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Gail Kern Paster

Biographic Data

ID1040744
NAMEGail Kern Paster
GIVEN NAMESGail Kern
FAMILY NAMEPaster
SIGNATUREPASTER G K
AFFILIATIONSFolger Shakespeare Library
ORCID0000-0002-2611-9398
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS13
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Afterword—No One Is Ever Just Breathing or, a Sigh Is (Not) Just a Sigh

    Open Access•Gail Kern Paster•CHAPTER•Humorality in Early Modern Art,…•2021

  • Passions and Subjectivity in Early Modern Culture

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Structures of Feeling in Seventeenth-Century Cultural Expression

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•2013

    Susan McClary., ed. Structures of Feeling in Seventeenth-Century Cultural Expression. UCLA Clark Memorial Library Series. Toronto: University of Toronto Press, 2012. xiii + 400 pp. $80. ISBN: 978–1–4426–4062–7. - Volume 66 Issue 4

  • The pith and marrow of our attribute: Dialogue of skin and skull in Hamlet and Holbein's The Ambassadors

    Gail Kern Paster•ARTICLE•Textual Practice•2009•Cited by: 3

  • Shakespeare and Embodiment: An E‐Conversation

    Open Access•Mary Floyd‐wilson, Matthew Greenfield et al.•ARTICLE•Literature Compass•2005•Cited by: 1•References: 5

    The participants in this online conversation here assess the current state of work on early modern bodies, offer bibliographical suggestions, and suggest topics for future inquiries. Paster, a key figure in the development of this sub‐field, describes her work to date as an “ecology of the passions” or an “ecology of the body” more generally; she calls for more study of “the ensouled body.”

  • Pulse, muscle, blood, breath, and colour

    Open Access•Gail Kern Paster, Andrew Strathern et al.•ARTICLE•Metascience•2001

  • The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England

    Lori Schroeder Haslem, Gail Kern Paster•ARTICLE•Theatre Journal•1994•Cited by: 8

  • The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England

    Gail Kern Paster•BOOK•The Body Embarrassed•1993

  • Ben Jonson and the Uses of Architecture

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•1974•Cited by: 1

    The terms of Jonson's quarrel with Inigo Jones about the rival claims of poet and architect have been clear ever since D. J. Gordon's discussion of the matter in 1949. The problem, as Professor Gordon explains, was far more significant than a temperamental clash between two ambitious artists vying for royal favor. Unfortunately, while they could probably agree about the inevitably intellectual origins of all artistic invention and about the impor…

  • The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England

    Lori Schroeder Haslem, Gail Kern Paster•ARTICLE•Theatre Journal•1994•Cited by: 8

  • The pith and marrow of our attribute: Dialogue of skin and skull in Hamlet and Holbein's The Ambassadors

    Gail Kern Paster•ARTICLE•Textual Practice•2009•Cited by: 3

  • Shakespeare and Embodiment: An E‐Conversation

    Open Access•Mary Floyd‐wilson, Matthew Greenfield et al.•ARTICLE•Literature Compass•2005•Cited by: 1•References: 5

    The participants in this online conversation here assess the current state of work on early modern bodies, offer bibliographical suggestions, and suggest topics for future inquiries. Paster, a key figure in the development of this sub‐field, describes her work to date as an “ecology of the passions” or an “ecology of the body” more generally; she calls for more study of “the ensouled body.”

  • Ben Jonson and the Uses of Architecture

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•1974•Cited by: 1

    The terms of Jonson's quarrel with Inigo Jones about the rival claims of poet and architect have been clear ever since D. J. Gordon's discussion of the matter in 1949. The problem, as Professor Gordon explains, was far more significant than a temperamental clash between two ambitious artists vying for royal favor. Unfortunately, while they could probably agree about the inevitably intellectual origins of all artistic invention and about the impor…

  • Ben Jonson and the Uses of Architecture

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•1974•Cited by: 1

    The terms of Jonson's quarrel with Inigo Jones about the rival claims of poet and architect have been clear ever since D. J. Gordon's discussion of the matter in 1949. The problem, as Professor Gordon explains, was far more significant than a temperamental clash between two ambitious artists vying for royal favor. Unfortunately, while they could probably agree about the inevitably intellectual origins of all artistic invention and about the impor…

  • The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England

    Gail Kern Paster•BOOK•The Body Embarrassed•1993

  • The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England

    Lori Schroeder Haslem, Gail Kern Paster•ARTICLE•Theatre Journal•1994•Cited by: 8

  • Pulse, muscle, blood, breath, and colour

    Open Access•Gail Kern Paster, Andrew Strathern et al.•ARTICLE•Metascience•2001

  • Shakespeare and Embodiment: An E‐Conversation

    Open Access•Mary Floyd‐wilson, Matthew Greenfield et al.•ARTICLE•Literature Compass•2005•Cited by: 1•References: 5

    The participants in this online conversation here assess the current state of work on early modern bodies, offer bibliographical suggestions, and suggest topics for future inquiries. Paster, a key figure in the development of this sub‐field, describes her work to date as an “ecology of the passions” or an “ecology of the body” more generally; she calls for more study of “the ensouled body.”

  • The pith and marrow of our attribute: Dialogue of skin and skull in Hamlet and Holbein's The Ambassadors

    Gail Kern Paster•ARTICLE•Textual Practice•2009•Cited by: 3

  • Structures of Feeling in Seventeenth-Century Cultural Expression

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•2013

    Susan McClary., ed. Structures of Feeling in Seventeenth-Century Cultural Expression. UCLA Clark Memorial Library Series. Toronto: University of Toronto Press, 2012. xiii + 400 pp. $80. ISBN: 978–1–4426–4062–7. - Volume 66 Issue 4

  • Passions and Subjectivity in Early Modern Culture

    Open Access•Gail Kern Paster•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Afterword—No One Is Ever Just Breathing or, a Sigh Is (Not) Just a Sigh

    Open Access•Gail Kern Paster•CHAPTER•Humorality in Early Modern Art,…•2021

Art (6 works) · Literature (4 works) · Psychology (4 works) · Art history (3 works) · Epistemology (3 works) · Historical Art and Culture Studies (3 works) · History (3 works) · History (3 works) · Philosophy (3 works) · Aesthetics (2 works)

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