Heikki Uimonen
Biographic Data
| ID | 1038930 |
|---|---|
| NAME | Heikki Uimonen |
| GIVEN NAMES | Heikki |
| FAMILY NAME | Uimonen |
| SIGNATURE | UIMONEN H |
| AFFILIATIONS | University of the Arts Helsinki |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Radio Suomen ja Radio Novan ohjelmasisällöt taustamusiikkiteollisuutena
Julkisrahoitteiset ja kaupalliset radiokanavat soittavat valtaosan Suomen medioi- tuneesta taustamusiikista. Julkisessa tilassa niiden ohjelmasisällöt kilpailevat taustamusiikkiyritysten tarjonnan kanssa. Kaikki mainitut musiikkisisällöt ovat luokiteltavissa jokapaikkaiseksi musiikiksi, joka suunnitellusti tai tarkoittamattaan palauttaa kuulijalleen menneisyydessä koetut affektit osaksi nykyhetkeä. Lisäksi radioiden ohjelmasisältöä rakentavat näe…
Celebrity Guitars
The article seeks to explore why musicians’ instruments that were originally mass-produced, such as electric guitars, have gained the status of luxury items and highly collectible artifacts. Special attention is paid to individual instruments that have been previously owned by celebrities and/or rock musicians and to instruments that have been modeled after them. The research is contextualized within the cultural history of the electric guitar, e…
Beyond the playlist
This article presents the historical transformation of Finnish commercial radio popular music policies from 1985 to 2005 and contemplates the role of terrestrial radio in contemporary digital age. It argues that a sender-centred paradigm of early commercial radio was replaced swiftly by receiver-centred paradigm, which has been applied since the early 1990s. The change of radio music cultures is described in detail by dividing it into three diffe…
De-monopolizing Finland
This article examines the transition from a public service radio monopoly to a more liberal and diverse radio culture in Finland. In addition, the Zeitgeist of local radio culture and a theoretical framework for three separate stages of Finnish radio between 1980 and 2005 is presented. We argue that considerable changes can be discerned in the radio content, which had a distinct impact on the use of music and the way of speaking on radio programm…
Sorry, can't hear you! I'm on a train!' Ringing tones, meanings and the Finnish soundscape
This article explores how the use of mobile phones has changed the contemporary Finnish soundscape. The change manifests itself firstly via telephone conversations which have spread from private premises to public places and secondly via interchangeable ringing tones. Drawing on research carried out among cellular phone users, the article argues that the ringing tones are selected on the basis of musical taste, so they can no longer be regarded a…
Beyond the playlist
This article presents the historical transformation of Finnish commercial radio popular music policies from 1985 to 2005 and contemplates the role of terrestrial radio in contemporary digital age. It argues that a sender-centred paradigm of early commercial radio was replaced swiftly by receiver-centred paradigm, which has been applied since the early 1990s. The change of radio music cultures is described in detail by dividing it into three diffe…
Sorry, can't hear you! I'm on a train!' Ringing tones, meanings and the Finnish soundscape
This article explores how the use of mobile phones has changed the contemporary Finnish soundscape. The change manifests itself firstly via telephone conversations which have spread from private premises to public places and secondly via interchangeable ringing tones. Drawing on research carried out among cellular phone users, the article argues that the ringing tones are selected on the basis of musical taste, so they can no longer be regarded a…
Sorry, can't hear you! I'm on a train!' Ringing tones, meanings and the Finnish soundscape
This article explores how the use of mobile phones has changed the contemporary Finnish soundscape. The change manifests itself firstly via telephone conversations which have spread from private premises to public places and secondly via interchangeable ringing tones. Drawing on research carried out among cellular phone users, the article argues that the ringing tones are selected on the basis of musical taste, so they can no longer be regarded a…
De-monopolizing Finland
This article examines the transition from a public service radio monopoly to a more liberal and diverse radio culture in Finland. In addition, the Zeitgeist of local radio culture and a theoretical framework for three separate stages of Finnish radio between 1980 and 2005 is presented. We argue that considerable changes can be discerned in the radio content, which had a distinct impact on the use of music and the way of speaking on radio programm…
Celebrity Guitars
The article seeks to explore why musicians’ instruments that were originally mass-produced, such as electric guitars, have gained the status of luxury items and highly collectible artifacts. Special attention is paid to individual instruments that have been previously owned by celebrities and/or rock musicians and to instruments that have been modeled after them. The research is contextualized within the cultural history of the electric guitar, e…
Beyond the playlist
This article presents the historical transformation of Finnish commercial radio popular music policies from 1985 to 2005 and contemplates the role of terrestrial radio in contemporary digital age. It argues that a sender-centred paradigm of early commercial radio was replaced swiftly by receiver-centred paradigm, which has been applied since the early 1990s. The change of radio music cultures is described in detail by dividing it into three diffe…
Radio Suomen ja Radio Novan ohjelmasisällöt taustamusiikkiteollisuutena
Julkisrahoitteiset ja kaupalliset radiokanavat soittavat valtaosan Suomen medioi- tuneesta taustamusiikista. Julkisessa tilassa niiden ohjelmasisällöt kilpailevat taustamusiikkiyritysten tarjonnan kanssa. Kaikki mainitut musiikkisisällöt ovat luokiteltavissa jokapaikkaiseksi musiikiksi, joka suunnitellusti tai tarkoittamattaan palauttaa kuulijalleen menneisyydessä koetut affektit osaksi nykyhetkeä. Lisäksi radioiden ohjelmasisältöä rakentavat näe…
Computer Science (4 works) · Art (3 works) · Music History and Culture (3 works) · Radio, Podcasts, and Digital Media (3 works) · Sociology (3 works) · Telecommunications (3 works) · Visual arts (3 works) · Acoustics (2 works) · Aesthetics (2 works) · Commercial broadcasting (2 works)