Emily C Bartels
Biographic Data
| ID | 1040768 |
|---|---|
| NAME | Emily C Bartels |
| GIVEN NAMES | Emily C |
| FAMILY NAME | Bartels |
| SIGNATURE | BARTELS E C |
| AFFILIATIONS | Rutgers Sexual and Reproductive Health and Rights |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Shakespeare's Accents
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Addiction and Devotion in Early Modern England by Rebecca Lemon
Reviewed by: Addiction and Devotion in Early Modern England by Rebecca Lemon Emily C. Bartels ADDICTION AND DEVOTION IN EARLY MODERN ENGLAND. By Rebecca Lemon. Philadelphia: University of Pennsylvania Press, 2018; pp. 280. In Addiction and Devotion in Early Modern England, Rebecca Lemon succeeds in her primary purpose: to recover the idea of addiction as an admirable act of selfless devotion. She starts this provocative intervention by drawing at…
Christopher Marlowe in Context
Race, nation, and Marlowe
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Outside the Box
The full experience of cancer, from diagnosis onward, was first codified as "survival" in 1985. While this terminology has prompted an important attention to the long term care and quality of life of those of us who have been diagnosed with some form of cancer, it has also linked us indelibly to disease and eclipsed the possibility that we might, in fact, be cancer free. Within cancer stories (such as Jerri Nielsen's Icebound: A Doctor's Incredib…
Shakespeare's ‘Other’ Worlds
Since the 1980s, Shakespearean criticism has been preoccupied with Shakespeare's representation of ‘other’– non‐English or non‐European – worlds. That preoccupation has not only revolutionized established understandings of early modern literature and culture; it has also catalyzed important changes in reading practices themselves. The following essay provides a comprehensive overview of these important developments, looking at the critical trajec…
Othello and Africa
E VERY time I teach Othello, whether to graduate students or to undergraduates, I must always start question of racial bias and where that bias enters play and our readings of it. Must because, in my experience, majority of students assume that Othello's problems start in Venice, where, as Moor, he can only be outsider. There is, of course, evidence in play for this assumption. By end of scene one, Roderigo and lago have called the Moor (whom the…
Spectacles of Strangeness
Women, "Race," and Writing in the Early Modern Period
Contributors: Lynda Boose, Laura Brown, Dympna Callaghan, Natalie Zemon Davis, Carla Freccero, Kim F. Hall, Jean E. Howard, Margaret W. Ferguson, Stephanie Jed, Ania Loomba, Felicity Nussbaum, Juliana Schiesari, Irene Silverblatt, Jyotsna Singh, Verene Stolcke
Breaking the Illusion of Being
To or not to be (3. 1. 55)-that is the question Hamlet asks of himself and Shakespeare asks of him and other self-scrutinizing figures like him (such as Othello, Lear, to some degree Cleopatra and Macbeth), figures emerging largely, though not solely, in the tragedies, where the idea of selfhood and the prospects of selfdetermination are most prominently at issue.1 New historicism, with its Foucauldian emphases on the coercive pervasion of and th…
Spectacles of Strangeness
Selected by Choice magazine as an Outstanding Academic Title for 1994 Bartels focuses on Marlowe's preoccupation with strangers and strange lands, and his use-and subversion-of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society
The Shakespearean Wild
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Double Vision of the East
Learning to Curse
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Shakespeare and the New Disease
John Fletcher
Charles L. Squier. John Fletcher. (Twayne's English Authors Ser., 433.) Boston: Twayne Pub., G. K.Hall & Co., 1986. 1 pl.+ 167 pp. $19.95. - Lee Bliss. Francis Beaumont. (Twayne's English Authors Ser., 458.) Boston: Twayne Pub., G. K. Hall & Co., 1987. 1 pl.+ 172 pp. $24.95. - Volume 42 Issue 1
Othello and Africa
E VERY time I teach Othello, whether to graduate students or to undergraduates, I must always start question of racial bias and where that bias enters play and our readings of it. Must because, in my experience, majority of students assume that Othello's problems start in Venice, where, as Moor, he can only be outsider. There is, of course, evidence in play for this assumption. By end of scene one, Roderigo and lago have called the Moor (whom the…
Breaking the Illusion of Being
To or not to be (3. 1. 55)-that is the question Hamlet asks of himself and Shakespeare asks of him and other self-scrutinizing figures like him (such as Othello, Lear, to some degree Cleopatra and Macbeth), figures emerging largely, though not solely, in the tragedies, where the idea of selfhood and the prospects of selfdetermination are most prominently at issue.1 New historicism, with its Foucauldian emphases on the coercive pervasion of and th…
John Fletcher
Charles L. Squier. John Fletcher. (Twayne's English Authors Ser., 433.) Boston: Twayne Pub., G. K.Hall & Co., 1986. 1 pl.+ 167 pp. $19.95. - Lee Bliss. Francis Beaumont. (Twayne's English Authors Ser., 458.) Boston: Twayne Pub., G. K. Hall & Co., 1987. 1 pl.+ 172 pp. $24.95. - Volume 42 Issue 1
Shakespeare and the New Disease
The Double Vision of the East
Learning to Curse
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Shakespearean Wild
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Breaking the Illusion of Being
To or not to be (3. 1. 55)-that is the question Hamlet asks of himself and Shakespeare asks of him and other self-scrutinizing figures like him (such as Othello, Lear, to some degree Cleopatra and Macbeth), figures emerging largely, though not solely, in the tragedies, where the idea of selfhood and the prospects of selfdetermination are most prominently at issue.1 New historicism, with its Foucauldian emphases on the coercive pervasion of and th…
Spectacles of Strangeness
Selected by Choice magazine as an Outstanding Academic Title for 1994 Bartels focuses on Marlowe's preoccupation with strangers and strange lands, and his use-and subversion-of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society
Spectacles of Strangeness
Women, "Race," and Writing in the Early Modern Period
Contributors: Lynda Boose, Laura Brown, Dympna Callaghan, Natalie Zemon Davis, Carla Freccero, Kim F. Hall, Jean E. Howard, Margaret W. Ferguson, Stephanie Jed, Ania Loomba, Felicity Nussbaum, Juliana Schiesari, Irene Silverblatt, Jyotsna Singh, Verene Stolcke
Othello and Africa
E VERY time I teach Othello, whether to graduate students or to undergraduates, I must always start question of racial bias and where that bias enters play and our readings of it. Must because, in my experience, majority of students assume that Othello's problems start in Venice, where, as Moor, he can only be outsider. There is, of course, evidence in play for this assumption. By end of scene one, Roderigo and lago have called the Moor (whom the…
Shakespeare's ‘Other’ Worlds
Since the 1980s, Shakespearean criticism has been preoccupied with Shakespeare's representation of ‘other’– non‐English or non‐European – worlds. That preoccupation has not only revolutionized established understandings of early modern literature and culture; it has also catalyzed important changes in reading practices themselves. The following essay provides a comprehensive overview of these important developments, looking at the critical trajec…
Outside the Box
The full experience of cancer, from diagnosis onward, was first codified as "survival" in 1985. While this terminology has prompted an important attention to the long term care and quality of life of those of us who have been diagnosed with some form of cancer, it has also linked us indelibly to disease and eclipsed the possibility that we might, in fact, be cancer free. Within cancer stories (such as Jerri Nielsen's Icebound: A Doctor's Incredib…
Christopher Marlowe in Context
Race, nation, and Marlowe
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Addiction and Devotion in Early Modern England by Rebecca Lemon
Reviewed by: Addiction and Devotion in Early Modern England by Rebecca Lemon Emily C. Bartels ADDICTION AND DEVOTION IN EARLY MODERN ENGLAND. By Rebecca Lemon. Philadelphia: University of Pennsylvania Press, 2018; pp. 280. In Addiction and Devotion in Early Modern England, Rebecca Lemon succeeds in her primary purpose: to recover the idea of addiction as an admirable act of selfless devotion. She starts this provocative intervention by drawing at…
Shakespeare's Accents
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (10 works) · History (10 works) · History (7 works) · Sociology (7 works) · Aesthetics (5 works) · Law (5 works) · Political science (5 works) · Shakespeare, Adaptation, and Literary Criticism (5 works) · Linguistics (4 works) · Philosophy (4 works)