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Kristin Schwain

Biographic Data

ID1034588
NAMEKristin Schwain
GIVEN NAMESKristin
FAMILY NAMESchwain
SIGNATURESCHWAIN K
AFFILIATIONSUniversity of Missouri
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS3
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2010
H-INDEX1
  • Visual Culture and American Religions

    Open Access•Kristin Schwain•ARTICLE•Religion Compass•2010•References: 12

    Scholarship on the visual culture in American religions has flourished in the past three decades. Scholars from myriad disciplines have generated essays, monographs, and edited volumes that examine everything from fine art paintings to popular prints, church architecture to yard shrines, and folk art to graphic novels. In this essay, I provide an abbreviated explanation for the explosion of scholarship on visual culture and American religions in …

  • F. Holland Day'sSeven Last Wordsand the Religious Roots of American Modernism

    Kristin Schwain•ARTICLE•American Art•2005•Cited by: 3

    In the summer of 1898, the photographer F. Holland Day and a coterie of friends and professional models ascended a hill outside Boston to perform Christ's life, death, and resurrection for the camera. Selected for their presumed resemblance to the biblical figures, dressed in costumes with designs "furnished by archeological investigation," and fastened to crosses "in the same manner as the Christ was supported in the Oberammergau Passion Play," …

  • F. Holland Day'sSeven Last Wordsand the Religious Roots of American Modernism

    Kristin Schwain•ARTICLE•American Art•2005•Cited by: 3

    In the summer of 1898, the photographer F. Holland Day and a coterie of friends and professional models ascended a hill outside Boston to perform Christ's life, death, and resurrection for the camera. Selected for their presumed resemblance to the biblical figures, dressed in costumes with designs "furnished by archeological investigation," and fastened to crosses "in the same manner as the Christ was supported in the Oberammergau Passion Play," …

  • F. Holland Day'sSeven Last Wordsand the Religious Roots of American Modernism

    Kristin Schwain•ARTICLE•American Art•2005•Cited by: 3

    In the summer of 1898, the photographer F. Holland Day and a coterie of friends and professional models ascended a hill outside Boston to perform Christ's life, death, and resurrection for the camera. Selected for their presumed resemblance to the biblical figures, dressed in costumes with designs "furnished by archeological investigation," and fastened to crosses "in the same manner as the Christ was supported in the Oberammergau Passion Play," …

  • Visual Culture and American Religions

    Open Access•Kristin Schwain•ARTICLE•Religion Compass•2010•References: 12

    Scholarship on the visual culture in American religions has flourished in the past three decades. Scholars from myriad disciplines have generated essays, monographs, and edited volumes that examine everything from fine art paintings to popular prints, church architecture to yard shrines, and folk art to graphic novels. In this essay, I provide an abbreviated explanation for the explosion of scholarship on visual culture and American religions in …

Visual Culture and Art Theory (2 works) · Aesthetics (1 work) · American History and Culture (1 work) · American Political and Social Dynamics (1 work) · Architecture (1 work) · Art (1 work) · Cultural History and Identity Formation (1 work) · Law (1 work) · Library science (1 work) · Literature (1 work)

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