Lúcia Leao
Biographic Data
| ID | 1035706 |
|---|---|
| NAME | Lúcia Leao |
| GIVEN NAMES | Lúcia |
| FAMILY NAME | Leao |
| SIGNATURE | LEAO L |
| AFFILIATIONS | Centro Internacional de Semiótica e Comunicação |
| ORCID | 0000-0002-6680-5106 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
As imagens no jornalismo de guerra e o Pathosformel: Os painéis de Warburg como método de construção de conhecimento
Acompanhando o jornalismo de guerra desde o seu princípio, a fotografia que registra tais episódios é marcada por uma bagagem imagética que se vale de fórmulas particulares para expressar diferentes emoções. Em seu livro, Leão Serva evidencia os caminhos através dos quais as imagens estabelecem tal método em nossa cultura, recorrendo sobretudo ao legado das pesquisas de Aby Warburg. O autor se baseia no Atlas Mnemosine de Warburg para criar seus …
The Tourist and “The One Who Waits: The Double Time of Modern Photography
To consider photographs as historical objects is necessarily to rediscover them in one of those bifurcations where, as Walter Benjamin proposes, the conscious and the unconscious—lived and unlived—come face to face. In convolute D of The Arcades Project, the chronological milestones the philosopher assigns to the triumphal entry of boredom into culture coincide with the invention of photography. In contrast to boredom and monotony, however, the p…
An Interview with Dadá
An Interview with Dadá Lucia Leao This interview was conducted by telephone on September 6, 2006, between Boca Raton, Florida, and Salvador, Bahia, Brazil.1 LEAO: How did you learn to prepare caruru? DADÁ: I learned it from my mother and my aunts. One of my aunts had twin daughters. I used to see her preparing caruru for Saints Cosme and Damian [in Portuguese, São Cosme e São Damião].2 She would mix everything in a wood mortar, and would bake the…
No prominent works on this page.
An Interview with Dadá
An Interview with Dadá Lucia Leao This interview was conducted by telephone on September 6, 2006, between Boca Raton, Florida, and Salvador, Bahia, Brazil.1 LEAO: How did you learn to prepare caruru? DADÁ: I learned it from my mother and my aunts. One of my aunts had twin daughters. I used to see her preparing caruru for Saints Cosme and Damian [in Portuguese, São Cosme e São Damião].2 She would mix everything in a wood mortar, and would bake the…
The Tourist and “The One Who Waits: The Double Time of Modern Photography
To consider photographs as historical objects is necessarily to rediscover them in one of those bifurcations where, as Walter Benjamin proposes, the conscious and the unconscious—lived and unlived—come face to face. In convolute D of The Arcades Project, the chronological milestones the philosopher assigns to the triumphal entry of boredom into culture coincide with the invention of photography. In contrast to boredom and monotony, however, the p…
As imagens no jornalismo de guerra e o Pathosformel: Os painéis de Warburg como método de construção de conhecimento
Acompanhando o jornalismo de guerra desde o seu princípio, a fotografia que registra tais episódios é marcada por uma bagagem imagética que se vale de fórmulas particulares para expressar diferentes emoções. Em seu livro, Leão Serva evidencia os caminhos através dos quais as imagens estabelecem tal método em nossa cultura, recorrendo sobretudo ao legado das pesquisas de Aby Warburg. O autor se baseia no Atlas Mnemosine de Warburg para criar seus …
Art (2 works) · Humanities (2 works) · Anthropological Studies and Insights (1 works) · Archaeology (1 works) · Art history (1 works) · Business (1 works) · Geography (1 works) · History (1 works) · History (1 works) · History of Colonial Brazil (1 works)