Sonia Sedivy
Biographic Data
| ID | 1040547 |
|---|---|
| NAME | Sonia Sedivy |
| GIVEN NAMES | Sonia |
| FAMILY NAME | Sedivy |
| SIGNATURE | SEDIVY S |
| AFFILIATIONS | University of Toronto Scarborough |
| ORCID | 0000-0003-1810-3043 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Aesthetic Properties, History and Perception
If artworks and their aesthetic properties stand in constitutive relationships to historical context and circumstances, so that some understanding of relevant facts is involved in responding to a work, what becomes of the intuitive view that we see artworks and at least some of their aesthetic properties? This question is raised by arguments in both aesthetics and art history for the historical nature of works of art. The paper argues that the an…
Picture, Image and Experience
Picture, Image and Experience
Book Review| July 01 2001 Picture, Image and Experience PICTURE, IMAGE AND EXPERIENCE. By Robert Hopkins. Cambridge: Cambridge University Press, 1998. Pp. 205 Sonia Sedivy Sonia Sedivy Search for other works by this author on: This Site Google The Philosophical Review (2001) 110 (3): 472–475. https://doi.org/10.1215/00318108-110-3-472 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Sonia Sedivy; Picture, Image and Experie…
Metaphoric Pictures, Pulsars, Platypuses
In this article I argue that there are metaphoric pictures and that pictures have propositional content; but, I also argue, it does not follow that metaphoric pictures are to be explained in terms of metaphoric content. I develop a "comparison" or "predication" approach that stresses that metaphoric pictures depend on their use in contexts that invoke relevant background knowledge. Our competence with metaphoric pictures is a nonsystematic, nonsp…
Aesthetic Properties, History and Perception
If artworks and their aesthetic properties stand in constitutive relationships to historical context and circumstances, so that some understanding of relevant facts is involved in responding to a work, what becomes of the intuitive view that we see artworks and at least some of their aesthetic properties? This question is raised by arguments in both aesthetics and art history for the historical nature of works of art. The paper argues that the an…
Metaphoric Pictures, Pulsars, Platypuses
In this article I argue that there are metaphoric pictures and that pictures have propositional content; but, I also argue, it does not follow that metaphoric pictures are to be explained in terms of metaphoric content. I develop a "comparison" or "predication" approach that stresses that metaphoric pictures depend on their use in contexts that invoke relevant background knowledge. Our competence with metaphoric pictures is a nonsystematic, nonsp…
Picture, Image and Experience
Picture, Image and Experience
Book Review| July 01 2001 Picture, Image and Experience PICTURE, IMAGE AND EXPERIENCE. By Robert Hopkins. Cambridge: Cambridge University Press, 1998. Pp. 205 Sonia Sedivy Sonia Sedivy Search for other works by this author on: This Site Google The Philosophical Review (2001) 110 (3): 472–475. https://doi.org/10.1215/00318108-110-3-472 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Sonia Sedivy; Picture, Image and Experie…
Aesthetic Properties, History and Perception
If artworks and their aesthetic properties stand in constitutive relationships to historical context and circumstances, so that some understanding of relevant facts is involved in responding to a work, what becomes of the intuitive view that we see artworks and at least some of their aesthetic properties? This question is raised by arguments in both aesthetics and art history for the historical nature of works of art. The paper argues that the an…
Computer Science (3 works) · Aesthetics (2 works) · Philosophy (2 works) · Psychology (2 works) · Visual Culture and Art Theory (2 works) · Aesthetic Perception and Analysis (1 work) · Art (1 work) · Categorization, perception, and language (1 work) · Citation (1 work) · Cognitive psychology (1 work)