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William S Anderson

Biographic Data

ID1043309
NAMEWilliam S Anderson
GIVEN NAMESWilliam S
FAMILY NAMEAnderson
SIGNATUREANDERSON W S
AFFILIATIONSUniversity of California, Berkeley
ORCID0000-0003-0958-050X
VERIFIEDYes
TOTAL WORKS92
TOTAL CITATIONS248
AUTHOR COUNT92
EDITOR COUNT0
FIRST PUBLICATION YEAR1956
LATEST PUBLICATION YEAR2014
H-INDEX9
  • Essays on Roman Satire

    William S Anderson•BOOK•Essays on Roman Satire•2014

  • "Ancient Illustrations of the "Aeneid: The Hunts of Books 4 and 7

    William S Anderson•ARTICLE•The Classical World•2006

  • Roman Propertius and the Reinvention of Elegy

    William S Anderson, Jeri Blair DeBrohun•ARTICLE•The Classical World•2005•Cited by: 13

    and the Reinvention of Elegy presents an arresting new interpretation of the intricate and complex poetry of Propertius' final collection. Jeri Blair DeBrohun illuminates the manner in which the poet reinvents and revitalizes his elegy in Book 4 by broadening its lyrical promise and ideological horizons.DeBrohun finds the most striking element of Book 4 to be the apparent polarity of the poems, whose themes are split between new, aetiological sub…

  • Ovid, Fasti: Book IV

    William S Anderson, Ovid Ovid et al.•ARTICLE•The Classical World•1999

  • "Ovid "Heroides: Xvi-Xxi

    William S Anderson, William Anderson et al.•ARTICLE•The Classical World•1999

  • "Ovid's "Metamorphoses

    Donald Lateiner, Ovid Ovid et al.•ARTICLE•The Classical World•1998

  • Ovid: The Classical Heritage. Vol. 1

    Lee T Pearcy, Ovid Ovid et al.•ARTICLE•The Classical World•1997

  • Barbarian Play: Plautus' Roman Comedy

    William S Anderson, William Anderson•BOOK•Barbarian Play•1996

  • Plautus: Menaechmi

    Paul B Harvey, Paul B Harvey Paul B Harvey et al.•ARTICLE•The Classical World•1996

  • Ovid's Causes: "Cosmogony and Aetiology in the "Metamorphoses

    William S Anderson, K Sara Myers•ARTICLE•The Classical World•1996

  • The Roman Transformation of Greek Domestic Comedy

    William S Anderson•ARTICLE•The Classical World•1995

  • Latin Literature from Seneca to Juvenal: A Critical Study

    William S Anderson, G O Hutchinson•ARTICLE•The American Journal of Philology•1995•Cited by: 17

    List of authors and emperors Introduction Conceptions of genre: Criticisms in prose, 'lower' poetry Genre and philosophy, history, and high poetry Wit Extravagance Structure and cohesion The gods in mythological poetry The gods in prose and in Lucan Death in prose Death in high poetry Bibliography General index Index of passages discussed

  • The Epic Successors of Virgil: A Study in the Dynamics of a Tradition

    William S Anderson•REVIEW•The Classical World•1995

    1. Closure and continution 2. Sacrifice and substitution 3. Heaven and hell 4. Succession: fathers, poets, princes Bibliography

  • Barbarian Play: Plautus' Roman Comedy

    David Konstan, William S Anderson•ARTICLE•Phoenix•1995•Cited by: 8

    In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus), transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautu…

  • The Satiric Voice: Program, Form and Meaning in Persius and Juvenal

    William S Anderson, William Thomas Wehrle•ARTICLE•The Classical World•1994

  • Ovid: Sorrows of an Exile (Tristia)

    William S Anderson, A D Melville•ARTICLE•The Classical World•1994

  • Lucretius on Death and Anxiety: Poetry and Philosophy in De Rerum Natura

    William S Anderson, Charles Segal•ARTICLE•The American Journal of Philology•1993

    In a fresh interpretation of Lucretius's On the Nature of Things, Charles Segal reveals this great poetical account of Epicurean philosophy as an important and profound document for the history of Western attitudes toward death. He shows that this poem, aimed at promoting spiritual tranquillity, confronts two anxieties about death not addressed in Epicurus's abstract treatment--the fear of the process of dying and the fear of nothingness. Lucreti…

  • Beyond Anger: A Study of Juvenal's Third Book of Satires

    William S Anderson, Susan H Braund et al.•ARTICLE•Phoenix•1993

  • The "Vulgate" Commentary on Ovid's Metamorphoses: The Creation Myth and the Story of Orpheus

    William S Anderson, Frank T Coulson•ARTICLE•The Classical World•1992

  • Horace: Epistles Book II and Epistle to the Pisones ("Ars Poetica")

    William S Anderson, Horace Horace et al.•ARTICLE•The Classical World•1992

  • Ovid's Poetry of Exile

    William S Anderson, William Anderson et al.•ARTICLE•The Classical World•1991

    Someone clever, passionate, and heartbroken comes very near us, and I think it is Ovid. I found it impossible to stop reading these poems. And poems they are.--Richard Wilbur

  • Reading Petronius

    William S Anderson, Niall W Slater•ARTICLE•The Classical World•1991

  • Selections from Ovid's Metamorphoses: A Longman Latin Reader

    Betty Rose Nagle, Mary Purnell Frederick et al.•ARTICLE•The Classical World•1990

  • Public and Private in Vergil's Aeneid

    William S Anderson, Susan Ford Wiltshire•ARTICLE•The Classical World•1990

  • Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century

    William S Anderson, Charles Martindale•ARTICLE•The Classical World•1989

    List of plates Contributors Preface 1. Introduction Charles Martindale 2. Daedalus and Icarus (i) From Rome to the end of the Middle Ages Niall Rudd 3. Daedalus and Icarus (ii) From the Renaissance to the present day Niall Rudd 4. Ovid the Crusader C. W. Grocock 5. Chaucer and Ovid: a question of authority Helen Cooper 6. Lessons from the Great Clerk: Ovid and John Gower Bruce Harbert 7. Original fictions: metamorphoses in The Faerie Queene Colin…

Next
  • Ovid's Metamorphoses. Books 6-10

    Leo C Curran, Ovid Ovid et al.•ARTICLE•The Classical World•1974•Cited by: 33

    The Latin text of the poem's first five books including commentary and an introduction highlighting the central themes in Ovid's work which extends in time from the creation of the world to the death of Julius Caesar. The first five books are concerned with the relationship between gods and humans

  • The New Comedy of Greece and Rome

    Open Access•William S Anderson, R L Hunter•BOOK•New Comedy of Greece and Rome•1985•Cited by: 32

    In writing this book on the plays of New Comedy the author's aim is to fill a gap in the existing literature by concentrating on what one might look for in watching and reading these plays and why such an exercise might be pleasurable. The social comedy of Menander, Plautus and Terence provided a style of comic drama which was to prove the root of all subsequent western comedy. Dr Hunter gives a literary account of this drama, placing it in its a…

  • Hercules Exclusus: Propertius, IV, 9

    William S Anderson•ARTICLE•The American Journal of Philology•1964•Cited by: 28

  • Studies in Classical Satire and Related Literary Theory

    William S Anderson, C A Van Rooy•ARTICLE•Phoenix•1966•Cited by: 25

    DURING THE FIRST twenty-five years of this century, many scholars, stimulated by the controversial articles of Leo and the younger American pair, Hendrickson and Ullman, concerned themselves to establish a definition ofsatura and to place Roman satire in an acceptable literary and historical scheme. Much was undoubtedly achieved, but often at the cost of such polemic that for the time being the solid achievements were ignored, even denied. Now th…

  • Love Plots in Menander and his Roman Adapters

    Open Access•William S Anderson•ARTICLE•Ramus•1984•Cited by: 24

    It is a well known fact and problem for students of Plautus and Terence that the lack of corresponding Menandrian originals for the comedies known to have been adapted into Latin has forced us to operate with various conjectural theories about the amount and method of change introduced in their adapted plots by the Roman playwrights. We might have expected Donatus to have provided some help here, since he frequently cites the Greek lines that Ter…

  • Changing Forms: Studies in the Metamorphoses of Ovid

    William S Anderson, Otto Steen Due•ARTICLE•The American Journal of Philology•1975•Cited by: 19

  • Latin Literature from Seneca to Juvenal: A Critical Study

    William S Anderson, G O Hutchinson•ARTICLE•The American Journal of Philology•1995•Cited by: 17

    List of authors and emperors Introduction Conceptions of genre: Criticisms in prose, 'lower' poetry Genre and philosophy, history, and high poetry Wit Extravagance Structure and cohesion The gods in mythological poetry The gods in prose and in Lucan Death in prose Death in high poetry Bibliography General index Index of passages discussed

  • Pompey, His Friends, and the Literature of the First Century B.C

    Frank C Bourne, William S Anderson•ARTICLE•The Classical World•1963•Cited by: 17

  • Roman Propertius and the Reinvention of Elegy

    William S Anderson, Jeri Blair DeBrohun•ARTICLE•The Classical World•2005•Cited by: 13

    and the Reinvention of Elegy presents an arresting new interpretation of the intricate and complex poetry of Propertius' final collection. Jeri Blair DeBrohun illuminates the manner in which the poet reinvents and revitalizes his elegy in Book 4 by broadening its lyrical promise and ideological horizons.DeBrohun finds the most striking element of Book 4 to be the apparent polarity of the poems, whose themes are split between new, aetiological sub…

  • Barbarian Play: Plautus' Roman Comedy

    David Konstan, William S Anderson•ARTICLE•Phoenix•1995•Cited by: 8

    In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus), transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautu…

  • Metaformations: Soundplay and Wordplay in Ovid and Other Classical Poets

    William S Anderson, Frederick Ahl et al.•ARTICLE•The American Journal of Philology•1988•Cited by: 6

  • Puella Divina: Die Gestalt der göttlichen Geliebten bei Catull im Zusammenhang der antiken Dichtung

    William S Anderson, Godo Lieberg•ARTICLE•The Classical World•1963•Cited by: 5

  • Iunctura Callidus Acri: A Study of Persius' Satires

    William S Anderson, Cynthia S Dessen et al.•ARTICLE•The American Journal of Philology•1970•Cited by: 4

  • Beobachtungen zur Darstellungsart in Ovids Metamorphosen

    William S Anderson, Ernst Juergen Bernbeck•ARTICLE•The Classical World•1967•Cited by: 4

  • The Form, Purpose, and Position of Horace's Satire I, 8

    William S Anderson•ARTICLE•The American Journal of Philology•1972•Cited by: 3

  • The Artist's Limits in Ovid: Orpheus, Pygmalion, and Daedalus

    William S Anderson•ARTICLE•Syllecta classica•1989•Cited by: 2•References: 7

    W.S. Anderson: Artist's Limits in Ovid The Artist's Limits in Ovid: Orpheus, Pygmalion, and Daedalus William S. Anderson It has become increasingly clear to critics that Ovid was closely in touch with the main trends of Alexandrian poetry and that, even more than Propertius, he was the greatest Roman follower of Callimachus.1 Recent research on Callimachus and Apollonius and Theocritus has also revealed unnoticed depths to their work, an awarenes…

  • History of Roman Literature

    William S Anderson, William Anderson et al.•ARTICLE•The Classical World•1967•Cited by: 2

  • Horace "Carm." 1. 14: What Kind of Ship

    William S Anderson, William Anderson•ARTICLE•Classical Philology•1966•Cited by: 2

  • Identification of Another Heinsian Manuscript

    Open Access•William S Anderson•ARTICLE•The Classical Quarterly•1976•Cited by: 1

    In his recent second supplement to his invaluable catalogue of manuscripts of Ovid's Metamorphoses , Munari reports two manuscripts from the Bibliotheca Vallicelliana in Rome. The second of these, number 405 in his cumulative list, is Bibl . Vallicelliana F 25. According to the description supplied to Munari and so quoted, the manuscript is a miscellany, 23Ox 142 mm., membr. fourteenth century, and the Ovidian material is the last or number 7 of …

  • Lascivia vs. ira: Martial and Juvenal

    William S Anderson•ARTICLE•California Studies in Classical…•1970•Cited by: 1

    Research Article| January 01 1970 "Lascivia vs. ira": Martial and Juvenal William S. Anderson William S. Anderson Search for other works by this author on: This Site PubMed Google Scholar California Studies in Classical Antiquity (1970) 3: 1–34. https://doi.org/10.2307/25010596 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon …

  • The Art of the Aeneid

    Roger A Hornsby, William S Anderson•ARTICLE•The Classical World•1970•Cited by: 1

  • A New Menandrian Prototype for the "Servus Currens" of Roman Comedy

    William S Anderson•ARTICLE•Phoenix•1970•Cited by: 1

    W HEN THE CAIRO PAPYRUS in 1905 gave to the world the first substantial quantity of Menander, scholars found answers to some problems concerning the relation between Greek New Comedy and Roman Comedy, but many questions remained unsettled. This was particularly true with regard to the role of the slave. The new Menandrian material did not provide any satisfactory analogue for Plautus' superlative scheming slave nor for another shorter slave role,…

  • Horace, the Unwilling Warrior: Satire I, 9

    William S Anderson•ARTICLE•The American Journal of Philology•1956

  • A. Persi Flacci Saturarum Liber. Accedit Vita

    William S Anderson, William Anderson et al.•ARTICLE•The Classical World•1957

  • Persius 1. 107–10

    Open Access•William S Anderson•ARTICLE•The Classical Quarterly•1958

    Persius places these words in the mouth of his interlocutor, who states one of the traditional arguments against satire in the contrived manner typical of our poet. The passage may be translated: ‘What need is there to rasp upon tender little ears with biting truth? Be careful that the thresholds of the great do not perhaps grow cold towards you; here there is the nasal sound of the canine letter.’

  • Imagery in the Satires of Horace and Juvenal

    William S Anderson•ARTICLE•The American Journal of Philology•1960

  • A. Persi Flacci et D. Iuni Iuvenalis Saturae

    William S Anderson, W V Clausen•ARTICLE•The American Journal of Philology•1961

  • Aspects of Martial's Epigrams

    William S Anderson, Anca Carrington et al.•ARTICLE•The Classical World•1961

  • The Anatomy of Satire

    William S Anderson, Gilbert Highet•ARTICLE•The Classical World•1962

  • The Collected Works of Horace

    William S Anderson, Lord Dunsany et al.•ARTICLE•The Classical World•1962

  • Römische Literaturgeschichte: Ihre Grundzüge in interpretierender Darstellung. Dritte, erneuerte und verbesserte Auflage

    William S Anderson, Karl Buechner•ARTICLE•The Classical World•1962

  • Multiple Change in the Metamorphoses

    William S Anderson•ARTICLE•Transactions and Proceedings of…•1963

  • Perse, Satires

    William S Anderson, Leon Herrmann•ARTICLE•The Classical World•1963

  • Puella Divina: Die Gestalt der göttlichen Geliebten bei Catull im Zusammenhang der antiken Dichtung

    William S Anderson, Godo Lieberg•ARTICLE•The Classical World•1963•Cited by: 5

  • Pompey, His Friends, and the Literature of the First Century B.C

    Frank C Bourne, William S Anderson•ARTICLE•The Classical World•1963•Cited by: 17

  • Recent Work in Roman Satire (1955-62): In Memoriam G. L. Hendrickson (1865-1963)

    William S Anderson•ARTICLE•The Classical World•1964

  • Martial, Selected Epigrams

    William S Anderson, Rolfe Humphries•ARTICLE•The Classical World•1964

  • Recent Work in Roman Satire (1955-62): In Memoriam G. L. Hendrikson (1865-1963) (Continued)

    William S Anderson•ARTICLE•The Classical World•1964

  • Anger in Juvenal and Seneca

    Bernard F Dick, William S Anderson•ARTICLE•The Classical World•1964

  • Hercules Exclusus: Propertius, IV, 9

    William S Anderson•ARTICLE•The American Journal of Philology•1964•Cited by: 28

  • Juvenal, Satires

    William S Anderson, Juvenal Juvenal et al.•ARTICLE•The Classical World•1965

  • Horace on Poetry: Prolegomena to the Literary Epistles

    William S Anderson, C O Brink•ARTICLE•The American Journal of Philology•1966

  • Horaz in Russland. Studien und Materialien

    William S Anderson, Wolfgang Busch•ARTICLE•The Classical World•1966

  • Horace "Carm." 1. 14: What Kind of Ship

    William S Anderson, William Anderson•ARTICLE•Classical Philology•1966•Cited by: 2

  • Studies in Classical Satire and Related Literary Theory

    William S Anderson, C A Van Rooy•ARTICLE•Phoenix•1966•Cited by: 25

    DURING THE FIRST twenty-five years of this century, many scholars, stimulated by the controversial articles of Leo and the younger American pair, Hendrickson and Ullman, concerned themselves to establish a definition ofsatura and to place Roman satire in an acceptable literary and historical scheme. Much was undoubtedly achieved, but often at the cost of such polemic that for the time being the solid achievements were ignored, even denied. Now th…

  • History of Roman Literature

    William S Anderson, William Anderson et al.•ARTICLE•The Classical World•1967•Cited by: 2

  • Beobachtungen zur Darstellungsart in Ovids Metamorphosen

    William S Anderson, Ernst Juergen Bernbeck•ARTICLE•The Classical World•1967•Cited by: 4

Art (86 works) · Classical Antiquity Studies (63 works) · History (51 works) · Literature (48 works) · Philosophy (30 works) · History (21 works) · Classics (14 works) · Philosophy (14 works) · Historical and Literary Studies (11 works) · Historical, Religious, and Philosophical Studies (11 works)

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