Iain Fenlon

Biographic Data

ID1040405
NAMEIain Fenlon
GIVEN NAMESIain
FAMILY NAMEFenlon
SIGNATUREFENLON I
AFFILIATIONSThe King's College
ORCID0000-0002-5868-6151
VERIFIEDYes
TOTAL WORKS58
TOTAL CITATIONS1
AUTHOR COUNT54
EDITOR COUNT4
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2020
H-INDEX1

  • Women and Music in Sixteenth-Century Ferrara

    Open AccessIain FenlonARTICLERenaissance Quarterly2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music

    Open AccessIain FenlonARTICLERenaissance Quarterly2018

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Manuscript Inscriptions in Early English Printed Music

    Open AccessIain FenlonARTICLERenaissance Quarterly2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Heinrich Glarean's Books

    Open AccessMax Engammare, Laurenz Lütteken et al.BOOKHeinrich Glarean's Books2013

    This collection of essays investigates the work of Heinrich Glarean, one of the most influential humanists and music theorists of the sixteenth century. For the first time, Glarean's musical writings, including his masterwork the Dodekachordon, are considered in the wider context of his work in a variety of disciplines such as musicology, history, theology and geography. Contributors reference books from Glarean's private library, including rare …

  • Piazza San Marco

    Iain FenlonBOOKPiazza San Marco2012

  • Renaissance Novellara

    Iain FenlonARTICLEMusic and Letters2010

    Although it has been clear since the nineteenth century that Giaches de Wert worked for the Gonzaga of Novellara during the 1550s, there was little documentation of this important and formative period in his life until the Archivio Comunale in the town became available to scholars during the 1990s. In consequence, new evidence, including thirty-eight previously unknown autograph letters, subsequently published and discussed by the author and othe…

  • Myths and Origins

    Iain FenlonCHAPTERPiazza San Marco2009

  • Giaches de Wert and the Palatine Basilica of Santa Barbara

    Iain FenlonCHAPTERMusic and culture in late…2002

    The question of liturgy is fundamental to understanding how music and ceremony in fifteenthand sixteenth-century Italian religious institutions actually worked. Far from being an unchanging, rigidly formalized structure, capable only of being received ‘passively’, the liturgy could and often was appropriated or modified by those in power, whether high-ranking ecclesiastics, autocratic rulers, or republican governments. This was most obviously tru…

  • Music and Civic Piety in Counter-Reformation Milan

    Iain FenlonCHAPTERMusic and culture in late…2002

    The years immediately after the conclusion of the Council of Trent saw profound change in the structure of the Church, particularly at diocesan level. On the one hand old institutions were revitalized and renewed to enable them to discharge the functions for which they were originally designed, while on the other new bodies were created to further the aims of reform. Beyond this general pattern of response there was no uniformity of approach; ref…

  • Music and Reform

    Iain FenlonCHAPTERMusic and culture in late…2002

    The deliberations of the Council of Trent, and their alleged influence on the composition of sacred music, continue to occupy an exaggerated position in conventional histories of sixteenth-century music. Similarly, most discussions of the more specific question of music and reform have placed an unjustifiably heavy emphasis on what might be described as the conciliar position. According to this interpretation Trent itself is seen to be the culmin…

  • Music and Culture in Late Renaissance Italy

    Iain FenlonBOOKMusic and culture in late…2002

    Dr Fenlon explores the role music played in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Focusing on the second half of the sixteenth century - a period still often regarded as one of decline and degeneration after the achievements of the Quattrocento and before the calamità d'Italia - the author argues that Italian culture did not l…

  • Gastoldi, Giovanni Giacomo

    Iain Fenlon, Denis ArnoldCHAPTERThe new Grove dictionary of music…2001

  • Gonzaga, Guglielmo

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Lupino, Francesco

    Iain Fenlon, Valerio MorucciCHAPTERThe new Grove dictionary of music…2001

  • Rossi, Salamone

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Razzi, Giovanni

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Rossi [Rosso], Giovanni Maria de

    Pierre M Tagmann, Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Stevens, John

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Wert [Vuert], Giaches [Jaches] de

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Contino, Giovanni

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Belli, Girolamo

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Striggio [Strigi, Strigia], Alessandro (i)

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Londariti, Francesco

    Georgios Mentzos, Konstantinos Mavrogenis et al.CHAPTERThe new Grove dictionary of music…2001

  • Academy

    Howard Mayer Brown, Iain FenlonCHAPTERThe new Grove dictionary of music…2001

  • Canale [Canali, Canalis], Floriano

    Iain FenlonCHAPTERThe new Grove dictionary of music…2001