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Martin Kreiswirth

Biographic Data

ID1035289
NAMEMartin Kreiswirth
GIVEN NAMESMartin
FAMILY NAMEKreiswirth
SIGNATUREKREISWIRTH M
AFFILIATIONSEnglish, Western Ontario
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS18
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2026
H-INDEX2
  • The Johns Hopkins Guide to Critical and Cultural Theory

    Martin Kreiswirth•BOOK•The Johns Hopkins Guide to…•2026

  • Terminology and Praxis: Clarifying the Scope of Narrative in Medicine

    Lindsay Holmgren, Abraham Fuks et al.•ARTICLE•Literature and medicine•2011

    Until about thirty years ago, narrative and narrative theory were the province of those disciplines that have traditionally formed the accepted core of the humanities: literature, cultural, religious, and, to a lesser extent, philosophical studies. Researchers in these fields - whether hard-core narratologists or narrative ethicists - tend not to produce narratives but to receive them.[...]

  • Merely Telling Stories? Narrative and Knowledge in the Human Sciences

    Martin Kreiswirth•ARTICLE•Poetics Today•2000•Cited by: 8•References: 9

    This essay is part of a long-term cross-disciplinary research project,entitled "Narrative between the Disciplines," which looks at the way narrative is used within and between different disciplinary formations. Its goal is to say something about narrative itself as a form of redescription, a mode of knowledge, and how the claims made for it by the various disciplines say something about their own opera-tions, limitations,and presuppositions. By e…

  • Trusting the Tale: The Narrativist Turn in the Human Sciences

    Martin Kreiswirth•ARTICLE•New Literary History•1992•Cited by: 10

    noticed, there has recently been a virtual explosion of interest in narrative and in theorizing about narrative; and it has been detonated from a remarkable diversity of sites, both within and without the walls of academia. Along with progressively more sophisticated and wide-ranging studies of narrative texts-historiographic, literary, cinematic, psychoanalytic--we find a burgeoning development of disciplinary appropriations or mediations: narra…

  • Faulkner: After the Nobel Prize

    Martin Kreiswirth, Michel Gresset et al.•ARTICLE•American Literature•1989

  • Centers, Openings, and Endings: Some Faulknerian Constants

    Martin Kreiswirth•ARTICLE•American Literature•1984

    w AULKNER'S formal adventurousness has long been recognized as a jl characteristic feature of his art, one that has to be taken into account in any description of his literary career.' The familiar and understandable emphasis on narrative experimentation and technical diversity, however, has perhaps tended to obscure certain significant continuities within the canon. Study of Faulkner's compositional habits, in fact, seems to reveal more correspo…

  • Trusting the Tale: The Narrativist Turn in the Human Sciences

    Martin Kreiswirth•ARTICLE•New Literary History•1992•Cited by: 10

    noticed, there has recently been a virtual explosion of interest in narrative and in theorizing about narrative; and it has been detonated from a remarkable diversity of sites, both within and without the walls of academia. Along with progressively more sophisticated and wide-ranging studies of narrative texts-historiographic, literary, cinematic, psychoanalytic--we find a burgeoning development of disciplinary appropriations or mediations: narra…

  • Merely Telling Stories? Narrative and Knowledge in the Human Sciences

    Martin Kreiswirth•ARTICLE•Poetics Today•2000•Cited by: 8•References: 9

    This essay is part of a long-term cross-disciplinary research project,entitled "Narrative between the Disciplines," which looks at the way narrative is used within and between different disciplinary formations. Its goal is to say something about narrative itself as a form of redescription, a mode of knowledge, and how the claims made for it by the various disciplines say something about their own opera-tions, limitations,and presuppositions. By e…

  • Centers, Openings, and Endings: Some Faulknerian Constants

    Martin Kreiswirth•ARTICLE•American Literature•1984

    w AULKNER'S formal adventurousness has long been recognized as a jl characteristic feature of his art, one that has to be taken into account in any description of his literary career.' The familiar and understandable emphasis on narrative experimentation and technical diversity, however, has perhaps tended to obscure certain significant continuities within the canon. Study of Faulkner's compositional habits, in fact, seems to reveal more correspo…

  • Faulkner: After the Nobel Prize

    Martin Kreiswirth, Michel Gresset et al.•ARTICLE•American Literature•1989

  • Trusting the Tale: The Narrativist Turn in the Human Sciences

    Martin Kreiswirth•ARTICLE•New Literary History•1992•Cited by: 10

    noticed, there has recently been a virtual explosion of interest in narrative and in theorizing about narrative; and it has been detonated from a remarkable diversity of sites, both within and without the walls of academia. Along with progressively more sophisticated and wide-ranging studies of narrative texts-historiographic, literary, cinematic, psychoanalytic--we find a burgeoning development of disciplinary appropriations or mediations: narra…

  • Merely Telling Stories? Narrative and Knowledge in the Human Sciences

    Martin Kreiswirth•ARTICLE•Poetics Today•2000•Cited by: 8•References: 9

    This essay is part of a long-term cross-disciplinary research project,entitled "Narrative between the Disciplines," which looks at the way narrative is used within and between different disciplinary formations. Its goal is to say something about narrative itself as a form of redescription, a mode of knowledge, and how the claims made for it by the various disciplines say something about their own opera-tions, limitations,and presuppositions. By e…

  • Terminology and Praxis: Clarifying the Scope of Narrative in Medicine

    Lindsay Holmgren, Abraham Fuks et al.•ARTICLE•Literature and medicine•2011

    Until about thirty years ago, narrative and narrative theory were the province of those disciplines that have traditionally formed the accepted core of the humanities: literature, cultural, religious, and, to a lesser extent, philosophical studies. Researchers in these fields - whether hard-core narratologists or narrative ethicists - tend not to produce narratives but to receive them.[...]

  • The Johns Hopkins Guide to Critical and Cultural Theory

    Martin Kreiswirth•BOOK•The Johns Hopkins Guide to…•2026

Philosophy (4 works) · Art (3 works) · Epistemology (3 works) · Sociology (3 works) · Computer Science (2 works) · Hermeneutics and Narrative Identity (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works)

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