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Carlos Y Flores

Biographic Data

ID103677
NAMECarlos Y Flores
GIVEN NAMESCarlos Y
FAMILY NAMEFlores
SIGNATUREFLORES C Y
AFFILIATIONSUniversidad Autonoma Del Estado De Morelos
ORCID0000-0003-3113-272X
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS17
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2023
H-INDEX3
  • Heritage and Original Peoples in Argentina: Learning from Indigenous Voices

    Carlos Y Flores, Carlos Flores et al.•ARTICLE•Heritage & Society•2023

    Heritage has been widely discussed in Latin America in general, and in Argentina in particular, in the last two decades. There have been debates about heritage within academic circles, especially in the social sciences and humanities, it has been a concern of state public administration, linked to tourism development, and it is frequently mentioned in the media. Furthermore, heritage has become an arena of dispute and struggle of subordinate grou…

  • Justicia comunitaria y espectáculo ritual. Un caso de derecho maya en Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Encartes•2023•References: 3

    This essay, which accompanies the documentary 'Suk' B'anik,' is based on a case of theft settled by the so-called 'ancestral Mayan law' in the municipality of Santa Cruz del Quiché, Guatemala, where more than 80% of the populace self-identify as Maya-K'iche'. The material seeks to deepen understanding of the collective reasoning and emotions that took place in the community trial of the case. In the face of the systemic weakness of the state's ju…

  • Visual Anthropology From Latin America: An Introduction

    Carlos Y Flores, Angela Torresan•ARTICLE•Anthrovision•2018

    The idea of Latin America as an unified geopolitical entity has been called into question How can we then justify a special issue in visual anthropology with a focus on the region? What would it show us beyond a sampling of audio-visual anthropological work produced in and about Latin America? Given the dynamic exchange of technical and intellectual expertise between Latin American visual anthropologists and their counterparts across the globe, h…

  • Mayan Justice Practices and Community Video: Collaborative Visual Anthropology in Quiché, Guatemala

    Carlos Y Flores•ARTICLE•Anthrovision•2018

    Access to an archive of videos recording popular trials organized according to “Mayan law” filmed by indigenous people in Santa Cruz del Quiché, Guatemala, prompted the author to propose a collaborative video project with local indigenous mayors. This took place in a postwar region characterized by high levels of criminality and social violence, where the presence of state law was minimal or inexistent. The article discusses the possibilities and…

  • El Audio en El Documental Antropológico / O Áudio No Documentário Antropológico / Audio in Anthropological Documentary

    Open Access•Carlos Y Flores•ARTICLE•Vivência Revista de Antropologia•2017

    Este artigo oferece um breve resumo histórico do complexo papel que o áudio (voz, música e efeitos sonoros) desempenha no documentário antropológico, com o objetivo de analisar alguns dos limites, possibilidades e maiores implicações que seu uso acarreta para o trabalho da representação antropológica em geral. De particular importância serão os debates acerca do poder autoral do diretor e sobre a autenticidade e multivocalidade do texto audiovisu…

  • El caso por genocidio de Ríos Montt y la elaboración cultural del terror entre los q'eqchi' de Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Investigaciones Sociales•2017

    Este artículo busca interconectar la construcción hace 20 años de un memorial de víctimas de guerra en la comunidad maya-q'eqchi' de Sahakok, Alta Verapaz, Guatemala, con la persistencia de la disputa sobre la memoria histórica y su relación con el procesamiento legal a los perpetradores de la violencia, particularmente en el caso por genocidio que se le sigue al general Efraín Ríos Montt en el país. En primer lugar se examinan las respuestas a l…

  • Reflections of an Ethnographic Filmmaker-Maker: An Interview with Paul Henley, Director of the Granada Centre for Visual Anthropology, University of Manchester

    Open Access•Carlos Y Flores•ARTICLE•American Anthropologist•2009•Cited by: 7•References: 3

    Two decades ago the Granada Centre for Visual Anthropology (GCVA) at the University of Manchester, U.K., was created. Since then it has become one of the most acclaimed postgraduate visual anthropology schools in the world, providing a space for theoretical debate and training in ethnographic filmmaking techniques. Conceived originally as a master's program under the sponsorship of Granada Television and the University of Manchester, it has now e…

  • Seeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala and Beyond by Hillary E. Kahn

    Open Access•Carlos Y Flores•ARTICLE•American Ethnologist•2008

  • Visual interventions: Applied visual anthropology

    Richard Chalfen, Malcolm Collier et al.•BOOK•Visual Interventions•2007

    there's a great deal social researchers doing visual work can learn from Pink's book...It's a valuable resource for researchers, activists, and social service workers looking for innovative visual methodologies for collaborative research and social intervention. It makes an excellent contribution to the ongoing academic debate over the value of applied and visual social research, as well. * Contexts, Magazine of the American Sociological Associat…

  • Beyond Text: 10Th RAI International Festival of Ethnographic Film, University of Manchester, 27 June-2 July 2007

    Open Access•Carlos Y Flores, Udi Mandel Butler•ARTICLE•Anthropology Today•2007

  • Critical Intersections/ Dangerous Issues

    Open Access•Udi Mandel Butler, Carlos Y Flores•ARTICLE•Anthropology Today•2007

  • Video indígena y antropología compartida: Una experiencia colaborativa con videastas maya-q'eqchi' de Guatemala

    Open Access•Carlos Y Flores•ARTICLE•LiminaR Estudios Sociales y…•2005•Cited by: 4•References: 4

    El documento analiza las condiciones subjetivas e históricas que sirvieron de contexto para una producción colaborativa entre videastas locales, sus comunidades y mi propia práctica como antropólogo visual. También evalúa algunas de las implicaciones que este experimento tuvo entre los participantes

  • Indigenous Video, Development and Shared Anthropology: A Collaborative Experience With Maya Q'eqchi'filmmakers in Postwar Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Visual Anthropology Review•2004•Cited by: 6•References: 8

    This article deals with the role of indigenous video, shared anthropology, and collaborative filmmaking among Maya‐Q'eqchi'communities in Alta Verapaz, Guatemala. The subjective and historical conditions that provided the context for collaborative video production between local filmmakers, communities and a visual anthropologist are analyzed, as are the implications these had both for the Q'eqchi'and for my own anthropological practice. I argue t…

  • Shared Anthropology' in Guatemala

    Carlos Y Flores, Carlos Flores•ARTICLE•Anthropology Today•1999

  • Reflections of an Ethnographic Filmmaker-Maker: An Interview with Paul Henley, Director of the Granada Centre for Visual Anthropology, University of Manchester

    Open Access•Carlos Y Flores•ARTICLE•American Anthropologist•2009•Cited by: 7•References: 3

    Two decades ago the Granada Centre for Visual Anthropology (GCVA) at the University of Manchester, U.K., was created. Since then it has become one of the most acclaimed postgraduate visual anthropology schools in the world, providing a space for theoretical debate and training in ethnographic filmmaking techniques. Conceived originally as a master's program under the sponsorship of Granada Television and the University of Manchester, it has now e…

  • Indigenous Video, Development and Shared Anthropology: A Collaborative Experience With Maya Q'eqchi'filmmakers in Postwar Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Visual Anthropology Review•2004•Cited by: 6•References: 8

    This article deals with the role of indigenous video, shared anthropology, and collaborative filmmaking among Maya‐Q'eqchi'communities in Alta Verapaz, Guatemala. The subjective and historical conditions that provided the context for collaborative video production between local filmmakers, communities and a visual anthropologist are analyzed, as are the implications these had both for the Q'eqchi'and for my own anthropological practice. I argue t…

  • Video indígena y antropología compartida: Una experiencia colaborativa con videastas maya-q'eqchi' de Guatemala

    Open Access•Carlos Y Flores•ARTICLE•LiminaR Estudios Sociales y…•2005•Cited by: 4•References: 4

    El documento analiza las condiciones subjetivas e históricas que sirvieron de contexto para una producción colaborativa entre videastas locales, sus comunidades y mi propia práctica como antropólogo visual. También evalúa algunas de las implicaciones que este experimento tuvo entre los participantes

  • Shared Anthropology' in Guatemala

    Carlos Y Flores, Carlos Flores•ARTICLE•Anthropology Today•1999

  • Indigenous Video, Development and Shared Anthropology: A Collaborative Experience With Maya Q'eqchi'filmmakers in Postwar Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Visual Anthropology Review•2004•Cited by: 6•References: 8

    This article deals with the role of indigenous video, shared anthropology, and collaborative filmmaking among Maya‐Q'eqchi'communities in Alta Verapaz, Guatemala. The subjective and historical conditions that provided the context for collaborative video production between local filmmakers, communities and a visual anthropologist are analyzed, as are the implications these had both for the Q'eqchi'and for my own anthropological practice. I argue t…

  • Video indígena y antropología compartida: Una experiencia colaborativa con videastas maya-q'eqchi' de Guatemala

    Open Access•Carlos Y Flores•ARTICLE•LiminaR Estudios Sociales y…•2005•Cited by: 4•References: 4

    El documento analiza las condiciones subjetivas e históricas que sirvieron de contexto para una producción colaborativa entre videastas locales, sus comunidades y mi propia práctica como antropólogo visual. También evalúa algunas de las implicaciones que este experimento tuvo entre los participantes

  • Visual interventions: Applied visual anthropology

    Richard Chalfen, Malcolm Collier et al.•BOOK•Visual Interventions•2007

    there's a great deal social researchers doing visual work can learn from Pink's book...It's a valuable resource for researchers, activists, and social service workers looking for innovative visual methodologies for collaborative research and social intervention. It makes an excellent contribution to the ongoing academic debate over the value of applied and visual social research, as well. * Contexts, Magazine of the American Sociological Associat…

  • Beyond Text: 10Th RAI International Festival of Ethnographic Film, University of Manchester, 27 June-2 July 2007

    Open Access•Carlos Y Flores, Udi Mandel Butler•ARTICLE•Anthropology Today•2007

  • Critical Intersections/ Dangerous Issues

    Open Access•Udi Mandel Butler, Carlos Y Flores•ARTICLE•Anthropology Today•2007

  • Seeing and Being Seen: The Q'eqchi' Maya of Livingston, Guatemala and Beyond by Hillary E. Kahn

    Open Access•Carlos Y Flores•ARTICLE•American Ethnologist•2008

  • Reflections of an Ethnographic Filmmaker-Maker: An Interview with Paul Henley, Director of the Granada Centre for Visual Anthropology, University of Manchester

    Open Access•Carlos Y Flores•ARTICLE•American Anthropologist•2009•Cited by: 7•References: 3

    Two decades ago the Granada Centre for Visual Anthropology (GCVA) at the University of Manchester, U.K., was created. Since then it has become one of the most acclaimed postgraduate visual anthropology schools in the world, providing a space for theoretical debate and training in ethnographic filmmaking techniques. Conceived originally as a master's program under the sponsorship of Granada Television and the University of Manchester, it has now e…

  • El Audio en El Documental Antropológico / O Áudio No Documentário Antropológico / Audio in Anthropological Documentary

    Open Access•Carlos Y Flores•ARTICLE•Vivência Revista de Antropologia•2017

    Este artigo oferece um breve resumo histórico do complexo papel que o áudio (voz, música e efeitos sonoros) desempenha no documentário antropológico, com o objetivo de analisar alguns dos limites, possibilidades e maiores implicações que seu uso acarreta para o trabalho da representação antropológica em geral. De particular importância serão os debates acerca do poder autoral do diretor e sobre a autenticidade e multivocalidade do texto audiovisu…

  • El caso por genocidio de Ríos Montt y la elaboración cultural del terror entre los q'eqchi' de Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Investigaciones Sociales•2017

    Este artículo busca interconectar la construcción hace 20 años de un memorial de víctimas de guerra en la comunidad maya-q'eqchi' de Sahakok, Alta Verapaz, Guatemala, con la persistencia de la disputa sobre la memoria histórica y su relación con el procesamiento legal a los perpetradores de la violencia, particularmente en el caso por genocidio que se le sigue al general Efraín Ríos Montt en el país. En primer lugar se examinan las respuestas a l…

  • Visual Anthropology From Latin America: An Introduction

    Carlos Y Flores, Angela Torresan•ARTICLE•Anthrovision•2018

    The idea of Latin America as an unified geopolitical entity has been called into question How can we then justify a special issue in visual anthropology with a focus on the region? What would it show us beyond a sampling of audio-visual anthropological work produced in and about Latin America? Given the dynamic exchange of technical and intellectual expertise between Latin American visual anthropologists and their counterparts across the globe, h…

  • Mayan Justice Practices and Community Video: Collaborative Visual Anthropology in Quiché, Guatemala

    Carlos Y Flores•ARTICLE•Anthrovision•2018

    Access to an archive of videos recording popular trials organized according to “Mayan law” filmed by indigenous people in Santa Cruz del Quiché, Guatemala, prompted the author to propose a collaborative video project with local indigenous mayors. This took place in a postwar region characterized by high levels of criminality and social violence, where the presence of state law was minimal or inexistent. The article discusses the possibilities and…

  • Heritage and Original Peoples in Argentina: Learning from Indigenous Voices

    Carlos Y Flores, Carlos Flores et al.•ARTICLE•Heritage & Society•2023

    Heritage has been widely discussed in Latin America in general, and in Argentina in particular, in the last two decades. There have been debates about heritage within academic circles, especially in the social sciences and humanities, it has been a concern of state public administration, linked to tourism development, and it is frequently mentioned in the media. Furthermore, heritage has become an arena of dispute and struggle of subordinate grou…

  • Justicia comunitaria y espectáculo ritual. Un caso de derecho maya en Guatemala

    Open Access•Carlos Y Flores•ARTICLE•Encartes•2023•References: 3

    This essay, which accompanies the documentary 'Suk' B'anik,' is based on a case of theft settled by the so-called 'ancestral Mayan law' in the municipality of Santa Cruz del Quiché, Guatemala, where more than 80% of the populace self-identify as Maya-K'iche'. The material seeks to deepen understanding of the collective reasoning and emotions that took place in the community trial of the case. In the face of the systemic weakness of the state's ju…

Sociology (10 works) · Art (7 works) · Political science (7 works) · Anthropology (6 works) · Humanities (5 works) · Ethnography (4 works) · Law (4 works) · Maya (4 works) · Participatory Visual Research Methods (4 works) · Visual anthropology (4 works)

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