920s: the Sass brothers, Berlin’s most daring and beloved crooks, and the Jewish crime writer Walter Serner. It attempts to read their stories as ‘prayers’ or ‘poetry’ in Friedlander’s sense

Art (13 works) · German Literature and Culture Studies (13 works) · History (8 works) · Literature (6 works) · Philosophy (6 works) · Archaeology (4 works) · German (4 works) · History (4 works) · Political science (4 works) · Sociology (4 works)

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