Susan L Huntington
Biographic Data
| ID | 1035227 |
|---|---|
| NAME | Susan L Huntington |
| GIVEN NAMES | Susan L |
| FAMILY NAME | Huntington |
| SIGNATURE | HUNTINGTON S L |
| AFFILIATIONS | The Ohio State University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Shifting the Paradigm
Focusing on imagery that purportedly depicts life events of Śākyamuni Buddha, this essay examines the terms ‘iconic’ and ‘aniconic’ as they have been applied to interpreting the early Buddhist art of India. In this context, ‘iconic’ has been used to refer to a figurative depiction of Śākyamuni Buddha; the antonym, ‘aniconic,’ has been used to refer to trees, stūpas, pillars, and other non-human subjects that are claimed to be substitutions for th…
Indian subcontinent
Early Buddhist Art and the Theory of Aniconism
In the late nineteenth and early twentieth centuries, European and Indian scholars were puzzled by the absence of anthropomorphic representations of the historical Buddha Śākyamuni in the earliest surviving Buddhist art. Early Buddhist art, it was assumed, either avoided Buddha images entirely, or favored the use of symbols to refer to the Buddha or important events in the Buddha's life. For example, the depiction of a specific tree in early ston…
The "Pāla-Sena" Schools of Sculpture
Painters at the Sikh Court
An Approach to Indian Art
No prominent works on this page.
An Approach to Indian Art
Painters at the Sikh Court
The "Pāla-Sena" Schools of Sculpture
Early Buddhist Art and the Theory of Aniconism
In the late nineteenth and early twentieth centuries, European and Indian scholars were puzzled by the absence of anthropomorphic representations of the historical Buddha Śākyamuni in the earliest surviving Buddhist art. Early Buddhist art, it was assumed, either avoided Buddha images entirely, or favored the use of symbols to refer to the Buddha or important events in the Buddha's life. For example, the depiction of a specific tree in early ston…
Indian subcontinent
Shifting the Paradigm
Focusing on imagery that purportedly depicts life events of Śākyamuni Buddha, this essay examines the terms ‘iconic’ and ‘aniconic’ as they have been applied to interpreting the early Buddhist art of India. In this context, ‘iconic’ has been used to refer to a figurative depiction of Śākyamuni Buddha; the antonym, ‘aniconic,’ has been used to refer to trees, stūpas, pillars, and other non-human subjects that are claimed to be substitutions for th…
Art (5 works) · History (4 works) · Art history (3 works) · Indian and Buddhist Studies (3 works) · Literature (3 works) · Ancient history (2 works) · Buddhism (2 works) · Depiction (2 works) · Gautama Buddha (2 works) · Historical and Architectural Studies (2 works)