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Cynthia Hogue

Biographic Data

ID1036843
NAMECynthia Hogue
GIVEN NAMESCynthia
FAMILY NAMEHogue
SIGNATUREHOGUE C
AFFILIATIONSBucknell University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2002
H-INDEX1
  • We Who Love to Be Astonished

    Kathleen Nicklaus, Laura Hinton et al.•ARTICLE•South Atlantic Review•2002

  • An Interview with Niyi Osundare

    Cynthia Hogue, Nancy Easterlin et al.•ARTICLE•Contemporary Literature•2000•Cited by: 1

  • Interview with Harryette Mullen

    Open Access•Cynthia Hogue, Harryette Mullen et al.•ARTICLE•Postmodern Culture•1999

    Postmodern Culture - Volume 9, Number 2, January 1999

  • For Reasons That Are Dissolving Daily, You're Surprised That Paradise Isn't Here or Anywhere

    Cynthia Hogue•ARTICLE•Feminist Studies•1999

  • Young Girl in Family Portrait

    Cynthia Hogue•ARTICLE•Feminist Studies•1999

  • Adrienne Rich's political, ecstatic subject

    Cynthia Hogue•ARTICLE•Women s Studies•1998•References: 6

  • The contemporary long poem

    Karen Brennan, Kathleen Crown et al.•ARTICLE•Women s Studies•1998

    As we have seen in the preceding essays, contemporary women poets working in expansive forms have both claimed and challenged the cultural authority of the long poem. They have done so using diverse aesthetic modes, ranging from historically focused collage poems to formally intricate lyric sequences to massive works of epic breadth and comprehensiveness. Despite these different aesthetic choices, feminist poets writing in extended forms, have em…

  • Scheming Women

    Paula Bernat Bennett, Paula Bennett et al.•ARTICLE•Tulsa Studies in Women s Literature•1997

  • Emily Dickinson's Gothic

    Cynthia Hogue, Daneen Wardrop•ARTICLE•American Literature•1997

  • An Interview with Niyi Osundare

    Cynthia Hogue, Nancy Easterlin et al.•ARTICLE•Contemporary Literature•2000•Cited by: 1

  • Scheming Women

    Paula Bernat Bennett, Paula Bennett et al.•ARTICLE•Tulsa Studies in Women s Literature•1997

  • Emily Dickinson's Gothic

    Cynthia Hogue, Daneen Wardrop•ARTICLE•American Literature•1997

  • Adrienne Rich's political, ecstatic subject

    Cynthia Hogue•ARTICLE•Women s Studies•1998•References: 6

  • The contemporary long poem

    Karen Brennan, Kathleen Crown et al.•ARTICLE•Women s Studies•1998

    As we have seen in the preceding essays, contemporary women poets working in expansive forms have both claimed and challenged the cultural authority of the long poem. They have done so using diverse aesthetic modes, ranging from historically focused collage poems to formally intricate lyric sequences to massive works of epic breadth and comprehensiveness. Despite these different aesthetic choices, feminist poets writing in extended forms, have em…

  • Interview with Harryette Mullen

    Open Access•Cynthia Hogue, Harryette Mullen et al.•ARTICLE•Postmodern Culture•1999

    Postmodern Culture - Volume 9, Number 2, January 1999

  • For Reasons That Are Dissolving Daily, You're Surprised That Paradise Isn't Here or Anywhere

    Cynthia Hogue•ARTICLE•Feminist Studies•1999

  • Young Girl in Family Portrait

    Cynthia Hogue•ARTICLE•Feminist Studies•1999

  • An Interview with Niyi Osundare

    Cynthia Hogue, Nancy Easterlin et al.•ARTICLE•Contemporary Literature•2000•Cited by: 1

  • We Who Love to Be Astonished

    Kathleen Nicklaus, Laura Hinton et al.•ARTICLE•South Atlantic Review•2002

Art (9 works) · Literature (5 works) · Art history (4 works) · Poetry (4 works) · History (3 works) · Poetry Analysis and Criticism (3 works) · Psychology (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works)

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