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Michael Saffle

Biographic Data

ID1041084
NAMEMichael Saffle
GIVEN NAMESMichael
FAMILY NAMESaffle
SIGNATURESAFFLE M
AFFILIATIONSVirginia Tech
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS3
WORKS AS AUTHOR9
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Edward Macdowell's Letters to Templeton Strong in the Library of Congress

    Michael Saffle, Elizabeth Mclain•ARTICLE•Fontes artis musicae•2019

    The letters Edward MacDowell addressed to Templeton Strong between 1886 and 1904 comprise one of the most interesting series of documents in late nineteenth-century American musical history. Strong donated their correspondence to the Library of Congress in 1930, but the letters were unavailable for examination for the next fifty years and are still incompletely referenced in the secondary literature. The letters discuss the return of MacDowell an…

  • China and the West

    Open Access•Michael Saffle, Hon-Lun Yang•EDITOR•BOOK•China and the West•2017

    'China and the West: Music, Representation, and Reception' is the first book to explore how Chinese and Western musical materials and traditions—those involving instruments, melodies, rhythms, staged diversions (including operas and musical comedies), concert works, film scores, and digital recordings of several kinds—have gradually moved closer together and become increasingly accepted, as well as exploited, in Asia as well as Europe and North A…

  • China and the West

    Hon-Lun Yang, Michael Saffle•BOOK•China and the West•2017

  • The 12 Girls Band

    Hon-Lun Yang, Michael Saffle•ARTICLE•Asian Music•2010•Cited by: 3

    The 12 Girls Band:Traditions, Gender, Globalization, and (Inter)national Identity1 Hon-Lun Yang (bio) and Michael Saffle (bio) Chinese music has gone through dramatic changes in the past century in connection with modernization. Not only has the West influenced the nation's overall art-music soundscape, but traditional Chinese music has also undergone significant transformations. Yet, although westernization and professionalization proved themsel…

  • Liszt in the Movies

    Michael Saffle•ARTICLE•Journal of Popular Film and…•2007•References: 3

    Unlike other biopics about composer Franz Liszt, which are concerned with chronicling his life story, Liszt's Rhapsody (1996) transforms an obscure incident in his life into a parable of political correctness, targeted for younger viewers. The film will be placed within the context of other Liszt biopics, including Charles Vidor's Song without End (1960), James Lapine's Impromptu (1989), and Ken Russell's controversial Lisztomania (1975). Togethe…

  • Liszt in Germany 1840-1845. A Study in Sources, Documents, and the History of Reception

    Serge Gut, Michael Saffle•ARTICLE•Revue de musicologie•1999

  • L-Systems, Melodies and Musical Structure

    Stephanie Mason, Michael Saffle•ARTICLE•Leonardo Music Journal•1994

    Among musical symmetries and self-similarities are those that can be produced using Lindenmayer-system (L-system) curves to generate melodies and rhythmic patterns. In 1986, Przemyslaw Prusinkiewicz introduced a simple method of producing relatively complex musical scores that incorporate a legible internal structure. Using a scheme called edge-rewriting, one of the authors, Stephanie Mason, has extended Prusinkiewicz’s methods to generate melodi…

  • Medical Histories of Prominent Composers

    Michael Saffle, Jeffrey R Saffle•ARTICLE•Acta Musicologica•1993

  • The "Liszt-Year" 1986 and Recent Liszt Research

    Michael Saffle•ARTICLE•Acta Musicologica•1987

  • Liszt Research Since 1936

    Michael Saffle•ARTICLE•Acta Musicologica•1986

  • The 12 Girls Band

    Hon-Lun Yang, Michael Saffle•ARTICLE•Asian Music•2010•Cited by: 3

    The 12 Girls Band:Traditions, Gender, Globalization, and (Inter)national Identity1 Hon-Lun Yang (bio) and Michael Saffle (bio) Chinese music has gone through dramatic changes in the past century in connection with modernization. Not only has the West influenced the nation's overall art-music soundscape, but traditional Chinese music has also undergone significant transformations. Yet, although westernization and professionalization proved themsel…

  • Liszt Research Since 1936

    Michael Saffle•ARTICLE•Acta Musicologica•1986

  • The "Liszt-Year" 1986 and Recent Liszt Research

    Michael Saffle•ARTICLE•Acta Musicologica•1987

  • Medical Histories of Prominent Composers

    Michael Saffle, Jeffrey R Saffle•ARTICLE•Acta Musicologica•1993

  • L-Systems, Melodies and Musical Structure

    Stephanie Mason, Michael Saffle•ARTICLE•Leonardo Music Journal•1994

    Among musical symmetries and self-similarities are those that can be produced using Lindenmayer-system (L-system) curves to generate melodies and rhythmic patterns. In 1986, Przemyslaw Prusinkiewicz introduced a simple method of producing relatively complex musical scores that incorporate a legible internal structure. Using a scheme called edge-rewriting, one of the authors, Stephanie Mason, has extended Prusinkiewicz’s methods to generate melodi…

  • Liszt in Germany 1840-1845. A Study in Sources, Documents, and the History of Reception

    Serge Gut, Michael Saffle•ARTICLE•Revue de musicologie•1999

  • Liszt in the Movies

    Michael Saffle•ARTICLE•Journal of Popular Film and…•2007•References: 3

    Unlike other biopics about composer Franz Liszt, which are concerned with chronicling his life story, Liszt's Rhapsody (1996) transforms an obscure incident in his life into a parable of political correctness, targeted for younger viewers. The film will be placed within the context of other Liszt biopics, including Charles Vidor's Song without End (1960), James Lapine's Impromptu (1989), and Ken Russell's controversial Lisztomania (1975). Togethe…

  • The 12 Girls Band

    Hon-Lun Yang, Michael Saffle•ARTICLE•Asian Music•2010•Cited by: 3

    The 12 Girls Band:Traditions, Gender, Globalization, and (Inter)national Identity1 Hon-Lun Yang (bio) and Michael Saffle (bio) Chinese music has gone through dramatic changes in the past century in connection with modernization. Not only has the West influenced the nation's overall art-music soundscape, but traditional Chinese music has also undergone significant transformations. Yet, although westernization and professionalization proved themsel…

  • China and the West

    Open Access•Michael Saffle, Hon-Lun Yang•EDITOR•BOOK•China and the West•2017

    'China and the West: Music, Representation, and Reception' is the first book to explore how Chinese and Western musical materials and traditions—those involving instruments, melodies, rhythms, staged diversions (including operas and musical comedies), concert works, film scores, and digital recordings of several kinds—have gradually moved closer together and become increasingly accepted, as well as exploited, in Asia as well as Europe and North A…

  • China and the West

    Hon-Lun Yang, Michael Saffle•BOOK•China and the West•2017

  • Edward Macdowell's Letters to Templeton Strong in the Library of Congress

    Michael Saffle, Elizabeth Mclain•ARTICLE•Fontes artis musicae•2019

    The letters Edward MacDowell addressed to Templeton Strong between 1886 and 1904 comprise one of the most interesting series of documents in late nineteenth-century American musical history. Strong donated their correspondence to the Library of Congress in 1930, but the letters were unavailable for examination for the next fifty years and are still incompletely referenced in the secondary literature. The letters discuss the return of MacDowell an…

Art (9 works) · History (6 works) · Musicology and Musical Analysis (5 works) · Computer Science (4 works) · Diverse Musicological Studies (4 works) · Law (4 works) · Literature (4 works) · Music History and Culture (4 works) · Musical (3 works) · Political science (3 works)

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